poetic description of England in the 1960s will never
be a solitary figurine prancing dance,
only in the 21st century will it become clear -
as i read the fragments of the Cantos
in the early years of the 21st century i know the few
years numbering it for a populist
personality - the fragments after a
pause are crucial - but for me there's not azure-eyed
Olga - we never dare to forgive
Dante in Paradiso, let alone Inferno...
but we do dare forgive  Ezra in St. Elizabeth's -
a bit like me in England,
ungoverned by Orwell's prophesy
a lunatic asylum for Albanians -
the scientists are doing a runner for the mainland,
the opera is about to begin -
if i were i Cracow circa 1942 i'm be herded
into Auschwitz, unless i played Schubert on
piano, of course, some **** officer might
spot my talent by then... before they test it on the public
they test it on the Fußsoldaten -
they want to know how the sane man will crack
when given rigid army attention's worth of
order in a return to society -
poetry in the 1960s? you really want to believe
populist democracy - fun and games -
democracy has two enemies -
one inside, one without -
democracy is about the people, you can
try to individuate yourself in democracy
but you'll just end up being a despot to the people,
democracy is like Hollywood, it wants actors -
trying to be an individual in democracy
is like calling yourself Adolf ****** -
currently the people are trying to erase
their colonial past with a poly-ethnic society experiment
(it won't work, the vermin have spoken),
democracy loves to depose despots in ruling government
while at the same time creating terrorists -
it does both at the same time -
it's perfected its imperfections to do so.
by the way the poets describe it,
the 1960s weren't all that worth celebration,
the everyday kicked in... the 1960s seem
like rather glum times - nothing to celebrate -
should i be surprised? still, democracy is the
failure we all like to keep failing,
so we can convene on the appropriate bureaucratic
expansion - despotism doesn't favour the latter,
hence its failings concerning professions
with pencil sharpeners.
Adolf asked: marriage works (heirat arbeit)?
the people replied: ja!
Adolf reiterated: das Autobahn.
the people reinvented: die autokäfer!
and then there was tarmac with skid marks from
the revenants / alter curator traffic-jam pensioners
at 5p.m. hungry for their nips & tatties
alongside buff beef syringed with steroids
tested at the 1988 Olympics; fancy the Soviet
women growing beards on the sprint track
before tabloids undermined the democratic argument
for free-press - tabloids are just as bad as
despots mediating press-freedom;
tabloids are collective despotism, or to put it mildly,
throwing cabbage rather rather than using the guillotine...
i'd prefer the guillotine.... meaning i wouldn't
have to watch your ****-like ****** expressions
beyond the cabbage thrown.