My mother’s second cousin went to a fine university, majored in anthropology, and wore Italian wingtips and a black fedora pulled down rakishly over one eye.
I hear he was a handsome man.
He joined Toastmasters and spoke extemporaneously to small crowds of strangers.
He packed a leatherette bag and went bowling every other Sunday night.
He took his children camping and taught them to catch a fire with magnesium and tinder.
He mowed the lawn with lapidary precision; neighbors admired his yard: brilliant green, sharp as an emerald.
He played the spinet piano in the hallway after dinner, the metronome clicking out time.
His black suits— immaculate skins of a domesticated creature—smelled of cigarette smoke and fountain pen ink.
But, according to my mother, something went wrong along the way. He began to hunger for something that clawed just beyond the evenly trimmed hedgerows.
He smiled at night, listening to malevolent creatures leaping from rooftop to rooftop.
He began to hate his wife’s brown dresses: brown is the color of compromise, he seethed to himself.
His voice became quieter; bowling became a bother.
Eventually, he left his fedora hanging on the coat rack in the hall. His neglected wingtips gathered dust in the bedroom closet. The pockets of his favorite suits swelled with cryptic notes, written to himself with stolen fountain pens.
One night, when the children were sleeping, he set the table and killed his wife with a spoon.