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Jan 2018
You know the type.
She's probably called something like
Isabella. Rosalie. Ginevra.
and you find her in the sort of novel where
she's outdone by someone called something like
Jane. Agnes. Lucy.
She's remembered in criticism as
Trivial. Silly. Foolish.
She's defined as Shallow. Vain. False gold.
She's analysed as the mirror, the contrast or the foil
and you're supposed to vaguely dislike her.
She'll reaffirm to the reader that the heroine,
whether she be plain or beautiful, is always, in the end,
Rational. Independent. Brave.
She reaffirms the heroine as someone who
learns and grows
while the silly girl is left looking at herself in the mirror.

The thing is sometimes I feel more like the silly girl,
the girl who needs a hand, the girl who reads books
and wants to believe the stories.
Sometimes, I'm looking in the mirror,
chest deep in my own trivial, silly little worries,
looking at the puddles not the lake, and I know.
I know I'd be one of the silly girls,
not the heroine, out there, just surviving.
I'd be one of those silly girls and I hate it - and yet
- what's so wrong with the silly girls?

What's so wrong with the girls who love themselves,
or love the wrong people or love their clothes?
What's wrong with the girls who are
brave but not rational,
independent but trivial,
selfish but practical?

What's wrong with those girls,
because I always find myself preferring
the Ginevras and the Isabellas anyway.
Basically, Isabella Linton and Ginevra Fanshawe are two of my favourite characters ever :)
Found this poem in the notes on my Kindle. I must have written it late at night, then forgotten about it. :) It's a bit lazy and silly and a bit different from other things I've been writing, but I decided to share it anyway.
I also can't believe that one of my most poems on here is me rambling about Ginevra.
Grace
Written by
Grace  24/F/England
(24/F/England)   
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