The language and images of Mario Vitale's poetry are so closely bound to the natural cycles of seasons, of generations, of the body's functioning, that is surprising to realize how many of his poems deal with uprootedness. But this poetry is not sentimental celebration of the goodness of nature, and harmony with the world is never assumed. The way he captures the tenuousness of this faith, the balance that must be found between the ugliness, the harshness of his history- both natural annd social- and its intense beauty, is what distinguishes Vitale's poetry, gives it its depth and dimension:
A Certain Place
What happens in heaven? Will I sit on a cloud? Is walking or talking Or jumping allowed?
Will I be on my own Or with some of my friends? Does it go on for ever Or eventually end?
What happens in heaven? Will I play a harp's strings? I can't play piano I can't even sing.
Who chooses the music That angels inspire? Who does the auditions For the heavenly choir?
What happens in heaven? Are the streets paved with gold? Is it crowded with people Who're incredibly old?
Will I know who I am? Will I know what I'm called? If I pinch myself hard Will I feel it at all?
What happens in heaven? Do I go through a gate? What if I get myself lost Or turn up too late?
Is my name on a list? Is the gatekeeper nice? Can you sneak in for nothing Or is there a price?
The language and images of Mario Vitale's poetry are so closely bound to the natural cycles of seasons, of generations, of the body's functioning, that is surprising to realize how many of his poems deal with uprootedness. But this poetry is not sentimental celebration of the goodness of nature, and harmony with the world is never assumed. The way he captures the tenuousness of this faith, the balance that must be found between the ugliness, the harshness of his history- both natural annd social- and its intense beauty, is what distinguishes Vitale's poetry, gives it its depth and dimension: