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 Jun 2017 Molly
Reece AJ Chambers
Blue shirt
I can’t trust a boy like you.
Sectarian sympathiser,
driving brothers apart.

I see a glint in your eye
whenever I
lean in for the unanswered kiss
self-assuredness is your favourite

amuse bouche. Nice with a fine wine
tastes a little like shellfish.
Picpoul de Pinet
for a girl that’s hardy on the outside.

Just when I am starting to turn
purple on the lips
you breathe air into me
and hide again.

----------

Believe me,
there’s red in these veins
and flames in my lungs.
Your eyes

eye me up, river blue.
Chip fat and *** smoke
make out for a foul cloud but
girl, you’re the pearl of the night.

Your mouth is the glossy phone
I should answer,
wanting love on a tongue
like a pillow of wine.

When you grip my shirt,
expect to connect, I end up
pouring out puddles of nothing,
your lips apart like violets.
Written: June 2017.
Explanation: A collaboration piece with fellow poet and friend Molly (https://hellopoetry.com/molly-5/). The first four verses of this poem are written by her, while the second four are written by myself. The poem deals with intimacy - one person wants it, the other is a little reluctant to give it. My piece is intended to reflect elements mentioned in Molly's piece. Feedback is very welcome and appreciated on this. The poem should also be found on Molly's own page. I recommend you check out her other work. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
 Nov 2016 Molly
JJ Hutton
Better natured today than yesterday,
smelling less like cigarettes and more
like laundry detergent, you sit across
from your therapist at the bar and
ask for one more boilermaker.
You say, How do you desire what you already possess?

And your therapist says, Don't go down that drunk.
That's a bad drunk.

You're in a floral print A-line dress, one
you bought from your sister-in-law.
She's doing one of those multilevel marketing things
and though her Facebook posts make you want
to suicide yourself, she's happy and independent
and at home with her kids. Despite these lukewarm
feelings, you harbor some resentment as you finger
and thumb a seam that's already coming undone.

Sloane. Your husband keeps mentioning a woman
at the office named Sloane. You're at the bar,
almost alone, and promised yourself
you wouldn't think about Sloane. But here you are.
Sloane in a pencil skirt and stockings. Sloane
with a fresh ****** energy, the kind you can't
seem to summon, and you wonder why ***
is such an important thing. It's so brief,
forgettable, full of abject compromise.

*** is an inherently violent act, don't you think?
You say to the therapist.  

If your therapist hears you, he doesn't respond.
You don't repeat the question.

You watch yourself broadcast on the TV above the bar.
They're commenting on your hair and your arms
and going on and on about your likability.

Your therapist changes the mood. It's 6:30.
He gives the place a nighttime feel.
He kills a row of lights and turns on the
colored bulbs, the blues and greens.
The TV is turned down. The music is turned up.

This is what you've been waiting for, the lights, the music.
There's an hour before anyone really shows up. You can
close your eyes and drift.

Two or three drinks pass. A couple walks in.
You have your therapist put in for an Uber.

Maybe I've been asking the question the wrong way, you say.

Oh yeah? the therapist says.

Yeah. Maybe the question should be reversed.
Maybe the question should be
how do you remain desirable to the objects you possess?

That seems like a lot of work. Seems like you'd have no
sense of self. You'd always be bending.

I've been a plus one for a long time.
You say bending. But I wouldn't be
doing anything new. I already do all these things.
But I see them as a compromise. I'm just trying
to reframe, you know?

Why? your therapist asks.

You open your mouth and find no words. You smile. You say you've had too much. You're rambling. You're sorry. You better go.
 Jul 2016 Molly
Keah Jones
he wears cowboy boots to bed
and says "yes ma'am" like sweet tea pouring from his sunburnt lips
once we went up to the lake hitched our horses and went skinny dipping and he left his hat on

he removes his hat as a sign of respect
he holds a hand over his heart for the friends he left behind
he taught me to ride like my soul was being set free from that castle walls that were built

he two stepped with my mamma
when the music rang out through the grass
but that didn't make up for the time I was late for dinner because we couldn't pull our eyes from the stars

he shook hands with my father over burgers on the grill
high fived my little brother and called me baby
but that didn't make up for the time that we drove out the canyon and danced our way to the top of a mountain with no reception
we danced and swayed and stayed until the moon called me home
 Jun 2016 Molly
JDK
I fear I might be here all night,
tuned to this droll channel of jokes' echoes and the laughter of dead folks.

Tomorrow they'll find me in the dawn's gray light,
(chair slowly turning around on its own,)
face skewed and awry;
blank eyes staring inside my skull.
Never read your own work.
 Jan 2016 Molly
katie
air
 Jan 2016 Molly
katie
air
i want to crawl
out of my skin
air my blood vessels,
calm their restless
nerves, drinking only
makes it worse
i choose to merge
muscles with elements
hot to cold,
snow covered
organs breathing
on their own,
and when i
put them back in
the blood beats
differently,
on the bus rides & in
the traffic jams
i smell tree pines,
fells, mountains
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