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  Jul 2016 Mia Barrat
Fay Slimm
Running amok black bellies of hail-clouds
divest their hard cargo
on near-ready harvest and thunder claps
in spiteful applause.

Scudding sails of racing white galleons
arrive to the rescue
and change weather's position as quiet
breaches gale's disorder.

Setting the sun throws magenta feathers
across dark horizon
and to settle the issue parades jade tints
as the landscape transforms.

Waiting small boats plod homewards in
fish-laden formation
while wives run to stoke hot-kettled fires
of ready bath water.

Lighting a pathway half-moon winks as
heavier catches in
hauled nets silver the harbour and men
start night's final performance.

Sating hunger with coming and going
sow-and-reap women know
the meaning of sharing male labour in
scaling and salting chores.

Fisher-folks' world begins and ends
with the vagaries and quirks of weather.
  Dec 2015 Mia Barrat
rained-on parade
I.

I’ve swallowed too many I love you’s
to be afraid of coughing up blood.
They cut you on secret.
Who knew it was drinking gasoline
and sawdust and every little inflammable thing
and then sitting down cross-legged
in the heart of a howitzer; soft.

II.

You are a soft explosion.
You are streaks of a rebel orange
in a sky that is supposed to be blue.
You are steel rods in the curve of my spine,
holding me straight.

III.

I love you’s are like death notes written in ash:
you’ll have to smoke your way to it.
Smoke cigarettes, journals, curtains,
and yourself to get that much ash in your lungs;
trying to blow smoke rings into your finger;
my ceiling knows more about my sadness than you do.

IV.

Saying an I love you once will have you
chanting “don’t leave me” on a rosary;
love will take your bones and leave you
lusting for somebody whose back
is the last thing you’ll see, and whose
skin you’ll think you left your keys in:
and now you’ve locked yourself out
of your own house, in a storm
whose sirens wail in your ears and remind
you, you’re hopeless and homeless.

V.

I love you’s leave no exit wounds,
no shell casings, and when the time comes
you’ll be telling them all how his bullet
ricochets in your ribs,
but emotion never made up for evidence
in the court of settlements for a broken heart.

VI.

Telling someone you love them is like cutting your jugular
and not expecting to bleed out.

VII.

I love you like the pages of a mad girl’s journal.

VIII.

The moon turns from an ally
to the haunting image of science and realisation:
you share the same sky, but no longer the same bed.
And astronomy keeps ******* you over
when you look up at the sky
and no longer understand constellations.

IX.

Love makes it more getting-back-at-you
than getting-back-together-with-you.

X.

Every time you taste blood,
you’ll know you kissed somebody
with teeth like needles
and they cut you everywhere; they
bit you, they bit you, they bit you
and you kept letting them.
22/12/2015
3:11AM
Mia Barrat Dec 2015
Oh my Lady Malady, your presence is a melody!
Forgive my nails if they dig too deep
beneath the paint that covers you.
Please free my hand, the one that tries
to shove you off the train.

I serenaded you when everything and everyone yelled
"YOU HAVE CANCER!!!"
I thought
you had a soft-
er heart, oh Lady Malady.

I, guess, not.
  Dec 2015 Mia Barrat
NV
i sometimes wonder why you still visit my mood swings,
left in abandoned playgrounds between my chest.
why you still visit even though the slides may only carry you down to somebody like me.
somebody difficult to love,
somebody who cannot tell the difference between crying and laughing anymore.
why you haven't left this soul,
who's bones can't seem to find enough strength to push my side of the sea saw,
who can't seem to move past three poles on the monkey bar,
simply because of the weight on top of my shoulders.
this flesh of complete brokeness that couldn't bare ringa ring rosie,
because at some point one gets tired of always falling.
i often wonder, why me.
why me, with all my chipped paint and countless dents.
why you still visit,
when this isn't the grass on other side that's greener.
because God knows,
i'd understand if you look for a park elsewhere.
a park worthy of you.
Mia Barrat Dec 2015
Last night you took my photograph,
the sky dark like a hand that sinned
within the winding wood. We laugh
and find peace in the wind.

After the night
the morning mourned: you looked lifeless,
foaming overdose. Disappear,
for I grow fond of your breathless
death. So run away from here,
as fast as you can,

run-
away -
Runaway as fast as you can.
Let's have a toast.
"Get away from what's toxic."
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