Submit your work, meet writers and drop the ads. Become a member
Sep 2015
given the balthazar incident, to end the babylonian party
along with cuneiform, and prior to that the extinction
of ancient egyptian, both could have continued,
none the more "ridiculous," i.e. complex than chinese,
and given so much heat came against the hebrews
for their supposed christ killing badge of honour
(there is a modern equivalent, he's called dynamo,
he's a magician... the three magi... where's the wise
bit?), i greatly surprised that the latin alphabet survived
and was not fated for extinction through divine intervention
of some sort.*

perhaps rome was a wreck, tooth marble crumbles
and spicy tatters itchy with lice,
but the itch took a **** girl's cat's eyes
innuendo filled with distance and neglect
apart from neglige ushering in fancy and fantasy
but not the: oh, i forgot you were there.
but then ezra's french is there, and i bitchslap back:
perhaps the ordinances of rome were lost,
the gladiator's podium replaced by a bulge of rugby tackles
and necks with bigger circumference
than a model's lettuce and m & ms diet waistline -
but i have you know rome is alive & kicking the trashcan,
god spared it, took to accenting the original borderline
locals with the french, being the most annoyingly
spelled - no distinct units i have to know -
no distinct phonetic units i have you know -
keep the peasants buttered too eager to slap
ivory into lard to gee up with glee the anti-ageing cream,
i'd kept the power in the tongue,
but that power origination is long long gone,
everyone's a mythical typo mischief with such words
from the plum tree dropped as:
tout ça en arrière -
that c that's an s, that edible cutthroat loose eh dropping the -re,
when it's not a stressor in the mud of an electric current shot
through to the marrow for death's cackle i'm
saying a few words over and over, again:
perhaps rome is in ruins, but at least it's tattooing ink
did not switch to runes. rome's in ruins but not in runes,
too many matchstick men in counting with a longbow man's
free hand churn to throw the dice and arrows into
the french infantry: five's a quarter
and an icicle of index and middle; up yours!
well some say, poetry: white man's rap. i say that too,
although i'd rather think it through with rubrics of a rhombus
turning the beatnic conception of a suede savvy square:
to be a chirpy bunny cool in the city of hangmen walking
to fresh knot toe ties on the flea market of bargaining pensions
for offshore interest in champagne and ****** by the crate.
so tell me if rome was given a bogus backup
had the babylonians kept their cuneiform and the egyptians
their rosetta twins with jackal and hyena and osiris audible in silence
for the eyes - but because the norsemen came with runes,
the great intervention came, provençal -
hence the holocaust culmination from the rune men,
down in shackles we heard the idiots' marriage to the old ways,
to revive the runes and loons and bugs bunny,
but the power rift never took shape - came the divine intervention
to strain accents into perfect, and distinct,
came the "wrath" to salvage the beauties of the ancient past,
just because you couldn't hebrew a program into software
like you could write in mandarin the moment the lightbulb went out
with more than one image: buzzpoptst with our spectacles -
wet drum slick i say, mosquito in a balloon.
Mateuš Conrad
Written by
Mateuš Conrad  36/M/Essex (England)
(36/M/Essex (England))   
1.2k
     Mote and Sumina Thapaliya
Please log in to view and add comments on poems