They say forest fires are good
for growth and that floods
provide nutrients
storms unearth old seed and
spread topsoil
So I am unconcerned with how
you weathered me because I
chose to set up camp beneath
the hill, on the mountainside
At sea level, I dug my calves
into the mud and braced for impact
there is a difference in me and them,
in how they handle
the wind--
you're right ,
my heart still races with pikes peak
looming behind antlers
But I will still listen to Garrett
Hedlund and cry, unperturbed that
I am still alive and feeling
even if you are no longer
here, watching me sleep
whispering of course,
Of course pretty girl--
I will still tell people
that is my favorite
thing to be called

the next time you
go to the cabin
east of the fort
(my east, not your east)
(left, if facing the cabin)
(wrong)
look for the tree with the
white yarn wound
around the trunk with
a bunch of knots that
wouldn't hold,
where I
wished that no matter
what you
would be
here, that
i would last
past all my fears
and make it there again.

i still say hello
to the tulips in
my kitchen,

speak to the
two sunflowers
in my garden

who grew
despite
my absence

I've run out
of what little
patience I had

yell at people on
the road and tell
people to get out of
the way at the store

convinced I am
probably meant to
be alone by the way

I still say hello
to the tulips in
my kitchen,

softly touch the
two sunflowers
in my garden
and smile by
their gentle adversity
and the way they don't
respond at all.

he told me it's kind of like you copy people


I saw a certain amount of truth in that,
but it was more like adding a layer of paint
onto a canvas i've already been working on--

ever since I can remember I have treated people
like arts and crafts, like books, like in depth studies
I've loved watching documentaries on the salinity of
ocean water
Shakespeare's secret life and cotton blankets
watched my father put together bikes
disassemble sinks and make things work
been at a loss for words but filled
to the brim with definitions i'll
never use,
always been
fascinated by the unknown
and the known, often found
with acrylic smeared on
my thighs like a palette
deep in thought with
no poker face, searching
for different ways to describe
the way I have or have not seen
people-- dodgem, reticent, abseil,
cloisonne.

so,
yes,
I see the truth in that
in wanting to understand so badly
that it becomes a part of me,
but how can you tell them that?
how can you tell him that?
how can you say, 'this is me'
a conglomerate of many but
still my own?

i cannot put a halter on curiosity
putting songs on repeat to harmonize
to, wanting to know everything about
the things people love because
there is so much to appreciate,
to follow, to grasp and I
want to get in and get
*****, I want to
twist between the gears
touch everything
every fencepost
every brick, every
old paperback

so,
maybe.

maybe that is true.

if i am a dead language
then you are fluent, and
if mandarin is the hardest
form of discourse then you
learned me as a back-up--

I have always been a tangle
a mess of overreactions and
sentimentalities, too proud
to call for help or be pulled
from the rough convinced that
if it  must be done at all
it must be done by sheer
willpower and
iso
      l at ion

i am trying to unlearn that
i do not have to be alone
but it's in the company you choose
that some mistakes are too deep
and coiled to come back from

if i am dead language then
i am old norse, a handful of
runes and sounds falling off
the tongues of no one special
just scholars and politicians
struggling to make sense
but not all too
concerned
in the first
place.