Nov 2016
when marco polo sailed to china,
kublai khan was the emperor of china.
or what other privilege can i speak of, if not that celebration
of the bilingual, there rooted, the sword in slavic
and the sheath in pseudo-Germanic;
for what violence is to come
it will always retract in the Germanic
for a time-period of two-faced thespian
pleasantries,
without the need for pleasantries
already waiting bloodthirsty,
as said, the common motto
more true now with ***** farms of turnip
donors than ever before,
science has become arrogant, almost religiously,
it's arrogant, it's arrogant, it's arrogant,
and because it's arrogant: it's blind.
high expectations for words so grand they
fathomed nations to be used in between
kettles, teacups, knives, forks and napkins...
where's the equilibrium economy?
well, for one this sort of work is deemed "work",
intellectualism is nothing in the post-Germanic
world of English and Americanism -
if you ain't singing (citing the motto): you
ain't thinking... for the quick buck, doctor.
it's sad and almost revealing,
a cursed fate of our fathers' indentation
on the world...
you don't grow a beard to look smart
while holding a book using your upper-body
to wriggle the jig of a song, the vanity of having
a double chin...
the principle of ensō is to have things intact,
ensō doesn't exist outside of poetry,
you don't drink coffee in between and
then flick to a sitcom for a "creative" break
to what is: an already generic narrative.
prose is the excess of narration, there are sparks
along the way, but nothing as convincing
as Stendhal's omnus...
and could i have simply abandoned
that quasi-epic poem of mine that's two days old?
only having realised that all said things prior
and now, subsequently, after are instilled within
the ensō principle that's less axe on the gallows:
and more guillotine; which translates into
symbols and the effectiveness of *less is more,
what's the standardising canvas? alcohol,
i.e. proof.
a poem can be nearing 100% proof,
something you'd use in a surgical theatre...
i have drank spirits in the 90 - 99% range...
a poem can be considered to be in the >50%
range... after all... people are able to memorise
poems, or are intended to do so -
which is hard to conceive the Koranic attitude
toward poets, the Koran states an abhorrence
towards poets, in some surah of so-and-so number...
my problem is with the Hafiz: people who memorise
the Quran... as suggested from the above:
prose literature can be considered to be in the <50%
range... hence the need to extract spoilers /
quotes from prose books... something memorable...
and because prose is laden with too much
narrative lead, it sinks to the bottom,
into the unconscious, and is only revised within
dreams, when something synonymously-parallel
happens to us in your daily-narrated lives:
we are more prone to narrate than think
in terms of Jefferson and the light-bulb...
i wish i had the encyclopedic reference point where
the Quran explicitly states hostility toward
poetry... but thankfully the mere existence of
the Hafiz undermines the Quran as: the poetry
to end all poetry; and where does Stendhal
come into this? in the Red & the Black, the protagonist
is also a "Hafiz", in that he can recite the entire
Biblical text: by heart. i retain the this fact even
though the days spent reading that book
extended to many hours on the bus to school...
Julien Sorel / Ewan McGregor (in the realisation
of the book onto the screen)...
if the Quran attacks poets for their fickle-mindedness
i can only say: the mind is very literally fickle
in the first place, given:
a. the number of choices we can make, and
b. the reversal of where the mind is embedded,
i.e. in the brain, and given the brain's complexity
and foundation in polymathic expressions
from the gymnastics of trivia, to the labours of
singled-out interests... poets aren't fickle
minded because they're poets,
we're universally fickle minded, because the mind
is a fickle thing in the first place...
to counter the complexity of the brain,
only when the mind is found migrating into
the ******* region or the heart is there any sense
of determination to be seen...
clearly Muhammad migrated from the brain
got himself a mini-harem and established a family,
****** Ali over on an empty promise and
immediately established a schism that took much
longer to be established in Christianity...
i told you: my prejudices are personal,
they're not environment, i did have Muslim "friends",
i did read the Quran and i did sit in a Reagent's Park
mosque in my socks looking at the feng shui
minimalism... obviously the schism would come
from the place where a major element was used
in dressing up the mosques... persian carpets...
and the fact that the Farsi loved their poetry...
the fact that the Quran is to be sang is basically
one poet, telling all others poets to come:
YOUR WORK IS ****!
that's feeble, esp. if you take the sword
out after when people tell you no.
but that's what i don't understand, if the Quran
is so against poetry, doesn't the existence of
the Hafiz mean that it actually is poetry?
could you find a team of such plonkers to memorise
a single chapter of Tolstoy's war & peace?
i ******* well doubt it...
plus the whole mono-lingual attitude toward it
means for me to argue certain points with some
Sheikh Ali-Baba would means years lost
to hark out a word of arabic...
point being, any chance to learn a new optical
encoding of sounds is impossible,
the one i already have has eroded such a potential:
plus the fact that it's so different...
plus i spotted some anomalies in the system i'm
using: here's it's saying java, .dos, linux...
oh don't feel left out from the computer
programming community: turn the cheek and
say in robo-slo-mo: psi-borg (Ψ-borg):
it's the crucifix of the psychology community anyway (Ψ)...
i inherited the difference between
s & ś a & ą -
or as one ironic German phrasing had it, a long long
time ago on a Catholic retreat in the south of France
(Taizé): vey didn't oonderstand my good Inglish aacent,
you know how Arnie sounds, right?
just like that... became the running joke for a few years...
you basically learn an accent having spotted
diacritical markings... having been raised in
a phonetic-realm where diacritical marks are used,
and then growing up in a phonetic-realm where
they are completely disregarded... well,
it's not hard not sound English and then lurking
in the shadows if someone is calling your ethnic origin
as vermin... having such a kind remark as this one
to further the entertainment... i heard
that in America there's that thing called "white-privilege",
and that you can't be racist to a white person
if you're a white person... well... you won't be getting
any jazz and blues out of me sweetiepie, that's for sure:
politics, unfortunately; and what better way
to state politics than with poetry, or the tact within
poetry: telling someone to go to hell with them
anticipating the trip.
kublai khan was the emperor of china.
or what other privilege can i speak of, if not that celebration
of the bilingual, there rooted, the sword in slavic
and the sheath in pseudo-Germanic;
for what violence is to come
it will always retract in the Germanic
for a time-period of two-faced thespian
pleasantries,
without the need for pleasantries
already waiting bloodthirsty,
as said, the common motto
more true now with ***** farms of turnip
donors than ever before,
science has become arrogant, almost religiously,
it's arrogant, it's arrogant, it's arrogant,
and because it's arrogant: it's blind.
high expectations for words so grand they
fathomed nations to be used in between
kettles, teacups, knives, forks and napkins...
where's the equilibrium economy?
well, for one this sort of work is deemed "work",
intellectualism is nothing in the post-Germanic
world of English and Americanism -
if you ain't singing (citing the motto): you
ain't thinking... for the quick buck, doctor.
it's sad and almost revealing,
a cursed fate of our fathers' indentation
on the world...
you don't grow a beard to look smart
while holding a book using your upper-body
to wriggle the jig of a song, the vanity of having
a double chin...
the principle of ensō is to have things intact,
ensō doesn't exist outside of poetry,
you don't drink coffee in between and
then flick to a sitcom for a "creative" break
to what is: an already generic narrative.
prose is the excess of narration, there are sparks
along the way, but nothing as convincing
as Stendhal's omnus...
and could i have simply abandoned
that quasi-epic poem of mine that's two days old?
only having realised that all said things prior
and now, subsequently, after are instilled within
the ensō principle that's less axe on the gallows:
and more guillotine; which translates into
symbols and the effectiveness of *less is more,
what's the standardising canvas? alcohol,
i.e. proof.
a poem can be nearing 100% proof,
something you'd use in a surgical theatre...
i have drank spirits in the 90 - 99% range...
a poem can be considered to be in the >50%
range... after all... people are able to memorise
poems, or are intended to do so -
which is hard to conceive the Koranic attitude
toward poets, the Koran states an abhorrence
towards poets, in some surah of so-and-so number...
my problem is with the Hafiz: people who memorise
the Quran... as suggested from the above:
prose literature can be considered to be in the <50%
range... hence the need to extract spoilers /
quotes from prose books... something memorable...
and because prose is laden with too much
narrative lead, it sinks to the bottom,
into the unconscious, and is only revised within
dreams, when something synonymously-parallel
happens to us in your daily-narrated lives:
we are more prone to narrate than think
in terms of Jefferson and the light-bulb...
i wish i had the encyclopedic reference point where
the Quran explicitly states hostility toward
poetry... but thankfully the mere existence of
the Hafiz undermines the Quran as: the poetry
to end all poetry; and where does Stendhal
come into this? in the Red & the Black, the protagonist
is also a "Hafiz", in that he can recite the entire
Biblical text: by heart. i retain the this fact even
though the days spent reading that book
extended to many hours on the bus to school...
Julien Sorel / Ewan McGregor (in the realisation
of the book onto the screen)...
if the Quran attacks poets for their fickle-mindedness
i can only say: the mind is very literally fickle
in the first place, given:
a. the number of choices we can make, and
b. the reversal of where the mind is embedded,
i.e. in the brain, and given the brain's complexity
and foundation in polymathic expressions
from the gymnastics of trivia, to the labours of
singled-out interests... poets aren't fickle
minded because they're poets,
we're universally fickle minded, because the mind
is a fickle thing in the first place...
to counter the complexity of the brain,
only when the mind is found migrating into
the ******* region or the heart is there any sense
of determination to be seen...
clearly Muhammad migrated from the brain
got himself a mini-harem and established a family,
****** Ali over on an empty promise and
immediately established a schism that took much
longer to be established in Christianity...
i told you: my prejudices are personal,
they're not environment, i did have Muslim "friends",
i did read the Quran and i did sit in a Reagent's Park
mosque in my socks looking at the feng shui
minimalism... obviously the schism would come
from the place where a major element was used
in dressing up the mosques... persian carpets...
and the fact that the Farsi loved their poetry...
the fact that the Quran is to be sang is basically
one poet, telling all others poets to come:
YOUR WORK IS ****!
that's feeble, esp. if you take the sword
out after when people tell you no.
but that's what i don't understand, if the Quran
is so against poetry, doesn't the existence of
the Hafiz mean that it actually is poetry?
could you find a team of such plonkers to memorise
a single chapter of Tolstoy's war & peace?
i ******* well doubt it...
plus the whole mono-lingual attitude toward it
means for me to argue certain points with some
Sheikh Ali-Baba would means years lost
to hark out a word of arabic...
point being, any chance to learn a new optical
encoding of sounds is impossible,
the one i already have has eroded such a potential:
plus the fact that it's so different...
plus i spotted some anomalies in the system i'm
using: here's it's saying java, .dos, linux...
oh don't feel left out from the computer
programming community: turn the cheek and
say in robo-slo-mo: psi-borg (Ψ-borg):
it's the crucifix of the psychology community anyway (Ψ)...
i inherited the difference between
s & ś a & ą -
or as one ironic German phrasing had it, a long long
time ago on a Catholic retreat in the south of France
(Taizé): vey didn't oonderstand my good Inglish aacent,
you know how Arnie sounds, right?
just like that... became the running joke for a few years...
you basically learn an accent having spotted
diacritical markings... having been raised in
a phonetic-realm where diacritical marks are used,
and then growing up in a phonetic-realm where
they are completely disregarded... well,
it's not hard not sound English and then lurking
in the shadows if someone is calling your ethnic origin
as vermin... having such a kind remark as this one
to further the entertainment... i heard
that in America there's that thing called "white-privilege",
and that you can't be racist to a white person
if you're a white person... well... you won't be getting
any jazz and blues out of me sweetiepie, that's for sure:
politics, unfortunately; and what better way
to state politics than with poetry, or the tact within
poetry: telling someone to go to hell with them
anticipating the trip.
