Heres a fun puzzle for those who like writing lyrics or like adding layers to yoru poetry.... all musicians do this... Example.. Use the song Another Brick in The Wall by pink Floyd as a starting point... We don't need NO(Nyctophobia) education, we don't need no thought control (photo, tvs), no dark sarcasm in the classroom (catoptro, [cain and abel, the domestication of cats and dogs, hunter gatherers, farming), teacher leave those kids ALONe(ankylo… Lust Envy Greed)…. and align pairs or triplets of heavier phobias with pairs of more subconscious fears, like light (or waking up and the psychology behind that){random example, nycto, mono, auto, photo catoptro} and align each group of 5 with one of the 7 deadly sins (its 8, hubris and vein glory are split into their own group, its a trick) and get secret messages from them such as (A-gate) etc or from anagrams within each set of 5 till you learn what influences each of the 7 deadly sins.. like hubris is partially a creation of limit testing... envy is a product of identifications and dissociations (vein glory is split into one of its own because its origin is your ******* stage or when you realize your ***)…. or you can do it to Come Together by the Beatles and align the groups together to get messages from your 5 stages of your libido.... Oral, ****, *******, Latent, and Genital as well as aligning them with the 4 levels of dreams..... Condensation, Displacement, Visualization, and Symbolism and look for secret messages.... then after you get messages or instructions with the the anagrams on each level look for directions to draw and use the letters to create images, some of them are interesting
Its important because alienating identifications are what constitute your ego :)… BTW for another brick in the wall start out with Nycto at the top then Photo Then Catoptro then Ankylo (just immobility) and layer them with the 7 deadly sins... then alter afterwards once you get a hang of it.... BTW this is what Shakespeare does, youll see once you do it how it starts to tell a story and how it parallels his plays