The Art World knows her face, and, for certain, her smile; a smile sad, enigmatic, constrained. So I read, with some interest, of a copy that that’s thought to share an author one and the same.
The provenance of the piece is not clear; Some detect the Master’s own style. Others contend an apprentice’s fingers transcribed the work like a file.
The dispute will continue, for years I suspect. The work will be x-rayed for clues If it turns out to be Leonardo’s own work, I t will certainly be front page news.
He carried the original wherever he went. He was proud of this work, I am sure. In a long life of work there would be time enough to copy this famed portraiture.
I look on it now: She is modest, demure, her lips bear the hint of a smile. She’s a thin coat of oil on poplar wood, done in his unmistakable style.
Are you a copy or are you for real? Dear Lady, refined and reserved, in you was the hand of the Master at work? Mona Lisa’s not saying a word.