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May 2020
With the first sign of rebirth
Came the gift of time, extended
In its renewal and revival, further
Offering the restoration of friendly relations
All done as an act of reconciliation between progress
As well as forgiveness asked of our mothers, everyday
Within such gifts intended for the common crowd
It is at the stroke of the halcyon hour
That we forget our sorrows and crumble like bricks
What is of this sad ending that we talk of, intentionally
That plagues the essence of the mind which is white as snow and trembling
Only cloudy days can show us the purity of ice
When the clouds do subside, the sweetness that preside
All talk is forced into stony silence under the dark night
Through the mad-sort of palace of time
Where there is a time to withdraw into the study of history
Ashes to ashes as well as fire to fire
Dwelling in a cold curlicle of a silent galvanized gate at a cemetery
Behind a rose garden, where the woodpeckers beak at the windowpane
Rusted beyond recognition broken into windy submission
Such things are built for no purpose and no future promise
Only to sustain posterity and labour
Not to make use of Earthly resources
An old man still waits for the rain
Saying that he is hiding behind the arras of an isolated house
Where the sepulchre is hidden under a rock tattered by zephyr
A string of creeper prostrate themselves, whimpering
That ostensibly grow, under the shadow of a thatched roof
Only to never be seen again in daylight
Of rebirth and redemption
Such is the creeper in the daylight
That lives in utter recluse and retreat
A long poem. Try taking the time to go through it.
Aditya Roy
Written by
Aditya Roy  27/M/New Delhi, India
(27/M/New Delhi, India)   
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