G/ She’s the queen of bedight Em/ she side steps like a knight C/ and tacks like a bishop D/ at sea
F/ She can counter a canter C/ walk trot and enchanter G/ with a leg yield she changes Am/ the lead.
G/ She can turn on her haunches Em/ traverse as she launches C/ a transition position D/ to please.
F/ Pirouette's on the back C/ means give her some slack G/ while a flying change will give her Am/ some ease.
G/ If she makes a half pass Em/ by cocking her *** C/ her hind quarters are merely D/ a tease.
F/ But before your engagement C/ make sure the arrangement G/ has room for a full Am/ serpentine.
G/ Because you might regret Em/ while working up sweat C/ she’ll free walk then bolt D/ it’s routine.
F/ You could pull on the bit C/ try a shoulder fore fit G/ a renverse it will tell you Am/ she’s keen.
G/ If she tries to re-volte Em/ time she knows you're the colt C/ make contact and then D/ intervene.
F/ You can tell by her gait C/ if she’s seeking a mate G/ when she’ll saunter Am/ just like a Coleen
G/ It’s the covering room Em/ she’s the bride your the groom C/ wear blinkers D/ she’ll know what you mean.
F/ When there's no way of knowing C/ the true way of going G/ suppleness has got to be Am/ seen.
G/ Thoroughness pays Em/ in those early days C/ with thoroughbreds D/ theres’s no in between. F/ You’ll have made your first gaffe C/ if she does a Piaffe G/ Regrette Rien if she’s ne'er again Am/ seen.
F/ You’ll have made your first gaffe C/ if she does a Piaffe G/ Regrette Rien if she’s ne'er again Am/ seen.
F/ You’ll have made your first gaffe C/ if she does a Piaffe G/ Regrette Rien if she’s ne'er again Am/ seen. Chorus
F/ She don’t need no reason C/ she’s always in season G/ the world is her oyster Am/ dressage pearl girl.
F/ She don’t need no reason C/ she’s always in season G/ the world is her oyster Am/ dressage pearl girl.
F/ She don’t need no reason C/ she’s always in season G/ the world is her oyster Am/ dressage pearl girl.