I begin with some well-wrought clichés: a face full of flowers by a window, a humming hearth where the in-folding flames hold a thousand roses by trestles of soot while outside the leaves of the autumn trees, by the iron-root and crocus-foot, not yet undone of their crimson-chrome, bypass all platitudinous theories and reiterate a passionate reasonless reason for making known the incredible odour of sunken hours when snow had its own impeccable bleach of flowers and loaves had no need of wheat.
Drawn under, again and again I have blundered upon innumerable halved hearths, suddenly crestfallen, downcast.
About beauty even in well-worn phrases, about memory, sadness and loss.