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Feb 20 · 186
gone
kate Feb 20
there is a version of me who is covered in ash.
that girl would rather jump into the fire than put it out.
there is a version of me who is scared to be
the fallout, scared to be the end of the
sentence and the last touch.
i want to hold that girl in both hands.
i want to touch that girl gently.
that girl never listened.
i want to tell her in a language she will understand:
you have been wandering through the smoke for
so long, you can't see that this is just a room. this is
just four walls of a house, with a boy and a bed drenched in gasoline.
this is just a boy, this is not a home, this is just smoke and mirrors.
there is a version of me who wanted to save him from the flames.
i want to brush the dirt from that girls forehead and hold
onto her shoulders until she stops shaking. i want to tell her in
a language she will understand:
it will always feel like this. it will always feel like gasping for
air, you never know when its safe to be yourself or when its safer to be a version he wants. it will always feel like planning an escape route you never use. why wont he open the window? why wont he let you breathe?
there is a version of me who needs someone, and i wish to God that i could cover her eyes with both hands until the pain dissipates and it is just a room once again. until it stops burning.
that girl is so brave.
that girl tried to leave so many times.
when she puts one hand on the doorknob, i want to stand behind her.
this is just an empty room with scorched walls. there is nothing
more than the nothing that is left.
when she asks. "where will i go?"
i want to whisper, "you will come home to your heart."
i still love this boy. and i hope he comes back soon.
Dec 2018 · 185
terms of falling apart:
kate Dec 2018
i make up rules for myself and then i break them.
i have spent so much time picking out seeds from my brain.
i am trying to remove the rot i planted.
i promise i will smoke less,
and drink less, and
write more.
i promise i will spend less time living inside of my brain.
i can't explain this method of self-destruction.
it is not detonating.
it is perpetual loneliness, like sand through an hourglass.
i dissolve.
a steady rain
for days.
and maybe its stylistic,
as every writer enters a page the same way,
to pour.
to let the flood cleanse your skin, to feel
relief, reborn.
i make up these rules for myself as terms for falling apart.
i am only human, i have been buried with these words
and have the grief to prove it.
i smoke too much,
i drink too much,
i haven't been able to make it out of a poem alive
in months.
Nov 2018 · 479
string theory
kate Nov 2018
the last time i saw you, you told me that there is a string connecting us. that you tug on it and hope it is still holding onto my end. that some days you feel like you have to stretch it far, so far you can pluck a eulogy out of the thread.
you wonder where i go, when you spend all day with your arms stretched out to me because you just can't quite feel me there.
the truth is, there are days where my love feels like lace around my wrists. i carry the weight evenly in both of my hands, secure by my side when i walk.
there are days where my love is tethered to the end of a kite. it circles the sky under the breath of something magical. it puts on a show, soaring and floating carelessly through empty space. these are the days we go up and down, i can't predict how the breeze will shift us, how far we will go, where we will get stuck.
there are days where my love is a spiderweb, and it curls up in dusty places and covers what is rotting in the dark. it is a trap, it is like glue, it encases all of the bad memories we've gotten stuck on until it is a grave site for what i haven't been able to forgive.
there are days where my love is a strand on your sweater that i can't stop pulling. i unravel the sleeve until i'm too embarrassed to give it back to you when you ask. these are the days where i take it too far, i want to fix things but i keep making them worse. these days, we are a pile of fiber on the floor, and i don't know where it started and where it ends. i don't know how to put us back together.
i imagine us connected by our fingers now. pulling at each other when we feel sick, or when we're far away. i realize that all of these days, i am using your string to fulfill my creative fantasies. there is only so much space between us, and i am sorry for making you
give so much line just to watch me tangle myself up in it. i am full
of knots, of nonsensical anxieties and depressive fits.
when i need it, you tie kisses in a necklace around me to make me feel safe.
some days, we give more than we take and this poem is a way of saying that
when you tug on that string, i will always be there.
whether it is up in the clouds, or in the corner of my past, or drowning in myself, i am entwined in all of this endless love.
metaphors for my lover who inspires me to write good things, to think good things and believe good things are going to happen. you are special to me.
kate Sep 2018
to bring back what you love the most. to reach your
hands into the dirt and take it from its resting place, all
the dust you would brush off of its skin.  
i bury my losses in my stomach. i swallow every
grievance and eat loss whole. its not enough
just to lose you. i want to devour you.
to hold everything in your teeth for so long that
it turns into nothing, wet and falling apart against
your tongue. you cant repay what you owe just by
looking at it, just by being there. you have to do more
than just hold it to fix it.
nothing you bring back to life will ever be the same, cracks
form in new places and life grows in the space where your
skull meets the grass. if you lay still for too long, you will
hear the bugs whisper and feel the ground move.
to be reborn in
all of the places you're used to, like a mountain range
changing with every rock that falls.
to be able to look at the same person twice without flinching.
i just want all the things i can't have, my stomach twists when
i think about where you're lying under the pavement. to bring
back what you deserved to have taken away, to get on your
knees and beg for rain to wash this taste out of your mouth.
all the words you would spit up, all the stories you would
tell and bile you would choke on,
to bring back what you love the most.
to look at yourself.
to look at anything in the eyes.
this quote was something i read in a tweet by emerson @conspiracism101 and it said "to bring what u love the mostback" so the credit for inspiration goes to that beautiful wonderful boy sorry for using your words without permission they stuck to my fingers like glue.
Sep 2018 · 324
19d
kate Sep 2018
19d
ive been thinking a lot, you know, about being alone. about my body as a vacant room. about the loneliness of a room with someone in it that wishes they were somewhere else. no matter what corner i turn to, every room is empty.
ive been thinking about forming habits, too. about how they say it takes three weeks to develop a habit and four weeks for your skin cells to regenerate. as the days get closer i wonder if my skin will know that you're gone when the clock runs out on the last day. if it will feel like how you touched me before you left in some expulsion of your last traces. if my hands will shake and i will wish you were next to me again, all over me like you're hiding me from the world.
ive been thinking about how you hid me from the world. i get to this part and i stop writing. you asked me to fight everyone with you and start over, you asked me to run away and build from scratch and it sounded like seduction. you made it sound so good, i get to the part where i wanted it and i stop writing.
mostly ive been thinking about being alone, though. because i can't afford to write it down, i can't afford to break this habit. my skin wont know your touch but these words are burned into my hands, and thighs, my neck and face and chest. ive been thinking about your name burned into my chest. stamped, branded and
ive been thinking about if my dying skin cells are going to miss yours, ive been thinking about if youre dying to see me and if your skin itches like mine does. if every room you enter is empty when youre waiting for me to walk through the door like i used to, as it keeps getting closer, you want to keep the skin that knows my touch because its the only part of me you have left.
Sep 2018 · 127
call me
kate Sep 2018
I want to call.
I want love to be less violent.
I want you to say something nice just so
I can hear it come out of your mouth.
I want your voice, and I want
You to tell me you love me, and I want you
To tell me I'm beautiful and
Calm me down. I want
You to talk me down from the ledge and
I really want to be next to you but I'd settle for a phone call
And I want you to tell me that everything is okay I don't know
What to do because you're the only person I want to
Talk to and I don't have anyone else to call with all of this hurt.
im sorry for this im sorry for this im sorry for this i could write a hundred poems about how bad it feels.
Sep 2018 · 1.3k
writing to write.
kate Sep 2018
I want to write about what hurts because I think it will
Stop me from hurting. If I put these words on
A page then they will be easier to digest.
Poetry isn't curative by creation, it is
Just confession. Still, these remedial
Lines are what I turn to when I am holding
Too much in my hands. Right now, I feel
Like I am overflowing onto the ground below me.
For the first time,
I don't want to write about what hurts. I want
To keep it inside of me and let it burn me. I want
To carry it in my palms for as long as I can.
I should write
About how we've said goodbye so
Many times that it turned into a threat, a weapon
We made with our tongues.
I should write
About how I lied and got away with it,
How you got caught with
Your hands tied and no one to blame.
I should write
About how it was over before we waved the white
Flag, and I know what it means now
To hold onto a sinking ship.
I've never had anything to die for.
I should write about how I've never wanted
Something so much that I devastated it completely.
We loved in harsh conditions, under sun and darkness and
I don't know how to write about how
The love didn't save us.
I don't write about letting go as much as I write about
Holding on, and I want
That to change.
I don't want to write hurt just to feel it.
The next poem I write about you will be
About me. About how I held on and how I let go.
It won't be about your love, it will be about
Mine. It won't stop me from hurting, but
It is how I make it out
Of my love alive.
`
Aug 2018 · 899
hunter
kate Aug 2018
I am not testifying my emotion with the poetry, I am
atoning to it.
I write about God like a friend but we
Haven't been speaking.  
I confess my sins to
Whoever will play the part.
When I write about how quiet the moon has been,
I am saying I'm sorry.

My lack of honesty is writers-block.
I crave all of the hurt. I
Torture myself into unhappiness.
I have this habit of starting things I don't
Finish and they're usually letters
Bursting with nameless blame.
I shut down in the middle of
My emotions because they are too loud, I substitute
all of my connections for a painless quiet.
I am cold because it is easier than being warm,
Than getting burned, than being honest. I am cold
because it is easier than saying that
I am selfish in love. I drain, consume
devour everything that touches me and I
Don't know how to stop taking.

When I write about how I am scared that
Love and violence sound the same from an empty bed, I am saying I'm sorry.
I am not presenting my pain with the poetry,
I am conceding to it.
I can't take a pen to paper without punishing myself with the ink.

When I write about a fence with vines encasing the wood,
About neglect, about a garden full of overgrown weeds and
A cold house, I am saying
Forgive me.
i wrote this for my boyfriend and i hope he understands what i am trying to say.
Aug 2018 · 340
GOD GOD GOD GOD GOD!
kate Aug 2018
Last night I read a poem about God, and
it sounded so good I almost believed it.
God, hands out the window and hair blowing,
God, smoking a cigarette in a passenger's seat.
Even when you humanize all of your fears,
You still crunch them down like glass and try not to
Spit them out in the middle.
God, moving her lips with the music and the hot sun,
God, breaking the law with that look.
God, being small enough to cower over and close
Enough to stare in the face,
Where do you take someone like that when they ask?
All the way, I suppose.
The seat next to me is godless, and I almost believed it.
I imagine someone being strong enough to
Cleanse me just by looking at me,
I imagine holding onto something that feels holy and
Not having to deal with burnt palms.
If I could take God anywhere, I would take her to
My grandfathers grave. I would take her to my
Best friends grave, I would take her to the site of
My life changing and,
I would watch her chain smoke cigarettes and cough it all out.
God, with her sharp teeth and quiet tongue and
God, with her hair pulled back and her gaze removed.
If God was in my passenger seat, I would take her to
All of my hurt and ask her to pick it up.
I would ask her to take it all back,
And she would laugh.
God, that laugh.
Jun 2018 · 164
love poem lol
kate Jun 2018
they tell me
write me a love poem.
but i don't know who i'm writing from,
which version of me to sign it as,
authorized by the words
that make me seem believable.
a love poem about
eating even when you are full and
craving what you can't get your hands on.
a love poem about
two people pressed up against a tree,
how to get lost and
taking the easiest way out.
a love poem about
choking on
gripping fingers on
things i can't put into a love poem.
a love poem about
being afraid of getting caught, the
thrill of not knowing
what was
right and what was wrong.
a love poem about
what never comes. what is almost there.
how do you write about what it should've been without
sounding like an *******?
i could've written a better love story than this.
a love poem about
being stuck, about learning the curve of a body and
memorizing the sounds it makes, the
security of the first who can cover your heart with
their hands.
i can't address these poems.
signed, who?
the girl that i was molded into?
signed,
Jun 2018 · 288
rue
kate Jun 2018
rue
i let the dark in.
                    i keep the window open and i stare into the trees.
i think about holding onto the edge of anything, i think about
my fingers and if they desire anything enough to
   keep their grip.
when i was younger i always thought that when
bad things happened
there would be witnesses.

who is watching my ache?
                   where are all of the eyes when i need them?
bad things happen quietly.
i keep looking for a beginning,
looking for an end,
                i can't find either. it's over.
in silence, i let all of the dark in.
                  i don't think i'll ever know how to let go.
                  i don't think i'll ever know what i'm holding onto.
bad things happen softly,
there is violence in
everything gentle and
poison in everything kind.

when i was younger i thought that everyone
died in a comfortable bed, surrounded by
their families.
i thought that when bad things happened,
there would be witnesses.

                    so where is everyone?
is it just me staring into this dark?
                       i witness my own tragedy.
      i do nothing but look at flesh and bone.
every animal is greedy, every
           body wants to get away with something.
ive spent too much time on my hands and knees.
if there is blood i don't know where it begins and
            where it ends.
i don't know if i can keep watching this grief.
    i just can't find a place to put it down.
Apr 2018 · 656
touching/touched
kate Apr 2018
it is about you.
no lovesickness to rock your empty body.
no guilt to beat like a drum in your chest.
no anger, no hurt,
it is about your skin.
about the light that you drink with morning coffee.
how it reflects off of your curves.
about the corners of your mouth.
about your cold feet,
your gentle hands.
it is about the grass in your toes.
the air around you, above you, below you.
the water that you drink from.
the earth will take care of your wild roots,
your wild hair,
your wild smile. the earth will take
care of your lovesickness,
all of your pain.
all of your guilt.
you touch the world with your gentle hands and
it always touches you back.
you are composed of what touches you back,
what you can sit still and listen to.
what buzzes inside of you,
what you contain and
what you allow to escape.
it is about you,
it has always been about you. not
your hurt, not what callouses your palms or
haunts your clasped prayers.
it is just about your body,
every part of your body,
from the bottoms of your feet
to your fingertips, your
nose, the ends of your hair,
it is about listening when the
earth tells you, this body is
okay. this body is enough.
it is
about how everything you touch
always touches back.
Mar 2018 · 391
just go!
kate Mar 2018
i talk about leaving in a whisper, like i
shouldn't raise my voice too loud and jolt my
self awake in the process.
in secret, hiding in the corners that you
blocked off in red tape. you dont need
this anymore,
you scribble out pieces and
make me look more like you. you dont need
any of this.
you dont need this. you
have me.

behind closed doors, i try to gather my strength
to break down the frame. i press my palms against
the wood and check the lock.
i talk about walking away and my feet are planted. i tell
everyone that i am moving, but they can see my stillness.
what's taking so long? over and over, like an alarm clock
to my sleeping figure, what are you still doing here?
i talk about leaving, but i can't hear it without freezing.
eyes wide and stunned, i can't hear it without trying to
hide inside of myself.
it's just leaving, but i can't stop my voice from wavering.
it's just leaving, but my fists don't make the door budge.
it's just leaving, but it circles around my brain like a fish
trying not to fall down the drain. trying not to break down
the door.
it's just leaving, they tell me,
i am anchored to my pain.
where would i go? i reply.
Feb 2018 · 642
this i promise:
kate Feb 2018
and if we happen to
explode like a star that has
held it's breath for just a bit
too long, an exhale of
the memories we press into each other,
i will acknowledge it as less of a cheap shot to
my stomach and more like a tender tide
between the skin and the bed.
i have come this far on the back of
every single mistake,
i had caved into your mouth the second
it collided against mine and
i have let all of this love leak from the
cracks in my skin.
if our feverish and hungry hands
soften into gentle fingertips and
quiet, distracted touches, i will
lull into the way it still feels like you are
coming home every time. when we
get old and we collapse into the safety
of our own walls after one of the long days that
never end, i will take the silence as less of a bitter
absolution and more like a shift into the refuge of
each evening. i have spent my time
wanting, i have spent my time craving and
devouring all of the you that i could get my hands
on. if we kiss each other until our deprived shoulders
slump into acceptance, i will kiss you again and
we can carry each
other through phases like the moon. if we happen to
love each other so much that we do little else, i will
cherish every second that we spend doing nothing.
Feb 2018 · 141
light and dark
kate Feb 2018
there is depth to the light that you can't
watch without squinting, without flinching
and moving towards shelter.
it rings true of the body you
are gripping so tightly.
i am the body that i have always been,
dimly lit and shaking like a wet dog,
cornered against faces that are pointed like knives.
i buzz like there are bees inside of my stomach, i harbor
nocturnal animals and bugs in my hair.
the edges of my mouth are not illuminated with
warmth when you touch me. not anymore.
not ever, i wont lie to soften the shadows.
you cover your
eyes with your ****** warm hands and the darkness
clears its throat.
you try to touch me but it doesn't feel holy, it doesn't
feel sacred, and the darkness
clears its throat.
i have never had exalted palms against
my skin. the good ones see the black hole of
my empty space and the bad ones see my
glow as a lack of commitment.
i am containing the twilight, right after
the sun gives up for the day.
if there is a light i will swallow it whole.
if there is a god i am going to make him turn his
head away.
Feb 2018 · 285
artifacts/keepsakes
kate Feb 2018
all beauty is
is the beginning of abhorrence,
it is horror that is easy to look at.
when can you twist your body
and turn it ******?
i can do it on command,
i have skilled the viciousness of my mouth to bite
willingly, to tear without reserve.
all poetry is
is running hands over skin,
touching yourself.
i make templates to map out the faults of my words.
i curve my neck towards my blame,
i rehash my faith on repulsion.
this madness has a frame to hold onto
in the middle of the transition
from something digestible
to something noxious.
beauty morphs itself into something
that burns to cover with your palms,
like a child trying to trap light between fingers,
maybe you should learn to keep your hands
to yourself.
all love is
is pressing our soles into the dirt and our
deception into the other side of the bed while we
construct a way out.
if we never love each other,
there is no refuge to fall from,
only towards.
when can i take my love
and make it hurt?
where can i place my **** so
you can watch it burn,
so you can watch it brand the only
body i can still stand to identify?
i can spit this truth from my lips without choking.
i don't care what it looks like while it is lying
dead on the floor.
this is the disgust that is so final, this is
what all beauty mutates into; something holy that
i can't love because i can't recognize.
Feb 2018 · 229
corp.
kate Feb 2018
i cut our dreams from the carcass of someone who didn't know any better.
i slice fresh pieces off of the things you speak into wanting,
a knife in the fist of someone who doesn't know any better;
begging to tinge the skin with devotion in place of disease.
i drain blood from soft and nameless remains, i hand pick silence
from marble statues and posed family photos,
i carve into the stomach of someone who didn't know any better.
i take her lungs and her ribs, i take her bones and
i take her heart and i ring my ***** hands
in a kitchen sink until the red washes down the drain,
chunks of carnality pressed into the palm of someone who doesn't know any better;
devout offerings to the darkness in the corner, to the chains on
the wall. i rip our love from the body of a stranger who didn't know
any better, i'm holding her
chest in my hands and i'm begging her discarded scraps to sink
into my fervor in place of condemnation;
i'm holding her chest in my hands and i'm chanting prayer;
"creatures must fall apart
to gratify the selfish wanting of warm bodies.
there is no creation without devastation;
if not you, me.
if not your flesh, mine."
Jan 2018 · 118
handsteeth
kate Jan 2018
two people go in circles, one
extending arms, holding a heart in hands,
dripping blood onto tile floor.
and shes asking what you'll do with it,
so it's about time you decide whether
to use your hands or your teeth.
whether to cup your palms and
let her relax her shoulders or dig your
fingernails into the muscle because there is blood
all over the floor and she just wants
to know if you'll go ahead and tear
her apart.
it is a dance that never stops dancing,
indecision thrives on the only defense you
have left. she doesn't stop dancing with you,
arms tired, legs spinning in circles and feet
slipping on the tiles below her and shes
asking you what you'll do with it,
so what's it going to be,
hands or teeth?
Dec 2017 · 154
creature of habit
kate Dec 2017
IT IS A TESTAMENT TO THE OBEDIENCE OF YOUR HISTORY.
YOU ARE BORN. YOU WILL LOVE SOMETHING NATURAL
UNTIL IT ROTS
AND YOU WILL DIE WHEN IT WITHERS
LIKE YOU HAVE NEVER KNOWN THE SPRINGTIME.
IT IS WHAT YOU DO.
A TRIBUTE TO YOUR ****** HEART,
YOU TAKE WHAT IS BEAUTIFUL
YOU WILL EAT IT UNTIL IT IS JUST THE BONES OF
SOMETHING RAW–
YOU WILL ACHE WITH SOLITUDE
AND SHATTER EMPTY DINNER PLATES.
A EULOGY TO ALL
THE GIRLS THAT BLOOMED FOR YOU
IN THE WINTER,
IT IS NOTHING MORE THAN AN ECHO OF THE BITTERNESS YOU KNOW TOO WELL.
TEACH A MAN TO FEED AND HE WILL
DEVOUR WHAT IS IN SIGHT.
TEACH A MAN TO LOVE AND HE WILL
BREAK HIS KNUCKLES
DIGGING GRAVES INTO THE DIRT.
Dec 2017 · 233
someone
kate Dec 2017
sweating palms pushed against fabric;
bits of someone caught between fingers-
someone writes about
relevance and hesitance and hysteria
and pushes their palms against fabric,
separated parts of someone from
the portion of that which has unraveled.



artificial bulbs pinken a room;
someone has the
nerve to blush at the framework-
someone writes about
panic and anguish and bitterness
and brushes their hip against a nightstand,
sewing drunk secrets into verses and
chanting their correspondence to
a moon in a window.



a sloppy mess of blankets form a pile;
bits of someone caught under the covers-
someone writes about
homelessness and destitution and hurt
and kisses open mouthed visitors,
tracing teeth with tongues and
knotting a grip in hair to
hide a hand that trembles.



someone writes about the five stages of grief,
a sloppy mess of what
you love forms a boulder on your rib cage;
someone writes about a bed and a rock and a pebble
and wants more from the
untouched sheets
than gravel under bare feet.
Dec 2017 · 199
sol
kate Dec 2017
sol
That girl has always felt like she
Can bloom a dawning sky from obscurity
Using only her mouth.
She is
phosphorescent, blending with the light that strikes
Her skin long after it shifts away and
Overflows onto the ground beneath her.
She flourishes, ingesting the sun like
Ripened fruit in the summertime;
Desperate and ravenous.
She is a craving animal that splits
Open the morning and gorges herself
On its warmth. It
Brims from her lips and
Trickles down the outline of her jaw.
That girl has always been composed of
The broken glass that magnifies the world.
She reflects out of habit, distorting images of
People who puncture themselves with the
Jagged slivers of her wilderness just by
Sprawling themselves at her feet.
She is unobscured,
She can’t help but accent the crookedness of
Each body that peers into her,
Of those who dim just by looking at her.
She pushes her glow
Into the cracks of every shadow eagerly and
Fights the blackness until it softens.
That girl has always felt too delicate
To ****, she does nothing but illuminate
what is beautiful until it becomes repulsive
With the right angles.
That girl has always felt ready to combust,
Every word she speaks is a bolt of lightning,
Daunting those who try to put their hands
On her without flinching;
*Touch me,
I dare you.
Let’s see who shatters first,
Let’s see who
Can shine the brightest.
Nov 2017 · 289
7/20/2017
kate Nov 2017
take a girl. take
all of her hurt, all of the nails piercing her hands, all
of the dead flowers taped to her skin. take her hair,
tree branches woven through and choppy bangs,
take her chest, how you can practically see her
heartbeat move the rest of her body. take her rib cage,
cracked open and tacked together, held up with fishing line
and guarded with rose bushes. take a girl who has never
been touched tenderly, who prepared for the storm so
vigorously she erased the calm that anticipates the rain.
take a girl with bugs in her brain, who can't help but
look like she's walked through **** barefoot, who
can't help but retrace her steps, who lusts after the heat
and overlooks the blackened char that coats her figure.
take a girl who runs, bolts at the first manifestation of desertion,
who obliterates the promises that lie in front of her just to
watch how easily they erupt. take a girl and call her "chaos"
because it is what she was birthed into and assembled from,
dark dirt packed into the crevices of her smile. take this girl and
give her to a boy. watch
him touch her gently, so gently it feels like he does not touch her
at all. so gently she wants him to ravage her.
give her to a boy that covers her face with his hands, clean hands
that he has scrubbed raw, clean hands that have learned gentle
through trial and error. give her to a boy that has always
done the leaving, he packs his things in the middle of the night
and only takes what he needs. the rest can stay. he is made
up of "look, don't touch," he is stone like marble with cracks running like stitches up his side. he has scars that cover his
clean hands, his arms, his chest, his back. take a girl and give
her to a boy, and watch her trace her fingers over his flesh gently,
so gently it makes him shiver,
so gently she wants to devastate him.
watch them interact like animals in the wild, people who have
grown with their fists up, people who have started from empty
and have learned what it takes to present entirety. watch them
tear each other apart without moving, eyes fixed on their
reserve, begging to know more without flinching.
watch them pull each other apart and fold the pieces around
in their palms, they stick every moment back into it's place,
gently, so gently that they want to rip what each other has
been wrongly taught into shreds, so gently that they want to
scrub what has stained them until it is clean. take a girl and
give her to a boy, let her kiss him so gently that they
want to do something ******. so gently that they want to make
a mess of each other, so gently that they want to fall in love.
Nov 2017 · 124
a man who can't stay sober
kate Nov 2017
he can't write sober.  the mind of a man who
drinks too much whiskey and touches girls without
blinking. whos body is cold no matter how large the fire in
front of him is. he just can't write sober. i feel like the girls he touches,
rough coarse hands on peach fuzz skin. tongues battling in
and out of holes in my cheeks. angry apathetic grunts and dissatisfied sighs. im afraid this is where my life is headed. i am afraid i am the girls he touches and bitterly touches and fiercely touches and
he can't write sober, but he doesn't always drink. sometimes
his hands shake too much to drink. sometimes he smokes,
sometimes he crushes up pills and snorts them. sometimes
he doesn't bother crushing them up at all, he downs a
stiff drink with three pink or white circles and he sits in a
chair in the living room until he can see his hands move
in front of him, until he can pick up a pencil without wanting
to snap it. he can't write sober, so he doesn't. so he waits
for his mind to come to a tachycardic rhythm and he writes.
and when he does, he writes and writes for days. he can't write
sober but when he's not sober he will write for miles, he will
tell you about why he touches girls like me with soft pink skin
that is fresh, that is easy to bite into, that is full of life and not
stained rough and harsh. he can't write sober, so when
hes not sober he will tell you her name. he will not be able to do anything but tell you her name, her name her name her name-
he gets stuck, when hes not sober. when hes nodding in and out
of consciousness. he gets stuck on her name. he gets stuck on how
she felt under his hands, they weren't rough and calloused when
she touched him. he gets stuck on how she smells, he tries to
speak it onto the page but he can't, not sober anyway. like lavender.
stuck on her name and the lavender, the pretty girls with short
hair that sort of look like her, her name, her name and the
lavender on her neck and her wrists. her pretty wrists. how she
left and she looked like a ballerina in a performance, grabbing her
coat and her hat to cover her ears. that short hair never covered her ears. she looked like a dancer. the lavender, her name and her name and her name like a dancer. holding out her hand for him,
her small pink hand, her fresh hand, and
he can't catch her sober. can't keep up with her movements sober.
can't smell her sober, can't say her name sober. but when hes not
sober, he can write it all down. nod in and out, the lavender, her
name, what was her name again? what did she smell like?
until he passes out in that chair, by that fire, i feel like the girls
he discards and the whiskey he drinks. he can't do any of it sober.
so he doesn't, he doesn't have to.
her name, drink.
lavender, drink.
like a ballerina, drink.
her name, drink. her name, drink. her name, drink.
her hands, drink. her ears, drink.
Nov 2017 · 558
alternate worlds
kate Nov 2017
in a different world i am waking up from a nap when you walk down the stairs with your work clothes on. you pull your shirt over your head and lean in to kiss me on the cheek. i am curled up in your blankets and you lay down next to me. you whisper something against my skin and i fall back asleep.
in a different world i don't savor every second i have with you, i let them pass by lazily. there will be more and more and more. more you walking down the stairs and pulling your shirt over your head. more leaning in to kiss me on the cheek. more blankets and more your skin on mine.
in a different world we eat dinner together, we split one meal like we always do. we eat off the same plate like we always do. we fight over the best bits of the dish like we always do. i win, like you always let me, because you like seeing me eat. we do dishes, we take turns. sometimes you cook and sometimes we walk to the store and sometimes we go out and sit in the same booth. your hand is on my leg the entire time. we make fun of the conversations around us, you mess with the waiter and i drop my silverware. when we get outside you wrap your arms around me and kiss my cheek for no reason.
in a different world you wake up from a nightmare, you rarely have them anymore but every once in a while i can feel your chest rise and fall in a mismatched syncopation. you **** up and mumble something, sometimes its my name and sometimes its not. in a different world i sit up with you and put my hand right by your collarbone. we sit in the darkness for a while. we fall back asleep and your grip is tighter on the space between my hips and my ribcage.
in a different world you read your book and i sit next to you and draw. you start speaking aloud, a passage i've heard a hundred times before. i listen anyway. in a different world i underline excerpts of poetry and read them to you while you fall asleep. i read you what i write. i show you what i draw. in a different world you watch my eyes fill with passion and you nod along to my nonsensical fits of expression. when i'm done, you smile.
in a different world there is a house. there is a ring. there is a dog, a cat, a garden. there is a garden. we give each other everything we promised. there is a garden that we can sit in, there is a mess in the kitchen from a girl trying to make strawberry jam. there is a house, a ring, a dog, a cat, a garden, a girl, a boy, a life.
in a different world there is a life waiting to be built. in a different world it works, we sleep and wake up and think of each other all day and we love each other so much that it almost kills us. in a different world that love is enough.
Oct 2017 · 165
artists statement
kate Oct 2017
i fell in love and it curled its hand into a fist and hit me right in the mouth.
i got up and it hit me right in the mouth again.
and i got up again.
i got knocked down into kind words, i threw love into the empty
space between them thinking that it was a drawer to store my belongings in and not just
a black hole with no edges for containment.
i fell in love and it was a dragon that breathed fire all over my clothes
and in my hair, the smoke swirling up into my mouth and nose and eyes.
when you are young, you forget that what is warm can also burn.
i get my head bitten off and lay still on the glass floor until it grows back,
and then i go back to the dragon with my sword bent
and i yell that i am strong enough to keep fighting.
keep knocking me out. keep breathing fire. i will spit my teeth
onto the floor until i am nothing but blood and gums and black eyes and
charred skin.
i fell in love and it was a dragon that i was too small and clumsy
to keep up with. whats the big deal? i'm not comparing myself
to a knight in this analogy. just one of the naive girls who fight
against forces out of her control because they don't know when
to give in. but in every analogy you are a dragon, or a monster, or a big animal with
claws and teeth that sinks into soft pink skin and can't mumble
out an apology with a full mouth. in every analogy you are
something i can't beat, something i let grab me by the throat and
shake me around like a dead rabbit. in every analogy you
are the predator and i am the prey.
i used to fight it, i used to hang dream-catchers in my room and
hold crystals in my hand and talk to the moon. i used to
tell her all about you, tell her to make you more gentle and
keep my heart safe. i was relying on the world to take care of me.
you are the dragon, the monster, the big angry animal
with no remorse and hurt eyes.
and i am not the hero or the knight or the champion. i fell in
love and let it beat me down and knock me out. i win by giving in. i win by caging
you up and putting my sword down. i win by taking my
belongings back and finding safety. i fell in love and it destroyed me. but i win by losing, by never letting it happen again.
i win because im staying down for the count.
i win because  it will never happen again.
Oct 2017 · 222
no title
kate Oct 2017
i am young. i am in the habit of saying things i think i mean because
i have no one to tell me right from wrong. i am in the habit
of giving everything i have to every one i pass because i have
no one to tell me what is enough and what is too much. it is
all just enough, i give every piece of me to every stranger with
warm hands and it is all just enough, i fall into myself in an
endless spiral of every stranger with a gentle first touch and it
is all just enough. part of how to stop being young is learning
to choose your words carefully, learning what i mean and what
i want to speak into meaning are very different things. part
of how to stop being so young is to learn that i should not have
to empty myself into a gentle touch or a warm hand because
there is no place for me to go besides inside of myself. no one has
the capacity to contain me, no one has the ability to hold all of
what i involve in their cupped hands. i fall through the cracks
in their fingers and onto the floor like sand, how to stop being
young is learning that i am concrete, i cannot push myself into
anyone and expect them to carry me on their shoulders. how to
stop being young is learning that i don't need anyone to fill me
up, to fix me, to calm my brain, to keep me kind or save me.
but i am young. i am in the habit of wanting what i can't have,
i am in the habit of wanting to love so hard it kills me, and that
being said i miss you so much it hurts my skin.
Oct 2017 · 264
me and my ghosts.
kate Oct 2017
there are ghosts that sing our story.
not inside of me, they surround and encompass
me and stick to me. i peel them off of me like
a wet blanket, like clothes that haven't dried all
the way through, like glue on the sticky hands
of a child. they write better than i ever could,
they wrote you this poem after i promised my
hands i would never compose another lyric about
how you left. you just left. you just keep leaving.
there are no words that can rhyme with your
descending footsteps, there are no
metaphors that can complement
the pen stain of your lips on mine. there are ghosts
that hum our story, they write about how we used
to puff cigarettes that we hated and drink ***** from the bottle
and walk around barefoot in the damp grass. they
scribble out all of our memories, like smoke tapping the
ceiling of the room with all of our remnants shelved
away. they have nowhere to go but up to the floorboards
of a chamber i can't get to. there are ghosts that keep
me awake, they whisper what you gave me and what
you took, they write you poems about how you can keep
what you have, about how i don't want it back. i would
never write you this poem. i would sit here and let the
hurt hit my face like rain, but i would keep the deluge
to myself. i would keep my stubborn arms folded across
my chest to keep my heart in its place. there are ghosts
that are not inside of me, they besiege me and they
say your name over and over. these ghosts still love you.
these ghosts know the things that i do not. they wrote you
this poem, they will write you poems like this until i forget
that your name sounds like sharpening a knife.
until i uncross my arms, until i let my
heart steady itself. there are ghosts that will love you until
the day i die. until the day i learn to love you until the day
i die, until the day i learn to exist in consensus with them,
until i become pliant, until i dry myself off, until i step out
of the rain and open doors to new places and let the
smoke of what we were never able to be find somewhere
else to go. go upwards, go out the window, go through the floorboards
of a room i am learning to unlock. there are ghosts that stand next
to me and catenate me just like shadows, they know the things
that i do not. they wrote you this poem.
kate Oct 2017
longing
1. noun; a yearning desire
- i never used to be uncomfortable in my own bed. i knew your name before my rib cage started to sing it in my sleep. every night that has passed crosses itself off of a pocket-calendar that is stuck in the drawers of my chest. you move your favorite things into the empty spaces, you hang your worst fears up like clothes that are waiting to dry, you scratch how you love into the bedpost and put your handprints all over the walls. i can't take a deep breath without
hearing your voice in the refrain of my lungs.

yearnining
2. noun; a feeling of strong want or need
- the first time i heard your voice, it sounded exactly like what
your voice should sound like. soft, barely above a whisper, low
and confident and eager. when you spoke, i wanted
to cancel the outside noise of my breathing to listen to you. i wanted
to close my eyes and imagine that voice next to my ear, barely
above a whisper, low and confident and eager and right there
with both of our breathing suspended by its echo.

desire
3. noun; a strong feeling of wanting to have something or wishing for something to happen.
- every day it is something different. your eyes and how they
almost close when you smile. how your whole family has brown
eyes but you have bright blue ones that turn to gray as the
seasons wear on. your hands and how they look like you
should play an instrument, im saying put those hands to
good use and find something to strum.
and we laugh because
you know what i mean. your laugh. it sounds like an answer
to a question i've been asking the silence.
give me someone to love like that. give me someone to love like that. give me-
like a call back from the
darkness. like, here he is in all of his glory and you
still can't have him.
Oct 2017 · 175
wartime stories
kate Oct 2017
girl rages war on the world after it breaks her heart* the
headlines read on a lazy sunday morning and it is used as
a coffee coaster or padding for packaging old antiques
that came from a shop that smells like the sheets your mom
uses (but only for the guests that don't come anymore.) girl
rages war on the world after it tears her to pieces, after
she walks around with glue in her hair and dirt under
her fingernails, collecting fragments of the people that used
to love her and the places she used to go to. girl rages war
on the cracks in the sidewalk, on the cracks against her mouth
by her fathers hand, every wall has cracks in it to signify how
all grows crooked. all grows upwards, forwards, east, west,
never downwards but never quite all the way straight.
girl rages war
on the world and screams to the sky, she shoots holes into the
blackness and creates constellations in the exit wounds and
melodies out of the echoes. girl makes her own thunder and
her own sequence for the midnight. she tells people who touch
her that they are in the crossfire for bloodshed, that every ***** in
the sidewalk they step on is a battlefield, that every diplomatic
exchange between the moon and the tides is a reprise of her
strife.
girl rages war on the world after it breaks her heart and the
newspaper is flipped over to the home improvement ads, the
tv schedule for this week, there is a gunshot but no one flinches
or looks out their window.
after all, what does it matter what she destroys
in the crooked tantrum that all must grow towards?
she and her bullets are no match for the dirt and the
sky and the buildings that waver over her, she is no
match for the people that tower her and the places she will
never go back to.
no need to be alarmed, no need to collect the children and look for safety in empty
basements.
after all, she is just one girl.
Oct 2017 · 117
reverberation
kate Oct 2017
the way you told me you didn't love me anymore sounded
like my father raising his voice.
i have always recoiled into loud noises, slamming
doors and heavy words have caused me to
flinch in record-reaction time. i fall in and in and
into myself and you say it quietly, but it
is louder than any breaking glass or screeching
tire noises in the driveway of my childhood home. i
have always chosen my words very carefully in a
world full of carelessness, i choose gentle and i choose
compassion and i choose kind. the way you told me
you didn't love me anymore sounded like the fight
where my mother said she was collecting her things.
the way you told me you didn't love me anymore sounded
like packing a suitcase and putting a for sale sign on the
glossy green suburban lawn. the way you told me you
didn't love me anymore sounded like the music my
sister would turn up to drown out the voices of adults
downstairs, or the creaking footsteps of a man coming
home late, wafting in someone else's perfume. the way you
told me you didn't love me anymore sounded like the wail
of a child after a blow to the face, after another blow to the
face, after another blow to the-
the way you told me you didn't love me anymore sounded
like something i had been waiting to hear since you told me
you loved me. the other shoe drops. the other shoe drops. the
other shoe drops and drops and never stops dropping.
a swift, clean, repetitive blow to the face.
Oct 2017 · 285
you win.
kate Oct 2017
he says “we end nicely. with a hug and a kiss. we end before it gets bad so we can never hate each other.
and in five years i’m going to call you
and ask you to marry me. please
say yes.” and i’m laying in the bed of a boy
that broke my heart and i’m
crying and saying “in five years
i will be just like every other girl
you’ve loved. i will know better by then.”
and he doesnt reply so
eventually i say “i could have
loved you forever if you had
let me. you win. you win, you win,
you win.” and instead of
saying anything he pulls
me close for a second and it feels like normal,
like maybe everything is going to be okay, but every
inch between us is cold we
can both feel it on our skin. “this doesn’t feel like
winning. i will love you for the rest
of my life. this doesn’t feel like winning.”
Sep 2017 · 162
night morning day
kate Sep 2017
there is a night
with the moon hung so low
it courses itself over my outstretched palms
and i lay in the middle of the street
with the gravel digging into my skin and
im repeating to a boy whos not listening to me
this doesn't make any sense and i try
my hardest to keep my fists clenched around
the surface of the moon but it falls through
my finger tips like sand he lies next to me
and tells me that maybe i am just hard to
love.

there is a morning
where i stumble down steps and into a bed
i pull blankets over my shoulders and i don't
cringe when you touch my stomach i used
to map out all of the bad parts on me like
a highway but all of my lines are blurred and
i feel less like roadwork and more like wandering
hands there is a version of you that i like most
it is right after we kiss and i pull away and
look right at you and i used to think that being
loved at all was the right thing to waste my time on
with car crash endings and angry words at least
it was love at least it was something now

there is the middle of the day
and all i am is that moment after i pull away
that split second where i feel so naive
for thinking i had any idea what love was before
i met you. that i could have ever let anyone convince me
the way they hurt me was a product of what my
heart could handle. that any love
besides this love was worth any of my time.
there is before and after,
night behind us and morning ahead of us and we
always just move forward.
Aug 2017 · 226
clockwork
kate Aug 2017
it is a vision. an image. a clear view from the reflection of a surface of water.
you reach your hand out and it passes through, you pull
your hand back and your memories drip into the
pool and disperse. it makes sense. it is like clockwork. in and out.
it is a vision, image, reflection that has
no shape or form, but it falls off of your fingertips and formulates
rings around your mind.
we are standing in an empty room. i tell you that you
can do whatever you want with this space and all you
do is pull me close. it makes sense. it is like clockwork. it is
less like falling in love and more like opening your eyes,
letting your fists unclench when you didn't realize how
tightly you were holding onto what hurts. that's the
problem with letting go where you are used to holding on,
like muscle memory. like clockwork. it is less like
falling in love and more like i have been here this whole time
with my hands over my chest, always just a second-and-a-half
away, just missing you, on the other side of the pool just
waiting for your hands to grab hold of me. we are standing
in an empty room and i tell you that this is all i have and
i am waiting for you to reach through me. it is less like falling in
love and more like catching up. like, of course, there you are. finally.  
i've been looking all over for you.

and it makes sense.
Jul 2017 · 185
green
kate Jul 2017
it's
something out of a movie scene it's
something in its own language like
art or maybe something just a little
bit better, a bit more tangible than
words on paper or paint on canvas.
i want to keep you all to myself. i
would write a hundred letters and
mail them out to sea if it meant that
i could let your heartbeat hum me to
sleep every night. if it meant i could
tell you i love you without choking,
it if meant i could sing your name into
every bad place and let it coil around
my head and stick to me like glue.
one time, someone told me that even
when people leave, art remains and it
will never break your heart as hard as
mean boys with switchblades for mouths
and claws instead of hands. and i repeat
into the silence of your bedroom,
id do it all over again, id do it all
over again,
every heart break and hurt
on my tongue, every evil hand on my
body and every single tragedy that sent
me packing and running outside barefoot
into the storm, id do it all over again
if it meant that the wind would send me to you at the end of each tornado. i used to
think that i loved art more than anything
in the whole world until i saw the
smile you kept for me after i kiss you
in the dark. i used
to write about the things i saw, museum
walls and blown glass that holds
heat and traps light under fingernails. i
used to love a world that didn't love
me back and i would write about
man-made beauty that sent artists
running for the hills and off of buildings
just for some inspiration.
now i
can't help but write sonnets about how
i am proud to love someone who is
more beautiful than any
god made, god ******
masterpiece i've ever seen.
Jun 2017 · 294
i can't sleep
kate Jun 2017
i have these dreams, smelling
the three-AM summer night
through the screen of my window.

my hands are pressed against my
stomach. i am in bed and i keep my
eyes shut the entire time. i am
trying to hold everything inside.
my hands trail up and down my
arms, im begging
myself not to forget your lips,
i am holding every place you touched me
permanent. i am tattooing the way you
look at me to the spaces of my ******* ribcage.

in these dreams, you have always just
left. i can still smell you on my skin and
in my hair, on the clothes that need to
be washed, on the sheets.

my fingers are gripping the bedframe
and im begging it not to change. the Sun falls
in and the dust falls over and over the blankets
in a rhythm that makes it look like your
side of the bed has life in it again. my hands are
around my throat and on the back of my head,
looking for places that have a trace of you on
them, looking for pieces of you that you might have
forgotten to take with you.

in these dreams, i am hollowing out the
walls of my body, trying to find every memory
so i can feel it vein-deep and to the bone, you have
always just left. i am always just looking around for things
to replace the space you used to occupy.

when i wake up, and its still dark out, the dust stays where
it always has. the Sun won't even help me pretend that you're
still here. when i wake up, its like you have just
left all over again.
Jun 2017 · 446
how could i forget
kate Jun 2017
sometimes i know i need to
write about you because my
body will start to buzz like
there is electricity inside of
my veins and i will itch
to get rid of your eyes in
the back of my head, and even
if i don't exactly know what to
do with my hands they will
trace themselves over your
memories and they will whisper;
do you remember when you
were in love? do you remember
when you had it all?
and i keep
writing to erase, i write and drink
and try not to remember how it
feels to lose you, every time i open
my eyes i lose you again. i write
to keep my hands busy so my chest
doesn't ache and no parts of me
whisper your name to the dark but
i could write for-ever and
i would still break pencils in half
and keep my hands clasped to
avoid any painful wandering;
*of course i remember.
how could i forget?
kate Jun 2017
its one of those moments where i want
to crawl into your skin, underneath your
palms and trace my fingers on your neck
the moon has nothing to say to you anymore,
the ocean is defiant, She won't look you in the eyes.
the stars keep falling in and
out of place How did you let it get this far? and
your head is between your knees and you're chanting
I dont know, I dont know, I dont know, and
i want to wrap my arms around every part of
you that hurts, twist my limbs over the pieces
of you that ache for the sunlight, How did
you let it get this far? There is no force in the
Universe that respects me enough to respond. All
eyes of the world on my fingers burning marks
into your flesh, How did you let it get this far?
There are black holes, it
is all empty, planets are hanging on your answer and
its one of those moments where i want to expand
into your kiss and tell you that you are your own God. and I would let
you tear me apart with your teeth.
kate Jun 2017
it is called she, hers, her and it was named after a poem i wrote on april 15th of 2017 after i had gotten my heart broken and i decided to turn it into art because i didn't know what else to do with it. im not great with speaking words, my mother always tells me that prose is not my forte, and i believe her. anyway, i wrote a book of poems, because its the only thing i know how to do. actually, i've written two. you can find the other one on my twitter (@altyrlog) because i feel like im breaking rules by linking things here. sorry, hellopoetry. they are both free to read in PDF form.

she hers her: http://docdro.id/s4EJay8

thank you for sticking by me and giving me the encouragement i need when i throw up words and put them into stanzas and then plaster them all over the place. you make me want to not give up.
May 2017 · 496
ichor
kate May 2017
its not a love poem.
its a poem about your mouth,
your hands on my thighs
and around my throat and,
its not a love poem.
its a poem about your eyes,
all the way across a room or
an inch away from mine, like theres a difference,
like you've
already gotten a taste and you're asking
for just a little, baby just give me a little bit more.
its not a love poem.
its a poem about your words, all of your
unkind, your hands around my throat, your
eyes that have twisted my gasps into mockery,
all empty like you've tasted just a little bit of blood
on my lips, on my wrists, my thighs,
and its an inch away, just a little bit,
baby just let me give you a little bit more
ive stopped tweeting my poems and putting them anywhere but here because theyre just words, theyre just thoughts, theyre just for here, and i guess thats okay that no one will ever see them. ill keep writing about you until i dont have to anymore.
kate May 2017
I. watching a lot of sit-com television. i notice when the audience forces their track-laughter at all the bad jokes.
II. listening to music from the seventies. i had to get new music taste. all of my old favorite songs have your name written in the lyrics, i turn them off as soon as they come on.
III. reading a lot of poetry books. sometimes, people write things and i feel like they are coming directly from my fingertips, like they know exactly what you've said to me and how hard it knocked the air out of my lungs.
IV. writing. sort of. every time i try, i feel like it is more diary-entry and less poetry. i am scared that i made myself a new person and this one doesn't want to feel anything.
V. kissing people. i keep my eyes closed. this new persona i've adopted doesn't want to tell you what i think about when he puts his hand on my thigh.
VI. not calling. sometimes, i write out long messages and i do everything but press send. i feel like i have to record how many times i almost do, oh my god, i almost do, but i don't.
VII. talking about everything. i never stop talking, it is something you used to hate about me, something about a bird in my chest always trying to free itself. sometimes, i don't always say the right words. another thing you used to hate about me.
VIII. wearing everything but the clothes you gave me, everything but the sweatshirt i slept in while you were away, everything but the dress i wore when you kissed me first, everything but the t shirt i wore when you kissed me last.
IX. writing. sort of. writing about how if i had known that was our last kiss i would have dressed nicer, or held on longer, or not walked away, or kept myself from crying.
X. doing everything, absolutely everything, so i have no time to slow down and miss you. i haven't slowed down enough to tell if it is working. i can't tell if i am a new person without you or not a person at all.
kate May 2017
you keep leaving,
chained to exit signs and
one foot out every half-open
grocery store door
chalk it up to curiosity,
to wanting new things,
to blooming in nature with no roots,
you keep leaving.
and i keep staying,
growing on the side of the childhood
home you told me you loved me in,
stable and wrapped around a tire swing
where you kissed me for the first time.
chalk it up to memories,
to sentimentality,
to the comfort that surrounds safety,
i keep staying.
and every summer, you leave and you
drag your feet through the dirt from
my porch to yours,
past every cricket-chirping dusty town
and i wait,
letters pinned to a mailbox and
welcome home mats on the floor,
i am taking my keys with me this time.
i will always stay here, i can't
imagine my body living any other way,
but i lock the doors at night.
you keep leaving,
you keep running away and i just
can't force myself to chase you anymore.
May 2017 · 196
its not even worth titling
kate May 2017
it has become less like poetry and
more like a confession,
more like if i dont get these words out
of my palms i will burn up under all
of my anger.
how do i talk about not loving you
in a way that contorts my words into
honesty?
how do i immortalize this pain
into writing to remove it from
my heart?
i come apart, i am
undone, there is nothing i can
say that will erase how you
felt,
starry eyed and drunk in the
drivers seat.
be careful, slow down, don't
stop
there is no pity.
i cannot force myself to forget.
all i do is remember.
all i do is not-forget.
May 2017 · 422
i write terrible poetry!!!
kate May 2017
a terrible poem about how i fell in love
when i was a child and i grew with it
like moss on an abandoned building,
and i stopped being a child but
i held onto it with the winsom that only
a fresh-faced little girl knew how to
handle things with care,
how to touch gentle, the only way
you can when your heart
has never been broken.

a terrible poem about how i write about
you every day and i'm not sure if anyone
who reads it knows what you did to me or why
i cry in airports and i don't think i can write
enough terrible poetry to explain it

a terrible poem about how i leave my bed and
i see my friends and i do whatever i think my
ribcage can handle and i'm not sure if its a desperate attempt
to forget or a desperate attempt to revive
that girl who knew how to
feel things without breaking her wrists,
how to love things without suffocating them,
how to touch gentle because her heart
had never been broken.
kate May 2017
it has been
five days
since we had that big fight,
since you told me you didn't
love me anymore it has been
five nights of me dialing your
number but not pressing call
listening to songs that i did not share
with you to send me to sleep
it has been
five days
since you told me that i was unrealistic,
a dreamer in the worst way possible,
all hung up and angry at what i cant change
and i have spent
four of those days chasing away my sobriety
once because my friends told me that
i needed you out of my head
once because i sat in the middle of the grass
and closed my eyes and took what was
handed to me because i told myself i
needed you out of my head
once because it was late and i didn't
want to keep dialing your number without
pressing call
once because i wanted to drown you in
the poetry but my hands still shook
too hard to make sense of the words i had
left it has been
five days
since you told me you didn't
love me anymore and i'm not checking up
on you, i'm not asking how you're doing no
matter how much i wonder and if you ever
asked i'm sure the words would come
spilling out of me no
matter how many days have passed
or how many times i reason with my chest
i am not sure
i am really ready to do this the rest of my life
May 2017 · 359
voicemail
kate May 2017
im calling to tell you that this is the last time i will call
you until i call you again and repeat it like an automated voice message.
im calling to tell you that i hope i get your answering machine because
i know its that ****** preset recording and
i want to touch you but i dont think
i could stomach the sound of your voice.
im calling to tell you that i dont know what to do with my hands
and i keep picking up the phone to tell you i hate you but
it dissolves and drips down my throat as i wait for the beep instead and
im calling to tell you *sorry, in advance, about the poems.
i just wanted to stop calling.
kate May 2017
the last time a boy told me he didnt love me anymore
it had been barreling towards me for miles.
falling in and out of holes of communication,
we dont talk anymore but i still love you,
you wont say goodnight but i still love you,
im not even sure you remember im alive but i still love you,
because i didn't know any better.
because i was never taught whats enough and whats too much
the line between compliance and forgiveness is a lack of strength
and im not sure which direction it points to.
the last time a boy told me he didnt love me anymore
it was seven in the morning, it was dreary bright like
all early summer mornings are. i kept repeating,
i know you dont want to hear this but i still love you,
i know its late but i still love you,
i dont know what im doing but i still love you,
because i never learned how to stop. i never
knew what i could give and what i could take back,
which parts of me were okay to lose and which parts
i would stay awake until seven in the morning wishing i still had
all to myself.
the last time i told a boy i didnt love him anymore it
was to shut myself up. to tell myself enough. to teach myself to stop.
a simple compliance without forgiveness, separating the pieces
of my body i wanted to stack in suitcases and send across the country
with the pieces of my body i wanted to hold in my hands and
apologize to.
the last time i told a boy i didnt love him anymore it rolled off of my lips like honey and it fell onto the floor in scraps, all shaky and rehearsed.
the last time a boy told me he didnt love me anymore he didnt even
have to say it. he leaned in close and he picked up all the pieces that
belonged to him and told me:
*you beautiful, terrible, ****** thing. you couldnt stop; even if you tried.
May 2017 · 271
mother nature
kate May 2017
just let that girl be wild, let her
convince herself not to miss you, let
her stay headstrong and fearless,
standing in her own rain soaking wet,
let her dry herself off. let her run through
the woods all muddy and face-first to the
treetops. let her swing into rivers and scrape
her knees, let her break her wrist and cut her
hair, let her erase who she was when you touched
her last. just let that girl watch the deluge and
thunderstorms in the spring, let her wash away
who she was when you last said her name,
let her point to the sky and tell you *that came from
my chest, that came from my fingertips, that came
from everything you left, and it doesn't need you to
be real
this is pathetic
May 2017 · 364
heart over head
kate May 2017
i’m so sad that it doesn’t even feel like you anymore. it’s
vein deep and in the pit of my stomach, it’s
all around me and when i lie down it
clings to me like blankets in the summertime. and it
used to be you, you mouth, your hands, your words,
all wrapped up and ticking like a time bomb, but now it
is just me without you, my own mouth that feels like it’s
been scraped raw on the inside, my own hands that
never stop shaking when it rains or when it’s
too quiet or too dark, my own words that i haven’t
been able to collect back, all scattered on the floor
of your bedroom and underneath a mix of your clothes
and mine that neither of us have touched.
this used to be poetry about how it felt when you left me
but now it’s just poetry about how it felt when i
was not enough to make you stay.
i often feel like i say too much and no one listens
kate Apr 2017
and i am sorry, oh
god i am so sorry that
i cannot apologize for the
things that have made my love
hard. i cannot take blame for
the way other fingertips have burned
my skin, i cannot atone for the bite-marks
on my wrists, or the start and
finish lines, the races that have been run
down my thighs and to my ankles.
i cannot pardon the graveyard of past
love that vandalizes my body like an oil portrait,
i have always looked like a museum exhibit
for the art of leaving. i am carved out by
the stained glass of all of my goodbyes
and it has taken my love by the throat,
it has rubbed my mouth raw, it has made
gasps of air between the breaks of kisses
hurt my teeth. i am sorry that i cannot
excuse the people that have
made me flinch, made me distrust, made me
carry myself gentler when it rains. all i can do is
give you a paintbrush and tell you that
i will still be art when you are finished with me.
i dont really like how this ends. i dont really like any of it. but sometimes you just have to write it all down so you have somewhere to put these things.
Apr 2017 · 843
like honey.
kate Apr 2017
isnt it sweet?
how much the human heart is able to bare,
the lines between support and manipulations that
past-lovers have drawn for you,
isnt it sweet? how much you will
carry for the people who arent quite yet
past-lovers, how you will draw boundaries
and cross lines just to touch, just to feel, just to
create some sort of tangible memory for when you
sit with only their names left in your mouth, isnt the
line between sweet and naive based on experience?
isnt it naive? how far you will go to love people into
boxes, how you will let yourself fall apart and
you will watch them spit you out onto the floor and still
you have so much faith in every single rushed kiss and
almost-memory that one of these people you let touch you
with the lights off, one of these people you will drink
into your poetry will be more than just a past-lover?
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