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Nov 2017
one asks:

why do I not send my poems anymore,
have I seized up, ceased down, now but an engine rust requiem,
absent the needed viscous, numerous verbal oils running requires,
to commend to thee without hesitant reservation

I lie, and say because,
no one read them

write profusely, blouse tear-wet, hair ungelled, thoughts unglued,
this here secondary, truth birthing reply, outed post a time delay,
revealed, staggering reluctantly, like an akimbo drunk,
who imagines every step his, still straight-lined,
then, in shock, in a confessional, through a divide,
stumbling admits,
no, they are not

my poems can no longer be milkman delivered to your
morning doorstep porch coated in condensation-wet,
thick-heavy, lovely but-out-of-shaped, rotund glass bottles,
for both this charming old practice I remember,
it and my poems, are now time-wronged,
passed over by the courant new notion of a sell-by date,
for who dares to desire to live in the timeless paths
of risky tomorrows?

these times, when life is a continuous elegy,
simplicity is so complex,
when truths are hard to distinguish
harder to believe, why then,
insert any extra hardening, provision extra difficulties,
add poems that strain, needing patience and careful handling

so many people, me compris, pained out,
obsolescent, meteor victims of dinosaur extinctions,
now so common, remarkably recognized and remarked upon,
then quickly gone to a swamp burial ignominy unnoticed

my poems, complex and long, wordy and abstruse,
do fit your avoidance profile, why to make thee weep,
so many demanding your abbreviated attention span,
my intimate uncomfortable intrusions are your lowest priority,
and this, irony, was my masters thesis topic

so I lie

forsooth my poems are secret read by the Marrano thousands,
writ by a me-disguised, they're seeked and sought out
by those who require a personal pinpricking, a violin adagio daily,
tiny little irritant memory provocations and sooth sayings,
deemed inappropriate, for no predeterminant answers asked,
banished from today's new world symphony,
governed by a set of exclusionary convent rules,
that perforce demand a trigger warning:

place no peas neath my mattress, so I may sleep,
without the discomfiture, the unordered risk intensity of
dreaming without any restraint,
composing the future in the moment


11-13-17 1:31am
for Chris
Written by
Nat Lipstadt  M/nyc
(M/nyc)   
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