I tried to write a poem about The Woman,
but I read it again and didn’t like it,
because it sounded like I knew what I was talking about.
Well, I don’t. Not really, no.
I’m just desperately grateful
that some women noticed me, and some
cared about me and gave me
the world. Their world,
which means everything, you see,
including comfort, fierce loyalty,
and most of all, acceptance and forgiveness.
Forgiveness was their greatest gift of all.
So this stuff about
cosmic kaleidoscopes of desire,
and delirious dreams and
raunchy ***, and, and,
pain sometimes, is,
well, it’s only partly true.
Incandescent love is unconditional.
That's what they gave me, see,
and this all I want to humbly say.

Mike T Minehan

She came first in a dream
when I was fifteen. Yes,
she was the fire of ecstasy and her first licks
set my world aflame.
She's a shape-shifter, sometimes
fair and sometimes dark,
but always naked
when she comes.
She often whispers secrets
in the molten, swollen nights.
She even shows me jungles
and raging torrents down
where tom toms throb.
But when the morning breaks,
and I'm alone,
I struggle to remember.
Accordingly, I search the cities,
the far off mists and mountains
and the subterranean rivers
every burning day.
So it won’t surprise you to know
that where I mostly go to find her now
is under the volcano,
the place of endless fire.
It's where us dreamers and those demons
dance with our desire.

Mike T Minehan

I’m part of the archipelago today,
just a little island lying around,
with a lagoon and some palm trees,
and here I am shooting the breeze
with you.
So I hope the rest of you islands
out there are enjoying the birds,
maybe an albatross with a preposterous
wing span, some turtles, and a castaway
with a bottle or two.
There could even be a galleon on the horizon,
with pieces of eight and doubloons.
Maybe not, but so what?
It doesn’t matter when you let go
and say Hi ** when you’re
part of the archipelago
today.  

Mike T Minehan

When you're a writer, you get invited to strange gigs
sometimes, where usually, the audience is arty farty
or even a bit precious and pretentious.
You know, the blue rinse set.
But I was once invited to recite poetry in a bar,
where I knew my audience might be ******,
or maybe even abusive, and wouldn't give
a **** about writing.
Yeah? Well, I'm a bit of a word warrior, really,
so I didn't back off.
I stepped right in for the fight.

I said straight up that my poem was especially
for people like them who thought that writers are
wishy-washy, woffling, **** weak and luke-warm.
So then I said,
PPPHHHaaaaaaaaaaaaaaaaaaaaarrrrtttttttt.
Very loud.

I told them this was some royal raspberry,
just for people like them,
who thought this was going to be another boring poem.
And then I threw in a few words like, ah, ****, doggy fashion,
finger up the ****, you know, just to liven things up.

I told them what I really thought.
***** You! Especially seeing as how you think poetry’s
some wimpy, bleeding heart, limp **** stuff. Right?
So let's get right down and ***** here.

Which is much more interesting, eh?
And do you know what that says about you?
No?  You bleeding, blinkered, blind-as-bats
broomstick-up-the-arsed, boring, bonehead *******!

So don't call this poet ****-weak any more
or I'll hit you bang between the eyes
and up between your thighs.
I've got some things to say you'd better not ignore.

When it comes to words, I'm a gouger and a biter.
I'm a brawling, hard-as-nails, no-holds-barred street fighter.
I'm a writer.

Yeah, well, no surprise here. That made them quieter.
I'd shut them up. So what did that prove?
I'd just abused and confused them.
It made me think, well, why did I bother?
Poems are for believers and lovers, aren’t they?
They don't need me to fight for them in bars.
Poems just are.
Yes,and some of them might live
as long as the stars.


Mike T Minehan

I don’t want the world,
just a mountain and some waterfalls will do,
yes, and a tropical hideaway
with a palm tree or two,
an outrigger canoe
and you.

If only I can find you again.
Where are you?

Mike T Minehan

I’ve got to tell you,
yes, you, Muse,
that you can be a real little ****, sometimes,
just flirting with me
and merely swirling your skirts.
And I’m so ******* vulnerable!
You hear that? I’m weak!
I’ve been meekly saying yes, yes,
thankee missus, so pathetically obsequious,
while tugging my forelock, or something else,
before scribbling about these ridiculously tantalizing
little glimpses you’ve been flashing me,
just the merest ****** of insight,
when I so desperately need, you know,
the whole ******* vision, the complete picture.
Yes. The whole enchilada!
Now look here.
You’ve got to go a hell of a lot farther than just flirting with me!
I need some of your hot little chilli, see?
Something, you know, incendiary!
You hear me?
Maybe sink my teeth right into your euphorbia poissonii!
Yes!
Even if this ******* well kills me.

Mike T Minehan

Sometimes I cup her breast
while she sleeps curled up.
Sometimes it’s just the merest brush of skin,
the toes, perhaps, that meet somewhere
in the shoal of sheets.
Maybe it’s just an arm flung carelessly
or a leg akimbo here or there.
Her flanks are also sleek and smooth,
and is it a dream I sneak
of riding wild and reckless
through the canyons of our sleep?
But mostly, just simply holding hands
stops me tumbling in the void.
I don’t know if she knows
she's my bridge across forever.
Oh yes, I know that I'm a dreamer,
and I know that forever never lasts,
but I still hold her, oh so gently,
through the darkness of my night.

Mike T Minehan