May 2013
choo choo
next stop.....perdition
(no, not really...no-one believes this Stygian opacity)
1.
look how Time doth ravage thee
look what it did to thy visage
in smithereens, lies youth
it so artfully takes away
what is held so dear
rivers and streams
valleys and hills
arching to ecstatic heights
plunging to abysmal lows
into the ravine of chance
stirred by the spoon of Time
slowly around the cauldron
brews the self-same mixture
then poured into chasms of forgetfulness
using the eternal sledgehammer
it
smashes the foundation of thought
grinds the nutmeg of speed
pulps the fruit of mentality
slows the pulse of sensation
and pardons none.
2.
what was once sensuous and voluptuous lips
now are merely two dry slits on your face
once stared-into eyeballs, now glass over
vitreous cataracts steadily grow, ****-like
toned into lithe elastic bands now stretch
away into forever, a pale platform to walk on
life's morn is encompassed by years' slanting
clouded and bedimmed by mists of age
butterfly's existence outweighs a man's
by mere night-veiled windowpane of true sight
draw the curtains; close the shutters; screen the eyes
the time has come to shed all blinkers and face the sun.
3.
crimp
sag
limp
drag
mud cracks down a dipping dale
scalding pain sears sore half-foot
yes, time is but a disease
ravaging all
without fear or favour
sunken eyes
slower reflexes
tardier mind
scraggly body
hides not
condescends not
forgets not
the glimmer of ....
a time of ...
4.
cathedral invites the walker in
cool and calm recesses
sit silent
wait....
then *they walk in, carrying
one who had but a lucky half-score lot
clear soprano note becomes a rudderless bleat
announcing the folly of stifling ego
now shorn of burning frost of circuitous fervour
beams of mercy cast a final look-see
jump the barriers of
time
to
carry thee off.
pipe *****-stops are pulled out
(art thee ready? platform number 5)
S T, 9 May 2013
next stop.....perdition
(no, not really...no-one believes this Stygian opacity)
1.
look how Time doth ravage thee
look what it did to thy visage
in smithereens, lies youth
it so artfully takes away
what is held so dear
rivers and streams
valleys and hills
arching to ecstatic heights
plunging to abysmal lows
into the ravine of chance
stirred by the spoon of Time
slowly around the cauldron
brews the self-same mixture
then poured into chasms of forgetfulness
using the eternal sledgehammer
it
smashes the foundation of thought
grinds the nutmeg of speed
pulps the fruit of mentality
slows the pulse of sensation
and pardons none.
2.
what was once sensuous and voluptuous lips
now are merely two dry slits on your face
once stared-into eyeballs, now glass over
vitreous cataracts steadily grow, ****-like
toned into lithe elastic bands now stretch
away into forever, a pale platform to walk on
life's morn is encompassed by years' slanting
clouded and bedimmed by mists of age
butterfly's existence outweighs a man's
by mere night-veiled windowpane of true sight
draw the curtains; close the shutters; screen the eyes
the time has come to shed all blinkers and face the sun.
3.
crimp
sag
limp
drag
mud cracks down a dipping dale
scalding pain sears sore half-foot
yes, time is but a disease
ravaging all
without fear or favour
sunken eyes
slower reflexes
tardier mind
scraggly body
hides not
condescends not
forgets not
the glimmer of ....
a time of ...
4.
cathedral invites the walker in
cool and calm recesses
sit silent
wait....
then *they walk in, carrying
one who had but a lucky half-score lot
clear soprano note becomes a rudderless bleat
announcing the folly of stifling ego
now shorn of burning frost of circuitous fervour
beams of mercy cast a final look-see
jump the barriers of
time
to
carry thee off.
pipe *****-stops are pulled out
(art thee ready? platform number 5)
S T, 9 May 2013
How age doth touch the brow of one and all.
Looking at pictures of and being inspired by the writing of esteemed Anglo-American writer W. H. Auden (born in 1907, York, UK - died in 1973, Vienna).
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crêpe bows round the white necks of the public
doves,
Let the traffic policemen wear black cotton gloves.
He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.
The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood.
For nothing now can ever come to any good.
Looking at pictures of and being inspired by the writing of esteemed Anglo-American writer W. H. Auden (born in 1907, York, UK - died in 1973, Vienna).
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crêpe bows round the white necks of the public
doves,
Let the traffic policemen wear black cotton gloves.
He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.
The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood.
For nothing now can ever come to any good.
