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Paul Hansford Jul 2016
Yesterday
I saw you
everywhere
all the time
and I wasn't even looking for you.
It was a good day.

Today
I was looking for you
all the time
everywhere
but I didn't see you,
not even once.
Life can be so cruel.

----------

Hier
je te voyais
partout
tout le temps
sans même t'avoir cherchée.
C'était un beau jour.

Aujourd'hui
je t'ai cherchée
tout le temps
partout
mais je ne t'ai pas vue
une seule fois.
La vie peut être si cruelle.
Paul Hansford Jul 2016
[I have written a few pieces  in French, or partly in French, but this is the only one to be based on a play on French words. Translation and explanation follows the poem.]

Je ne voudrais jamais
t'embarrasser,
mais ...
si le verbe avait deux lettres de moins,
je ne pourrais en toute vérité
jurer le même.
Et puisque le second de ces cas
impliquerait fatalement le premier,
je me trouve dans une position
impossible.
Autre exemple des ambitions,
espoirs,
désirs,
rêves
qu'il vaut mieux
ne pas exprimer.

---------------

I would never want
to embarrass you,
but ....
if the verb (in French) lost a couple of letters (^)
I could not in all honesty
swear to the same.
And since the second of these cases
would unfailingly lead to the first, (^^)
I am placed in
an impossible position.
Another example of the ambitions,
hopes,
desires,
dreams ...
that it is preferable
to leave unexpressed.

-----------

(^) i.e., if "embarrasser" (to embarrass) became "embrasser" (to kiss).
(^^) i.e.,  kissing would lead to embarrassment.

Embrasser,  curiously enough, doesn't mean "to embrace". And whilst "a kiss" is "un baiser", the verb "baiser" means somewhat more than "to kiss"!  Still, we all know that words are curious things.
Paul Hansford Jul 2016
The gardener
This is my garden; my apple tree
has over-reached itself.  The branches,
weighed down with fruit, threaten to break.
If I had read the signs, thinned out when it was time,
the crop would be less heavy, the fruit less small.
And what there is, is damaged.  If it’s not birds
it’s caterpillar, wasp, or earwig.
It will all be rotten soon.  I don’t know why I bother.


The blackbird
This is my garden; this tree I sat in
and proclaimed my own when it was full of blossom
with war-cry love-call song.
Then mating, nesting, bringing up the brood.
The days were scarcely long enough, but that
was long ago.  My children gone,
there’s time now for myself, time for a treat.
My yellow chisel bill breaks in the flesh
of these fine apples. Delicious. This is the life.


The wasps
This is our garden – insects do not have time
for individuality.  We built the colony, us lads,
chewed wood to make our paper nest, and now
we work to feed the grubs.
“Lads”, that is, using the word loosely – for us
gender is not important; that’s for the queen,
and, as it may be, the ones who service her,
none of our business.
But we need food too,
and if sustenance gives pleasure,
so much the better.  When we find a fruit
where blackbird’s chisel bill has broken in,
we eat our way inside, till only skin and core
encase our private eating/drinking den.
So what if it’s fermenting?  If we get tiddly,
and roll about, and buzz a drunken hum,
then who’s to care?  And if they do, we’ll sting ’em
.
Inspired by finding a completely hollow apple skin (with the core in place) under a tree in my garden, thoroughly cleaned out by wasps.
Paul Hansford Jul 2016
The trees are coming into leaf;
the sap is pressing through the wood.
Violets, suspending disbelief
in spring, reveal now one by one
flowers of self-defining hue;
while butterflies with purple sheen
on flimsy wings try out the sun;
the sky's a half-forgotten blue.
Brash celandine invades the beds,
covers brown earth with green and gold;
bold daisies dare to show their heads.
The grass puts on a different green
and grows apace - I knew it would
(when was it mowed last? I forget)
and tangled branches really should
be pruned, but I've not got the heart
to execute or amputate;
in this profusion, who'd be so cold?
Though some day soon I'll have to start
(my neighbours think I've left it late)
I won't rush in and then regret -
Long live the weeds and the wilderness yet.
The first and last lines are borrowed from poems by established poets, but all the rest is me.  The rhyming is irregular, similar to the style Eliot used in Portrait of a Lady.  If you're interested in the technical side, the rhythm is iambic tetrameter.
Paul Hansford Jul 2016
When afternoons would ******
a shank of sun across the kitchen,
and dust would loop and swarm like dumb bugs,
and warring bedroomed voices
pinned me cruciform,
cheek moored against the cool wall,
counting silences to find the storm,
sometimes, the white frame of Hands with Bouquet
would graze my head, its knowable
art like an unction, its thousand
possibilities intact.
"Hands with Bouquet" is a painting by Picasso, almost child-like in its simplicity.  I found the poem years ago on another site, but have lost contact with the writer. I love this style of poem, one complex sentence that always knows where it is going, the way the lines roll on to the conclusion, and how perfectly complete it is.
Paul Hansford Jul 2016
How can I tell you what is in my mind,
how can you know what is in my heart,
when I cannot express it?
The words that do come to mind, again and again,
words that are few and simple,
are not appropriate for the situation, only the feeling,
and even for that they are not enough.
Then I remain silent, or talk of other things,
and so do you, but whether for the same reason,
or different, or none at all,
I cannot even ask, nor could you tell me.
The words would only get in the way.
Paul Hansford Jul 2016
If I seek your monument, it is only
everywhere.
The violet and the nightingale
and the rainbow all remind me,
even the wild strawberries, though they
happened long ago.
All are part of you,
being in that part of my mind
which is yours.
If I think about you, it is only
all the time.

~~~~~~~~~~~~~~

The inscription on the plaque in St Paul's Cathedral to the architect Sir Christopher Wren – "Si monumentum requiris circumspice" – translates as "If you seek his monument, look about you."
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