Oct 2015
its taken me too long to unstitch my hands and free every thought you shuffled and stuck inside of my head
one. i think you lost me somewhere between wanting to cross miles to get to me and forgetting i exist because at some moments it feels like you worked overtime to fix the abandon architectural artwork inside of me like i was community service
two. after you came and knocked down trees and shifted the tides, every ounce of clarity was able to mirror
your whimsical efforts of drowning me out with pretty girl phrases and only calling me when you were too high to choke out my name
three. i had something inside of me that was kept under glass and i let you behind closed doors and watched you destroy it
i let you build me up with toy blocks just how you wanted me, and i let you lose interest when you decided it was more fun to knock me down and listen to the noise i made when i hit the concrete
four. the Worlds Most Fragile museum was being catered to in the holes in my chest and if i was an armoire and you opened me up your name in red pen ink would spill out of me over thousands of artifacts and priceless memories that you've bubbled over and consumed
five. even as i write this, you'd think i would find a home in an elementary classroom by the way i can barely remember how to speak
and ive got no doubt that you went out with your usual bang
and when you left you took a goodbye that never quite delivered and all of my words with you
six. my grandmother told me insects sing, for months, the same song in hopes that they will attract a mate with their repetitive soliloquies and maybe that's my hope when i tell you i love you even when you hurt me, hope that maybe one day you will pick up the phone and echo my ache with a clear, sober melody that sounds like home.
im sure the insects will find someone who enjoys their neurotic patterns and im sure i will sleep alone in an uncomfortable bed only shushing the silence as the mailcart comes by my front lawn and pauses for a second as if it empathizes with the way i stand at the door.
seven. im always waiting for a manilla package addressed to me
containing every night i spent trying to be anxiously clever and overlooking your bad judgement and the flickers across your sentences where you were forcing yourself to care
eight. every night all i receive is the crickets and a reminder that the letters that spell out your name had become my own personal hamartia before i started whispering it in my sleep
nine. ever since we met you've infected my veins like you were a deadly back alley drug and there's something so addicting about wanting to fix someone and figure them out and work for their love
ten. if you steal my expressions and bury them in your ground and stick a wooden stake through my last words in order to make sure i only resurface when your sobriety is fully compromised, i will, as writers do, create myself a new dictionary
the act of your name will become a verb: forcing time to scrub the inside of every part of me you touched like im a sold off garage sale item and you're trying to expurgate any emotional damage that might have been done to lower my price
the way the bugs echo will become an adjective for when i am too tired to go out and pretend that my feet arent sinking into the floor
the drilled-for-oil glass museum in my heart will become a noun; the eighth wonder of the world, and i will continue to let people destroy it and piece it back together for the sake of art
the way you left me and the ferocity of how you stole every part of me i showed you will join adverbs and Aristotle's tragedy principles among people who created their own cloudbursts.
the way i wrap everything i've wanted to say to the back of your head as you walk away into a bulletpoint essay will become my new definition for poetry and i will build myself up from the ashes i will create from your destruction, i will sing my own songs and showcase my own museums and mail my own letters and i will **continue.
one. i think you lost me somewhere between wanting to cross miles to get to me and forgetting i exist because at some moments it feels like you worked overtime to fix the abandon architectural artwork inside of me like i was community service
two. after you came and knocked down trees and shifted the tides, every ounce of clarity was able to mirror
your whimsical efforts of drowning me out with pretty girl phrases and only calling me when you were too high to choke out my name
three. i had something inside of me that was kept under glass and i let you behind closed doors and watched you destroy it
i let you build me up with toy blocks just how you wanted me, and i let you lose interest when you decided it was more fun to knock me down and listen to the noise i made when i hit the concrete
four. the Worlds Most Fragile museum was being catered to in the holes in my chest and if i was an armoire and you opened me up your name in red pen ink would spill out of me over thousands of artifacts and priceless memories that you've bubbled over and consumed
five. even as i write this, you'd think i would find a home in an elementary classroom by the way i can barely remember how to speak
and ive got no doubt that you went out with your usual bang
and when you left you took a goodbye that never quite delivered and all of my words with you
six. my grandmother told me insects sing, for months, the same song in hopes that they will attract a mate with their repetitive soliloquies and maybe that's my hope when i tell you i love you even when you hurt me, hope that maybe one day you will pick up the phone and echo my ache with a clear, sober melody that sounds like home.
im sure the insects will find someone who enjoys their neurotic patterns and im sure i will sleep alone in an uncomfortable bed only shushing the silence as the mailcart comes by my front lawn and pauses for a second as if it empathizes with the way i stand at the door.
seven. im always waiting for a manilla package addressed to me
containing every night i spent trying to be anxiously clever and overlooking your bad judgement and the flickers across your sentences where you were forcing yourself to care
eight. every night all i receive is the crickets and a reminder that the letters that spell out your name had become my own personal hamartia before i started whispering it in my sleep
nine. ever since we met you've infected my veins like you were a deadly back alley drug and there's something so addicting about wanting to fix someone and figure them out and work for their love
ten. if you steal my expressions and bury them in your ground and stick a wooden stake through my last words in order to make sure i only resurface when your sobriety is fully compromised, i will, as writers do, create myself a new dictionary
the act of your name will become a verb: forcing time to scrub the inside of every part of me you touched like im a sold off garage sale item and you're trying to expurgate any emotional damage that might have been done to lower my price
the way the bugs echo will become an adjective for when i am too tired to go out and pretend that my feet arent sinking into the floor
the drilled-for-oil glass museum in my heart will become a noun; the eighth wonder of the world, and i will continue to let people destroy it and piece it back together for the sake of art
the way you left me and the ferocity of how you stole every part of me i showed you will join adverbs and Aristotle's tragedy principles among people who created their own cloudbursts.
the way i wrap everything i've wanted to say to the back of your head as you walk away into a bulletpoint essay will become my new definition for poetry and i will build myself up from the ashes i will create from your destruction, i will sing my own songs and showcase my own museums and mail my own letters and i will **continue.
*******
