rereading is sheer masochism; poems that are like quantum maps of complete disorientation, walking across horizons with a crazy Bermuda triangle compass constantly spinning, with no scientific entry point of potential of itemisation, a bit like π, and yes, re-wording or revising a poem in english you have to deal with conjunctions that turn out to be prepositions, and indeed pseudo-adjectives too; so many ******* modifiers of phraseology.

one of the reasons, i find,
why man encodes sounds,
is because of the images
he generates;
****, ******, war;
we encode sound to hush,
we encode sounds as a way
to trivialise if not simply obstruct
images, we find "peace"
encoding sounds, to limit the possibilities
of generating images,
we're not keen on generating images,
we encode, we encode sounds,
without the zenith (the sound of raindrops)
nor the nadir (the sound of rapes),
we try to encode sounds, but we never
really decode image recurrence
as necessarily being obstructed,
we say the same **** like our toiletry practice,
sure we encode sounds perfectly, elaborate spelling
and grammatical technique,
but when we paint we depict...
we can't encode to decode-an-obstruction in that medium,
we can't surd the **** thing from ever
repeating itself, we depict in order to
conceive a pendulum and a forward magnetism,
images don't seem to be artefacts of obstructive-decoding,
of sentencing to a taboo, more like passive-encoding...
easier the crucifix or an electric chair...
we can encode sounds, but we can't encode
images, since we exploit them
for an unnecessary repetition -
the regurgitation of life's something, and an awareness of it,
we can encode sounds with the 26 surds...
but then the medium of assembling contortions
of shapes in the medium of the rainbow
gives air to exfoliate - the oyster pores opening
up eagerly for experience, however painful...
try it... you can't encode red of a rose or the sunset
with oils of the required sediment / pixel...
encode it... *red...
we love to hush matters and brush them aside...
which is why painting by posthumous artists sell
for so much, we have civilisation but no tribalism...
no society as such...
we encoded the pains and pleasures,
but made experiences doubly opulent by a lack
of encoding the rainbow spectrum into either white or
black extremes... sleep or blankness...
indeed sounds are easily encoded,
but images and conventions of experiences aren't...
with encoded sounds there's no mirroring effect...
they remain, the everlasting imprint on the psyche...
i can convene with you over the sound of the periodic
A, as it supposedly instructs you in it being pronounced
via the allowance of being strapped into
the role of dentistry's guinea pig...
but where are we with green? is that short
of amber to instruct you in what? what?
imagining a meadow, or instructing you to talk
like a Hackney hipster after puffing dead a blunt?