The wheat of Elysia is let go's sway--that

drops Aphrodite to her knees.

Where she watches sight spread around

her head, winnowing golden dancers.

No more that they may--they are, about

the girl that's never to go.

Yet goes, in search of the longer way that

brings her out.

Who is heard coming as silence to

silence, which turns over the horizon.

Aphrodite's heart feels as if it's doing a

headstand, with upside-down birds

emptying the contents of the world.

Where she lie, other than the world--

as the perceptor of real space.

She has a craving that expecting

mothers couldn't eureka-mouth together.

Perhaps her most significant

beautification, beginning to see what's

seen in her.

As Aphrodite says to herself: die a

moment, spring forward--after flowers.

I'm still needed, I must go back--how

many times have I done this?