I prefer my actors live on stage:
Living, breathing, running around.
But sometimes you need a stiff;
I like them to be, metaphorically speaking, upstanding
With a military bearing and patriotic moustache,
Ideally tricked, or seduced, by cunning foreigners.

Once they are dead, I want them face down,
Fully clothed, shot in the back,
Being studied by a stooping policeman,
Or better still, an upper class pre-war sleuth
With a cravat and a monocle;
No need for ceremony with them.

A doctor arrives.
‘What seems to be trouble?’ he asks.
‘He’s dead, you idiot!’ cries the sleuth;
‘Make yourself useful. Get Lady Bounder here a cup of tea.
She’s fainted. Two sugars.’

Enter Inspector Dummy.
‘It looks like ******,’ he announces.
‘Give the boy a medal,’ comes the witty reply.
‘Oh, sorry, your Lordship. Shall I shine your shoes?’

Then there’s a sub-plot, a side issue:
The bones of a victim
Of a botched bank robbery
Forty years before
And the stiff was his grandson.

It’s a hard job, being dead on stage,
Or so I’m told, I’ve never tried it.
I once saw a ****** victim sneeze, twice,
Under a table in the library.
He deserved that kick; nothing like a good laugh.