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i can feel your art
it's in the heartbeat of your palm

warm,
alluring

a springtime thunderstorm that might drizzle or might defiantly dump

i'd stand with outstretched tongue
if only for one
                                                                 drop

of your honeydew compositions   ;   sunflower symphonies.


darling,
your diamond skin is

                                                                devastating

as you dream in orchestrated swells.


i can feel your art
when our heartbeats caress
 Apr 2012 Megan Hundley
Pen Lux
this soft silence has me feeling
that there isn't enough to go around.
you're rose petals on black tile,
             indulgence at it's finest.
a dimple twitch, a train to which
station?
motivation,
obligation,
                  regurgitation.
I've been left out, cut out, burnt out.
take my feathers
make arrows
slice through my skin
make wine.
kiss my wounds, attack my goodness,
give me bruises, I'm fine!

I'm lifted
you're gifted
got me
on the edge of
both sides
of your line
shove my face
smash my face
trash my cash and mash
mash mash, until there's bleeding.
-I haven't made it there... yet.

trying to decide what to do with my time
waiting for the wash, dreading the dirt that clings
to clean cheeks and it's only been a few weeks
but I'm burning in madness.

to entertain you would be golden
my brain is swollen with stepping
and it makes me want to be alone.

negative exports, I'm an expert at drowning
with one foot placed firmly on the ground,
the other in my mouth.
Your first kiss
left a deeper
impression
than mere
lipstick.
 Mar 2012 Megan Hundley
JLB
It is my conviction
That life began inside of a dimly lit corridor.
Not with a flash of brilliant light,
Inside of the creator's grand hall.
Not even in the decency of a simple room,
No.
It was an accident that happened when the Gods tripped over their robes,
Simply walking
On their way to the heavenly mess hall for coffee and a drag,
Shaking the proverbial gold dust off of their feet
So that it slipped through the cracks in the marble
And crystallized in random little patterns,
Wherever they happened to step.

Beauty, some are bold enough to call it.

And I'll find it on my face sometimes,
Those golden remnants,  
When the weather is warm and I've eaten a little less that day.
I will linger in my mirror to see where they've landed
As I whisper sweet nothings to myself,
Wishing I were worthy of these repercussions of
The Great Biochemical Accident.

But once in a while,
Someone will come along who tells me that I'm wrong.
Once in a while,
Somebody has enough gall,
Somebody has enough, call it grace,
To peel those golden freckles from my face,
And to hold them gently in their palm,
Perceiving them to be precious.
 Mar 2012 Megan Hundley
JLB
Hold me.
Just me.

And make it a conscious decision.
 Mar 2012 Megan Hundley
JLB
Droplets of powder gathered on the counter
As I drilled holes in the linoleum to let the light in
Excuse the complacency and the drunken composure
But I'm eating my heart, and I'm taking you with me

Down the long fiery hallway at twilight
I will scream your fantasies softly to our moon
And your will to return will befall under its beams

Our private little world coming to an end,
Apocalyptic and honest,
Again to sleep.
 Mar 2012 Megan Hundley
Pen Lux
one

we're intertwined
         in imagined concepts
and we've got the same layout.
some sections colored the same
but we still look so different.

two

I feel like a story basket
locked in a casket,
avoiding spitting on graves.
you're the foam at the bottom:
           all I have left and I want more.
I'm just a foam hound daddy,
             a locked foam hawk.
you open your face, intoxication pouring out.
too much stimulation leads to lack of stimulation.

three

through my fingertips
budding beneath my eye lids.
I see what you're saying.
translate what you're feeling through my skin.


four

slabs of meat for hands,
place them on the stove.
(I feel better with my head close to the oven).
you've gotta soak in the seasons
or they'll fry off so fast,
it'll be all chew and no taste.
all **** and no chase.
I'm simmering
let me marinate.

five

social stimulation starts simmering smoothly.

six

okay,
I'll let my body make the decision when it remembers how to move.
too much to touch and not enough to stay away.
 Feb 2012 Megan Hundley
JL
Lunch time came
Restless and young
I had fingers in your hair
Red like the sunset sun
Skipping school almost
Every day, but today was worth
Going back a grade
We went to the ocean
To the white sand beaches
Waves roll and flow on
Even when no one visits
You put out your yellow and white towel
A place to sit and rest
We threw our shoes and socks in a pile
And felt the cool ocean breath
I remember how you put your hair up
I rolled up my pants
Still dressed up in school clothes
You came and grabbed my hand
Walking down to the edge
Where waves and sand meet
We stood and gazed at giant white clouds
As the shore swallowed our feet
You smiled big as I remember
The wrinkle around your eyes
You jumped into the blue water
With a little running dive
You stood up dripping water
Like a mermaid in a dream

*You stood up glistening in the noon day sun
With your hands above your head
For one moment I know I had seen you
The real girl who I really loved
There is never any faking
Fully dressed in the sea
Some stuff I make up, but this is not...this is one of my happiest memories, and no matter how many times I write it over or think of new ways to say it words will never do it justice. Some things are just to beautiful to cram into a poem
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.
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