.to never waste a good prose-esque (prosaic?) impromptu on a stuttering for rhyme: all in all - to never waste a good impromptu on a constipation of rhyme - knock-knock... no one's there... comes the cascade, that the impromptu has a mind of its own - that it has stolen my fingers and my hands... i'd sooner choke on a rhyme than "think" it might ease the digestive process of reading - such that the eyes see first - which implies the tongue does not necessarily have to elevate itself beyond its genesis status of an oyster in the shell of a skull - plenty of riches surround it - all these pearls tightly clenched into a grin... that i would never waste a good enough impromptu on a constipation of rhyme...
'by hampstead heath' the teleprompter, might have said and thus began: by hampstead heath no sign of tomorrow...
but truth be told: that only sounds all buttery and pretty and daffodil ******* a hyacinth sort of pwetty...
i've seen further afield and turned my gaze away from the scarred sky of the gargantuan lung that heaves as much life to live as much as it tramples said life to a mush of murk, soot, and phlegm...
enough to take my shadow my dog on a leash of thought and these legs as aporte up noak hill toward and through ingrebourne way: a horizon of hiding, teasing, tilting and foraging buttons of focus for the eyes... a canvas such that is - a most organic england... where ghosts of a people have been frolicking to the demands of pagan nudes and smoking barks of acorn and of oak... an angevin england a tudor england... before: how ready or not the world might have been for the later guise - the umpire and his tourists... before... now... an inorganic england with its imported mosques in the urban shrill of scratching metal and gluttonous concrete bulge and crackle...
- it's truly amazing not knowing: why to begin, what to begin for (which is nothing more than a fiddling of the first why prompt) - with what to begin, perhaps even: to what end? **** and **** again: another why... but as ever: there's always this persisting how...
to reiterate: why? why?! to whine! or at least... to pretend to not be in a whining concert(o)... as such: this is apparently me... not wining and dining but... no... there's a simpler why:
why no. 1: because i was never much of a d. h. lawrence fan (by omission) and now it is a fine hazy morning and i've just read some of his... rhymed whining...
why no. 2a: it's morning, and i'm thankful that it's not the afternoon, and that's a why no. 2b mind you: probably never again... nibbling on the night, past midnight, drinking feverishly, convincing myself of "genius": as any drunk who has caught less a flu more a bravado cough ends up doing... which is to say: a cocktail of bravado & gusto... perhaps some other time... when unnecessary laughter out of blue-moon imminence is that last absolutely necessary - stomach in stitches sort of shenanigans..
- and that's probably enough of the why's: plural, question - if (a) is the indefinite article... and (the) is the definite article (v'eh point... rather... no θank you very much) then... possess me! O unnecessary pedantry - raise me to a vapid polemic: throw me a peacock of verbiage! - then the (s) is both a plural article and a ('s) - apostrophe - a possessive article: an article of possession...
- which brings me to how... i suppose with language, on a spare... i see no wrong with whining like so... if one can also be whimsical about it... pretend one has an accent of ascent befitting one to use such pronoun 3rd person (i am a multitude of schizoid remains safely mitigated in vitro)... an accent less orientated in and around essex or the extension of east london... north-east loon & don...
and how else? 26 apparently necessary tools - from which Na is a prefix for na- + -me sodium / natrium / codex graeca - say... the alpha, beta croaking phallus junction of p.o.w. machismo... what war? oh... just a made up war of words... props and grandists... eat an E drop an I... how... mein gott... the infinity of hows and howls... yet still finding only one suitably inoffensive universal why... as if a why isn't already too late and is hardly justified...
as a student of kant might have put it: oddly enough everything that's how is a priori... while the why is a posteriori... - do we need to muddle the words further with that quadratic rubric of shorthand i.e. synthetic a priori vs. analytic a priori etc.? i've heard it somewhere... mind you... having recently been injected with a bug, a sickness for walking... an incessant need as it were... however much i fashion myself with enough slow-burning grub... at the zenith of 3 hours... the blood sugar level drops to the point where i can taste acidic metal in the air and i start to chew: either my tongue, my teeth together... a dignified discovery of nostalgia in the form of maynards bassetts wine gums... the chemical strawberry in that instance... far superior to the real thing... however i look at it... it would be wrong to eat a strawberry in winter... the analytical bonkers route of imported from spain: a watery mush of punched-up rouge... but this... synthetic taste of strawberry... it's hardly... but it's its own variation of: at best imitated - but at least not the worst of an over-ripe original...
- as such, the day can begin with its slouching - its miraculously stitched together humbling - that i can find a momentary repose - exceeding expectations i'll demand of myself later - or rather later forget - bride of amnesia - memories for rent: a hybrid of a cameo role and an out-of-proportion cyclopean subjectivity that tease from the omni- litany a needle eye's coercion of concentrated blind spots.