i've got me a ***** black cadillac,
stretched out—front windows rolled right down—on the curb.
with a French girl waiting inside, legs long as sin, sitting against the wide dark window
legs extended 'cross the backseat.
hiding her eyes behind big round sunglasses, smoking oily moroccan cigarettes
—writing about the way i talk.

there's a whole lotta crisp, cold money in the trunk,
waitin' to be spent on the furs she wants;
old books for me.                                                 and why not??
old books on art,
and i can't even paint!
just sit around not talking—read about Brughel or som'thin,
wishing my over-large, complacent hands knew to render the face
a fifth so well.
a fifth of whisky's 's close 's i get,
i get drunk and further away,
out now in that devil of a car, parked presently out
by the shed where i go most nights to sit in musty chairs 'n scratch ink lazily
on pages nobody ever reads..
            —but it feels ******
                       g  o  o  d  .

my frenchwoman would like to know what i think of old Proust...

REPLY: he took too ****** long! // (a sigh can be a story)
—one could write a novel in the time it takes to
toss your load on a pair of trembling *******, held up in offering—oh i can't help but be uncouth!!
—i mean just the other day fr christ's sake i moved a friend in Waterloo
to her new apartment and when carrying up the stairs two bags of clothes and a toaster
saw wonderful little second year heading up as well so i
let her go first (at first glance you may think me chivalrous) and while climbing up behind her
composed in my head the following pome, which i dashed off later on a post-it
and dedicated to her exquisite ***:

“all legs blonde climbin' the stairs, lamp in hand, yoga pants
hot & clinging like wee-ooo / hot enough in this cramped old stairwell as is,
carrying all these bags & boxes & couches up for a friend.
—hey when you're all moved in / you could come sit that thing on my lap.
share a cigarette while i carve slices of apple & offer them to you,
impaled on the end of the knife.”