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Enacting Imitation

by ATBockholdt

1. Jorge still in the night he does not remember why —sounds of her sighs her small ears pressing into the tight space of the day or the tenderness between him and her held in the air the repeated denial of the time set chained to hold their plans were revolting against trysts spent in another’s gaze 2. Sebastian the tenacious sense in arrangement lets slip imitation how I could possess your breath and bear it delicately freeing my stances I strained in celebration at the sanctification that you’d granted to Saint Sebastian in Irene’s blessing will healing hands make poetry or trap the shaking of my languid silver pens taut but not ready 3. Carlos the sweet words brought for the lovers that beats hard each hesitance leaps without fear regarding that their time is now here the shape that your sighs take suggesting as if limits don’t exist
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Written by
ATBockholdt
21 / F / Denver, CO
For You?
Written by
ATBockholdt
21 / F / Denver, CO
Published
Dec 4, 2017
Lines·Words
76·150
Notes

This is part of collection for a senior portfolio project at CU Denver

Project is intended to represent the stylistic distinctions of great American poets through the imitation of their poetics and/or their subject matter

In this three section poem, "Enacting Imitation," I work to closely mirror William Carlos Williams poem "3 Stances." Williams uses enjambment to subtly infuse multiple meanings into his sparse lines. Williams poetry also enacts a metaphysical level that allows the reader to see the poet's space of thinking and anxieties in writing which we see in "Danse Russe," wherein Williams finds freedom in writing for himself. I also use his ideas of the variable foot to employ certain rhythmic tones and speeds into this imitation.

Tags
#william#carlos#williams#poetry#modern#imitation#3stances
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