if god is dead,
then poetry is nought: but suicide.

could it be the evermore question, a year from now
the same autumn will rinse the lands of once budding colour,
and stretch, as the eye can see, the witry skeletons,
where once the birds nested their young in bulbs of harvested
twigs  bundled up? for what if the wintry tree, if not
the last remnants of the airs of spring,
a lizardly womb of flight...
   so the paupers of Rome argue
about the benefits of monogamy,
as they might about monotheism...
and they say monogamy is not "natural",
but what is? why take the burden of
a widower swan, why extract monogamy from
swans and later find the harem of monkeys?
and then simply say: it be unnatural... why?
we were never gracious enough to mirror
swans, hence the brothers Grimm and the
ugly duckling mistook...
        oh wagers of the translated Graeae
of Scotland, where it Hamlet on the couch,
or where it Macbeth?
what matters is how populist media makes
a franchise of a form of athletics that cannot bed
a guised look of despondency -
      puritan saxon conference on sexuality
that gone beyond the ******* use:
***** therefore thinking,
            flaccid therefore not thinking...
you can utilise language to a point where mathematical
certainty is given, as is the missing blemish of
woad... no wonder the Saxon maidens
    retain their virginity at home,
but treat themselves for a nibble of the Magdalene
on the isle of Malaga... puritanism disintegrates
2 weeks in...
                   and still they bemoan,
if they have been growing more and more depressed
since the second world war...
                why allow them to create this viral infection
that's like a virus ingested by unsuspecting
       victims... are they not the ones
prescribing premature depression since they
heaved no foetus in their womb?
          and having done so, are clear of the command:
remove that alien **** from me!
   aren't they?
       if god is dead... all those who write poetry
have committed suicide...
           i once made a lament statement:
given that god is dead, then so is poetry,
i don't which is more lamentable...
but i'm sure to spot a few more eager-beavers of
kneeling and prayer than i'm to see poets...
and can i return to the heights having sunk so low?
      evidently i didn't sulk on my way down,
could poetry ever be tamed with no populist
acrimony? no *auld lang syne?
      i doubt it...              i very much doubt
a care for anything else sing-along astute than that,
for all i can compete with, is, some sort
of individual... a shadowy statuette...
         it's what's called the reverse of having a heart
for the cardiologist, a brain for the neurosurgeon,
a pathology for the psychiatrists,
  an ambition for the philosopher (mistook them
as humanists you have, for those that are simply
relegated from the realms of language by linguists) -
  for the oncologist that's hardly an ontologist....
swans epitome monogamy with the widower...
apes are Islam with the harem...
          and they say gods do not exist...
but if one sees no god, how is one to replica
a god's existence, if man borrows from the purest
sense of plagiarism that hides no legal documents
enforcing a slack on plagiarism, namely that of anima /
animal? man cannot grasp a concept of god
by sacrificing himself on the altar of imitable animal...
swans have their monogamy... man too presumptuous
also chose swans as the guiding beacon...
softened core, a mongrel of mammal and lizard
that the birds became... furry but borne from
a cracking of the eggshell... man too presumptuous...
he looked elsewhere to no visionary guide since
Narcissus: for mythology is the guiding hand of
new poetry, should god be indeed dead, and poetry
akin to that statement be merely suicide...
then at least mythology is equivalent of history
for poetry... at least there is a logic involved..
   for assuredly should god be dead,
and chlorophyll as pointless as the logic of bio:
be that of life outside one's own graphic or within
one's graphic... should life be nothing more
than the tactless usurping of history that is merely
a blank hole between the omni toward a speciem,
then why have we bothered recording history?
of all scientific theories, of all that rampantly
degrade all human dignity, why create a despotism
within science, that constantly repeats itself
to be overvalued, for reasons that suggests:
en masse applicability due to its pictorial invigoration
for a cruising simplicity? i gather this be a reason
for the emergence of technophobes, or men equipped
to war armed with nothing but sticks!
it's one thing to popularise an idea, later morphed
into a theory, then morphed into an ideology
(an idea that recurs persistently and has no
theoretical basis to not succumb to its theoretical
premise of becoming dodo - the theory of evolution
doesn't take into context the notion that it too can
become extinct... surpassed by something more
invigorating)... later morphed into a shiva
construct that destroys itself...
          we've seen 20th century's pinnacle of this
idea... we've seen eugenics emerge from a pristine
monkish background that said: how best
to economise the case of: the accurate *****-count...
is Darwinism the zenith of invigorating man?
              i find it's too arrogant to even imagine
a square tilting into a rhombus...
       suggesting a rectangle...
       but the days of roaming the Savannah are long gone
and past us... the dependency on oil and gas
and central heating has created a prison-like Akeley...
from what we've inherited, toward what we can
expect, or with suspicion: demand.
            and to think having begun erasing history,
and to think, having erased history of what's noteworthy,
we turned the slapped cheek into a cubist abstraction:
it seems pointless naming pubs after Charlemagne
(shar-le-maine) let alone singing about them...
let's all celebrate running ****-naked on a Kenyan
plateau... and rather than dealing with the past
on a poetic scale... rather: on a literalist scaling of things...
it's almost like biblical literalism kinetics....
     in either case: everyday poetry dies...
or as the case is minded to refresh the argument:
    with the death of god, poetry committed suicide...
i don't know which is the more tragic evidence
of what language has become...
                     this doesn't even invoke an analysis
of the marketplace use of language that politics is...
god forbid it should ever come to that...
  aren't we supposed to feel something otherworldly
at some point in our lives?
                     it's not that i can't rationalise my existence
into this world alone... and feel all the contentment
i need by mere concern for thought trickling into my
being within it...
            it's just that i can't rationalise my existence within
this world alone, based upon a hierarchical
          symptom... much akin to Guy "Lucifer" Fawkes
tried to state by blowing the houses of parliament...
which doesn't suggest a need for a celestial conjuring
of dictator... man has already encouraged that
with English 24/7 c.c.t.v.,
                                                   and as might be suggested...
the point you reach when catching yourself trying
to persuade or enforce a point...
         that lacks all emotive sensitivity hoping for
a romantic excavation invoking the zeitgeist of the times...
neo-romantics are on the rise...
                            we do live in a time of neo-romanticism,
as a few might have suggested: globalisation's
and the audaciousness of militant Islam's offspring:
lying dormant, like a speech by Pope Urban II:
     it just lay there, under a fog of submerged Calvinism
and secular sensibility... waiting patiently
        till the nibbling stopped and it had a chance
to counter... it truly was a case of Damocles' seconds...
tick-tock, tick-tock... and thus the guillotine dropped;
you could feel the carcass stench in the air
         or what cultural-marxisim would make of
an economy that attacked its own economic model...
  it would be deemed dead economically,
but culturally? resurgent...
         you could sniff it out in the air, that rotting
carcass menu: providing a wake of vultures,
                                  or a comedy house of hyenas.