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I. That summer the radio
Played nothing but Cat Stevens
While I hummed harmonies
In my first car
It was a wild world indeed
when kudzu overtook
The cornfields
All the ears were foreigners
The leaves basked in light
That dead-ended on route 15

II. That fall we spotted UFO's
Shining over the municipal
Park
We chased them across the
Ballfields
To the high school cross country course
A dirt track running
Through the woods
And when there was nothing
Alien lurking there
Our hopes fell
Faster than the stars

III. The following winter
Three inches of ice cut the powerlines
Impounded our school supplies
With the outtages
And the temperatures plummeting
Seventy percent of our hearts froze
All the parts that were water
Expanding our chests
Like balloons
Expanding our vision too
We thought this was the beginning
Of the end of St. Clair county
We though we'd all get out someday

IV. By spring the graveyard smelled
Like lilacs
And dead town elders
Came out to dance in the scent
We played capture the flag there
On school nights
And the cops could never catch us
Behind the headstones
Of our family plots
We wrote our own epitaphs
"I was water and I could have been
A fine wine"
*I fell asleep in sweet green clover to the sound of smalltown sirens...
I love him in the morning
When the sleep rolls off his skin
And is buried in wrinkled sheets
With last night's stale sweet nothings
And my scent

I love him in the morning
When he just barely cracks his eyes
And it's as if he's seeing me for the first time
I think when his alarm goes off
The whole world
Stands at attention
For John... of previous poetry fame
He couldn't stay for tea
He was afraid he might feel something
Upstairs instead of in his
*****
If he had been thirsty
I would have shown him a metaphor
For dehydrated relationships
Gallium spoons dissolving in any hot liquid
Solubility tends to complicate things
We lose pieces of ourselves
At body temperature
Boil down impurities
A reduction of our leftover parts
Our leftover lust
He is my currently
And the current
Running through me
Nikola Tesla couldn't separate
The electricity from my blood
Or the veils from my eyes
Or my future
From the present
I used to sing a lot, used to lace pearls on flower petals
and the sea would sing to me. I have heard that my female body syncs
with the moon
that I am a tide, my mood is high my mood is low
                            I am a force of nature Mother Earth can hold.

The idea hits me. My heart is set on fire by it:
I am the reason some rocks are heart-shaped, my fluids
can create layers on ammolite.

Even my ***** could purify a pond,
I am earth I am water I am wind I am fire I am juice squeezed from
apples and orange peels
                    only the sun can gather my pulp.

I watch a father star cradle its firstborn
and we exhale on the same sky, I cannot believe it. We eat and drink
from the clouds -                          my clouds, our light.

The opal loves her body (she shines) the wind loves her body (swaying)
birds with fat bellies sing to me and
every one wiggles her ****
because she loves her body - why shouldn't I.
        (There could be pieces of me in everything beautiful).
Your tongue used to sneak in my mouth
like the old days, girls climbing trees to sneak in an older boy's bedroom:
he had a single bed and plaid sheets she would think of
in the same way she thought of wrinkled bubblegum wrappers
but neither tried to taste good for the other. The
boy and the girl just were what they were, just hidden in each other.

My hands could be the bedposts, my hair the headboard,
my skin the blanket she will dig her fingers into, thinking what is home
what is home - somehow it has become a
tap on the window, a whispered I am here, hello.

You helped me to get over my fear of silence,
my chirophobia. When everything was meant to be quiet, when we have
nothing to say, you would pour honey down my throat
and hold hold hold me tight
so tight that it would seem everyone knew. I imagined turning on
the television, there would be an image of us lighting up Times Square:
you would calm the whole wide world. It took us years
to realize that we have the kind of love that is always, always okay.

The girl shimmies down the tree, an old oak
so tall she feels like she has dropped fifty stories before she finds grass,
she feels like she has lost fifty feet worth of body and flesh.

His window is open, her lips separate, it silent and
it is okay. She mouths, I miss you
then climbs up again almost desperately, completely dependent on her
legs to pump air into her lungs and breathe through the pores -
blackbirds see up vines up her skirt, and twigs
bruises like wide bushes and then his hands like a nest. What is home.

Your saliva grew like moss against my cheeks,
I once bit and bled in my sleep, had nightmares so I could hear something
but you gave my teeth a garden to pick vegetables from
and I stopped needing traffic to rock me
to bed: your tongue used to sneak in my mouth, now I have its words.
 Aug 2013 Michael Valentine
Me
The poet stands, bending over a piece of his writing, next to his wife
musing, not writing any longer.

His wife, in both appearance and mind much stronger than him,
shares his glance and dares
to let her eyes dance right across his naked lines.

He feels her breath next to his shoulder, on his skin,
remembers how, when growing older, you start to be
content with less.

So now, she finally adresses him:
Are you writing about me?

He frowns, something he rarely does, takes a deep breath
and, quietly bereft of his most personal emotion, starts to smile.

You know, he anwers, with a slight shiver in his voice,
I'd rather you asked something else. I'd rather-
but he has no choice, is forced to speak, at last.

His wife, slightly intrigued, demands: elaborate!
Two hands are raised to shape the air, create a space
and place an invisible heart
inside its core.

Look here, he speaks, this is my work,
and indicating this he gestures wildly
while his wife remains disquiet, though now
she sees, thus smiling mildly, what he is getting at.

And in the middle, this is you
as if
-
now he does not allow his voice to drift
as if my poetry evolves -
But he stops dead and sees
a clear image inside his spinning head:

He concentrates, takes a step back -
and reaches for his woman's face,
places his palms on her red cheeks, one side each,
and begins to speak anew:

*If I had ever written just a single line about you, dear,
I shall be ******.
I won't let false words touch you!
Let me explain:

It is the other way around!
All pieces and all lines and words have once
belonged to you, and now emerge
from your sweet face!

I am now well prepared just to erase
all of my poetry,
for all of it I will find then again,
anew,
in your kind heart,
in you.
***This is what is left of a two-hour art musem visit this afternoon!
I don't obtain any of the qualities many girls my age appoint themselves to behold.
I refrain from what I'm told that I am expected to be.
I set my own expectations.
I come from where it's quiet at night, my parents spent my whole life ******* my head on tight so that I will never view my insight as crooked.
I've never been the girl that the cute boys liked, I've always been the sweet shy smiling type
In a world filled with wrongs, I'm just trying to do right
-while everyone around me is trying to be alike-
I'll fight to be different.
It comes naturally;
I've never fit in anywhere in my life
In a world full of darkness I'm just trying to be the light;
I just want to be me at my highest potential.
We all possess certain truths about ourselves,
Sort of like facts;
They encode the inevitable.
They're what makes us unique,
They're what makes us individuals.
I'll never sell my soul.
What's normal anyway?
i:
i find space between us
even when you are inside of me

ii:
it would take me
two hours to fall to the bottom of the ocean
and two days to get to you

iii:
floorboards creak
i sing

you get so close
my ***** breaks like a guitar string
I will keep trying to write this poem until I get it right.
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