Alexander K Opicho
(Eldoret, Kenya;
[email protected])
songs of freedom in Kenya are paradoxical of themselves
they have become the songs of oppressive tyranny
they are not songs that were sang by freedom fighters
in the tropical forests of aberdares and Mabanga
they are blissful carols of powers that be
mouthed by the state poets in the deadly feats
of political sycophancy fuelled by cult of betrayal
and espionage, a real substructure of state dictatorship
they are not the true songs of mau mau
that were sang by Kimathi wa miciuri
they are the songs of the top crust of the tribal
and political powers that be in oblivion of
the cultural revolutionaries that countermanded
cultural Darwinism of European imperial gamesters
they are not the songs sang by Elijah Masinde
of Dini Msambwa that spirited up cultural aura
of cultural dignity;which cautioned certainly
an African against the cultural call of the white culturalizer
the African to balk and turn his back
and fart and spit scornfully at cultural trickster in the colonial ploy
to dance for Dini ya Msambwa in the spirit of war and fires of war
that is to be fought in preservation of democracy and cultural freedom.