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Jane May 2021
I grieve and I grieve
It moves in me, through
Capsized and sinking
Dried out and bones bare
Shedding old skin
New foliage curls
Rot and ruin feed roots
Strengthen core
Sprout new growth
Scars of loss
Decorate my soul
Direct light
Damp ground
Still I will grow
Jane May 2021
Time's lost meaning
Barren garden
Evil tasted
Purity wasted

Carcass soils
Unwanted plow
Harvest dead
In compost bed

Garden walls
Too high to climb
Nightmare's doom
Living tomb

Bartered soul
Wasting away
Piercing battle
Breeding cattle

Bruised leaves droop
Limp, resigned
Cruelty comes
Spilling plums

Torn from inside
Sanctity gone
Hatred steals
Evil feels

Moon cycle storms
Flooded and choked
Thorns' tight wrap
Ooze ichor sap

Planted seeds
Deep in belly
Grow sweet fruit
Of bitter root

No safe haven
None mother nurture
Promised decay
Predator's prey

Nothing grows good
In black eden
Sapling dies
Winter cries

Weeding excavates
Mum foundations
Plans unfold
In stories told

Childhood warnings
Heeded, forgot
Beware the loss
Beyond the moss

Innocence ends
Freedom won
Chewing leaf
Full body relief

Break in nature
Rules discarded
Time to fly
In inky sky
Jane May 2021
Rotten flesh decaying in cold air
Everything good and sweet weeping
Spilling from dehydrating barriers
Unable to defend against it
Feasting and rampaging and ruining
Boxed air and watery remnants
Smeared on the wall
Undesirable.
Inedible.
Done.
Jane May 2021
Her sewing machine arrived today and a hand-written note with a sunshine doodle from old hands missing a sister pair.

I'm upended. Longing and love and crushing guilt. Grief. Smell of childhood and old things and her linger in the air- heavy has my heart. Joy.

The sight of her thimbles knot my throat. Dainty bone china; contradiction of fragility and proud protection. Armour for hand soldiers skillfully avoiding wayward needle-blades. Archivists and faintly scarred librarians, intimately acquainted with the histories of her: weaving love in a language of thread and fabric.

The skill is now mine to learn. Her history and mine will continue in stitches and in quiet contemplation. In death she needs no more protection. Devoted child of her god delivered back into His embrace. She was guarded so long. Watch over my learning, my hands, my love language. Threads of hope run through this lifeline yet.
Jane May 2021
There are some musical notes that reverberate in my chest and overwhelm me with emotion, deep ancient knowing. Clavicles unable to contain the swell, sounds of joy and sadness that spill from my lips freely, a whole-bodied keening.
Jane Mar 2021
1 2 /3 4 /5 6 /7 8/ 9 10
I count my steps as soon as my feet leave the bus and carry me home, not thinking of my path, it's ingrained in my body
4 counts of ten and 3 to the traffic light
Balancing on the kerb-edge, anticipating the Green Man - the only man to keep me safe in the dark
7 steps to the other side, a small blessing of lockdown is the lack of noise and stale ***** and rowdy laughter spilling out of the four pubs I'd pass, no swerving or increasing my speed, shoulders up at earlobes and eyes trained on the concrete, whole body screaming
Please don't notice me
The streets now are eerie, the silence brings no comfort
Only heightened awareness of every rustling leaf in a city battered by easterly winds
And I can't catch my breath
6 more 10s and 8, 9
From the corner of my eye a shadowbeast grows and on instinct (self-preservation, conditioning, societal training) my hands are bitten by metal teeth in my pocket
A painful protection, the irony is not lost on me that my only protection outside my door is that which keeps others away in my absence
But the shadow is someone moving to their car so I relax infinitesimally
There are still more steps to go
Coming up for the park, what they call a hot spot but hot for what, all I feel is cold and alone
It's badly lit, filled with teenaged hoots and hollering, kids letting off steam and who can blame them couped up and schooling at home
But their shouts and laughter ricochet sinister and all I can think is What if no one hears me scream?
Finally hurrying past the playpark and the swings creak with too-big boys hanging from too-old frames
I look away and press on, my feet subconsciously pounding with the music blaring from a phone
Disembodied voices decrying the ******* and hoes to silent replies
Another 60 steps and the rats scurry in the bush, I used to shudder but now I recognise their twitchy anticipation, ready at a moment's notice to drop their morsels and run for cover because the intention of the passerby is not my perogative
And the underbrush serves rodents well for hiding in the dark
My own camouflage comes in reflective patches seen by the street lamps, a token honing beacon to oncoming pavement traffic and cars on the roads
I Am Here - See Me
But also don't, let me merge with the stone and concrete that I may pass unnoticed, unwatched, unlabelled
The earphones hang heavy, empty, a prop in the farcical show - blasé ownership of the ground I travel
This is my space and you won't take it from me
This is my body and you won't take it from me
This is my life and you won't take it from me
Not a statement but a plea silent and screamed and etched on my body and painted on my face
But you won't see it in my eyes because they are married to the cracked tarmac and tree-root rebellion pushing against obsidian skies
At night there is no connection with strangers unless their feet fall like yours
pretend power and child-in-mother's-heels certainty
These are inherited steps, a legacy of communal mourning and communiqué
The last street to cross
Cars are few, but ritual demands I take in this T-junction
Safety First
I am king of the road, watch me step
1 2 3 4 strides to the homestretch
So now I count the doors
Only 9 chances of being pulled into a close
8
7
6
5
I'm blinded by a car at full beam
The secure garage door opens and I am trapped
Rabbit-hearted and deer-spooked
Unsure who's behind the wheel, if I can pass ahead
I wait, lungs filled with lead until only brake lights are visible to me at the road end
I'm jumpy tonight, I note
4 doors
3
2
1
And I turn into the carpark
Sticking to the lit pavement
Weaving quickly between vehicles and I'm at the building door
Two flights of stairs and a landing between take 29 steps, I skip a few in anticipation
8 more strides in pitch black - none of our door lights work just now and despite the secure entry system I still speed up
Until the sweetest sound of all
That familiar metal click
786 steps to safety
And as I rest my head on the cool wood interior, I count myself lucky that in here I am promised security
Unlike the thousands of others whose homes are no safer than the streets
A sure sign of the long road yet to be travelled, whose destination may promise a world where we matter
Jane Mar 2021
Some days I feel a thousand years weary. Trapped a forever-teen, frozen core and angst-riddled.

Outsider. Isolated. Incapable of translating the aches of my forearms, clawing at my sternum, or distress in my gut to make any sense beyond feral screams.

The fear, wildness, confusion clothed in apathy and tumbling forth as tears, grey palor, an appetite gone astray.

Distraction deflects for a time but the reality check becomes all the more bracing. I cannot fathom ever feeling different, even if yesterday was opposite in every way.

Evermore I am trapped, concrete resolution and in my final form - - how could I possibly be wrong when these days last a thousand years and memories, physical remembering, atrophies as my tears dry and hope evaporates with my breath, hot and laden with worry.
And in a circular fashion I question why why why - only to arrive back at my original thought: there is no alternative.
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