I like a whole lip-smacking smorgasbord of words,
such as preposterous and scrumptious,
sumptuous and curious,
roiling, rambunctious and trumpeting,
priapic, satyric and seraphic,
satyriasis and mimesis. Now this mimesis is the imitative
representation of nature and behavior in art and literature,
which is a pretentious way of trying to say what us writers do.
But hey, we don't just mimic things,
we can be sagacious and salacious, too.
Accordingly, I also like *******, which has a liquid sound,
and I'm not being facetious to suggest that
******* has a close connection to callipygous.
Then, for those who are suspicious of the libidinous,
I also like curmudgeonly and bodacious,
loquacious, precocious and pulchritudinous,
lubricious and fugacious,
scripturient, radiance, iridescence and magnificence,
lissome, lithe and languid (but not too limp),
shimmering and diaphanous, effulgent and evanescent,
flamboyant, fandango and flibbertigibbet,
(although this is difficult to say when you’re drunk),
voluptuous and vertiginous, slithery, **** and glistening.
And when I include crepuscular, strumpet and strawberry,
I may as well add whipped cream
as well, because this can be laid on in dollops,
and dollops is really an excellent word
along with slurping and *******, too.
Actually, I'm very flexible about words,
because in my lexicon, low moaning noises are OK, too.
These sounds come from the chord of creation
which is a sort of reverberation from the time of
primordial ooze, which I would like to squish between my toes.
Then there's protozoa, spermatozoa and also
wriggling flagella everywhere. So there.
But words don't even need to make sense,
because sweet nothings can say everything,
and heavy breathing can be ******,
even rhapsodic, ending in delirium.
Titillating should be in here too, because we all need
some tintinnabulation and tickling of the senses sometimes.
I've also decided that fecund is my second favorite word after love.
Fecund sounds abrupt, but it buds magnificently
in ******* and bellies to burgeon in absolute abundance,
everywhere. This brings me to *******, which I like, too.
I'm also partial to proud words, including bold, bulging and
brazen, along with a bit of swaggering braggadocio.
Then I like some big words, like brobdingnagian,
although I hope I'm not sesquipedalian.
Salivate is a word to celebrate as well,
along with onomatopoeia that helps choose some words here.
Drooling is highly evocative, too,
and it's not being provocative to observe that
even weapons drool when they're in the wrong hands.
And I shouldn't leave out *******, as you would expect,
because ****** is a sort of rippling word
that rhymes with spasm. Both sound deceptively simple,
but by golly, they can be intensely gripping.
And really, it's alright to writhe to this occasion
because all of us writers should endeavor
to have some good writhing in our oeuvre.
Even some bad writhing can be lots of fun, too.
But I almost forgot to mention yearning and burning (with desire)
and vulviform, velvet and venerous.
Yippee, yee har and hollerin' along with other exclamations
of exhortatory exuberance should be in this index, too.
Now. The words I don’t like include no, can’t, never,
stop and mustn’t. Also, irascible and intractable,
unmentionable, ineffable, inexpressible, incoherent,
immutable, impotent and impossible.
Then I don't like importune and misfortune,
and I don't know who thought up unthinkable,
because this is an oxymoron.
Inscrutable is also a complete cop out,
especially when there's no such word as scrutable.
Gawping, gaping, cavernous and cretinous, obsequious,
grovelling, pursed lips, circuitous,
obfuscation and isolation, unpalatable,
cruelty, tyranny and hypocrisy,
should also get the heave-**.
And I definitely don't like parsimonious and mendicant,
which are miserable words.
Quitting doesn't get there either,
and shut the **** up and ******* should also be taboo.
Also, hopeless is, really, well, it's hopeless
because it denies hope, and hope is buoyant and boundless.
I mean, sometimes hope is all we have.
But the word I dislike most is ****,
because this is an insulting word, and
to be taxonomical,
the negative score of this word is astronomical.
Hate is also right up there on this list. Hate is abominable
because it tries to destroy love, and love is indomitable.
Indomitable
is the
mightiest
word
of them all.
Yeah. So there.

Mike T Minehan

Look here.  I've been admiring the spectacle  
of Ng’s bare ****. Yes,
this is simply because I have to say
Ng’s bare **** is magnificent.
It’s not a bouncing Botticelli but it’s
a slim, firm bottom, subtly rounded,
real split peach and cream stuff.
And Ng at the other end
is a real nice girl, too!
She's my friend, see?

But back to Ng’s bare ****. Let's stay focused.
I contemplate this vision,
along with the meaning of life,
quite often in broad daylight
with a slash of sunlight across her little buns.
This is more profound than the Tait, the Louvre,
the Met, the Frick, the Neue, the Helly, the Hermitage or even
the Natty Portrait Gallery all bunged in together.
Ng's bare **** is also better, by far,
than anything you'll see at the Bolshoi or La Scala.

I’m amazed at how much I’m amazed by
this work of art. It’s awesome.
And I betcha the most famous galleries would
fall over themselves to display this finest little ****, that is,
if the world wasn't so hung up with hypocrisy and hysteria,
yeah, it'd be heaps more famous than the Mona Lisa.

Mike T Minehan

You can’t
explain
the world in
Haiku.
It’s more complicated
than that.

If you know everything,
seventeen syllables
are just not enough!

So, I like to
break the rules
and write my Haiku in
eighteen syllables.

Oh ****!
If I ever write
another Haiku,
shoot me
for Chrissake
and put me out of my misery.
There. That’s thirty four syllables.
**** it.
And there’s two more
just for the hell of it.
Now I feel a lot better.
I’m free.

So I’m marrying this young girl, see,
it’s the second time round.
My first wife died and
I’ve been struggling and drowning.
So I'm clutching the life raft
of this girl who is beautiful and young,
who’s romantic and sure of her ground,
and she and her family believe
that I can breathe and survive again.

Me?  Can I remember how to be gentle and kind to them?
It was luck. I was lucky before.
Because now I'm a veteran of the thousand campaigns
and I’ve bayed at the moon, see,
then I hunted with The Beast.

And anyway, my first wife and I
(*******, her name is Lorayne!)
suffered, and then suffocated
before our love soared so high.
Then we danced like fireflies, fabulously,
until the future ended forever.

So how can this new girl
find ecstasy with me and, and,
you know, live happily ever after,
which is such an impossible dream,
and how can I handle all this ******* purity
and innocence and beauty and youth
and flawless skin and fairy tale stuff
when I’m so gnarled
and twisted and knotted?
You see, I'm actually deeply ashamed.
In spite of my much vaunted campaigns,
I'm really a coward.
I'm afraid I can't drag myself back and do this again.
Can we possibly become fireflies and dance in the flame?

Yes, yes, I know.
We'll swear to love and to honor and to obey
in sickness and in health
in richness and in poorness
until death do us part.
Though this formula's too cute. It doesn't mention the pain.

But there's no other option. I must try to rise up again,
and alright, once more, I'll call on the flame.
So I'll cast out my demons and force them away.
Somehow, I'll hold those monsters at bay to give you
the light and the love you say
is still there, everywhere.
You are wide-eyed and oh, so naive.
But I desperately want to believe you.
I need you.
Oh god, I hope we can love without fear.

Mike T Minehan

The staff, who are stuffed full of paper,
stapled, on white,
are to be circulated with minutes,
full of minutiae,
but only the chosen staff will receive such chaff,
intricate, in triplicate,
and the others will have to wait for memoranda,
definitely not grander,
on subjection, objection and rejection
for the weary and unwary.
The brochure on staff conduct
will be grosser,
and superannuation won't be super.
There will be no more staff resolutions,
no revolutions,
so that managers can preserve the status quo
and hasten slow.
Talent is banned,
promotion is underhand,
***-kissing is in,
no sin,
and perks,
no jerks,
are for the executive few.
***** you.

Poor little octopus.
Big head and eight tentacles
but no *****, ***** or testicles.

What's that, you say? Then how do these poor little cephalopods
buck such terrible odds when they feel like a ****** agenda
and they don't have any pudenda?

Well, it's quite simple, really. He hands her ***** on a tentacle
and what do you suppose?
She says, thank you very much, and sticks it up her nose!

Honest. No dinner first or shoulder massage,
she just whacks it up her nasal passage. You can be quite sure
this is an amazing olfactory aperture.

So the moral is, don't complicate a simple process.
When you're feeling frisky, *** need not be tricky.
Just consider the inventiveness of the octopus with no ***** or a *******.

Because it's the ingenuity of the octopus, not it's ****** act,
that we should court. Compared to the octopus,
the human nose is naught.
It's too high up and tight for such naughty, wicked sport.  

Also, such a human act is fraught with political incorrectness.  
A gentleman who tries this little rort to get the girls to snort
and says, up your nostril, madam, might all too well
receive a rude retort. Or even worse!

I say herein lies food for thought.
                                                        ­                             Mike T Minehan

I just heard a colossal clap of thunder.
By Jove, it’s great to be reminded that
the din and clamor of our lives
are insignificant compared to those like Zeus.
There’ll soon be rain, and after that,
a glistening rainbow hung out to dry.

Those guys do it big up there in the heavens,
and then they rip the sky apart with lightening flashes, too.
Howzat?
Yeah, an’ then there’s all their galaxies and time an’ stuff.

Jeez, I just love this great big art gallery of the gods.

Mike T Minehan