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 Oct 2013 Lyzi Diamond
K Mae
free fall surrender
gifting fiery ripeness
feeding mother's earth

cycle turning in
wind assisted letting go
time of brave response

I too wear a cloak
buffered from the coldest winds
fire in my core
realizing that autumn leaves replenish earth with their living essence ,
and after reading Charles ****'s leaves en-route
5-7-5
She slides over
the hot upholstery
of her mother's car,
this schoolgirl of fifteen
who loves humming & swaying
with the radio.
Her entry into womanhood
will be like all the other girls'—
a cigarette and a joke,
as she strides up with the rest
to a brick factory
where she'll sew rag rugs
from textile strips of kelly green,
bright red, aqua.

When she enters,
and the millgate closes,
final as a slap,
there'll be silence.
She'll see fifteen high windows
cemented over to cut out light.
Inside, a constant, deafening noise
and warm air smelling of oil,
the shifts continuing on ...
All day she'll guide cloth along a line
of whirring needles, her arms & shoulders
rocking back & forth
with the machines—
200 porch size rugs behind her
before she can stop
to reach up, like her mother,
and pick the lint
out of her hair.
the defense of your legacy manifested into strings of saccharin
and phrases like ‘Come on in from the rain.  We all need a torrent to own the storm, just- take off your clothes, don’t mind Kierkegaard.’

your sincerity is a cipher

you’re something of a conversation piece between good friends
who were artfully made of pre-engineered steel on a day Jove tremored in his bed
you’re something postured beneath a javelin
and likewise- something propelled for decorum

blackguard, black coffee and a birthmark turned into a running joke.
inevitable.

you searched the bottoms of summer pools
and found no discernible trace of your history
her sable crown whips back and forth in your head
and you maintain the chaos with aureate cries of preservation
it’s a halcyon boom, a lonely and sexless halcyon boom
it makes every yellow and red dress chimerical
it makes your neck unassailable
drugstore cowboy

they got close enough
to see you sweat
to note that heat and her magnificence could purge as quick as they reinstate

and you still beat
like they do

stubbornly.
 Oct 2013 Lyzi Diamond
Chris T
Bubbling
in the cauldron
of my mind
lie ingredients
of a special kind.

                                  On the brown
                                  liquid surface
                                 the sweet aroma
                                 of fresh story
                                     lays siege to home.
2012
Do not stand at my grave and weep..
I am not there. I do not sleep.
I am a thousand winds that blow,
I am the diamond glints on snow.
I am the sunlight on ripened grain,
I am the gentle autumn rain.
When you awake in the morning's hush
I am the swift uplifting rush
Of quiet birds in circled flight.
I am the soft star-shine at night.
Do not stand at my grave and cry..
I am not there. I did not die.
 Oct 2013 Lyzi Diamond
saarahe
he was a painter once-
in the sense of a duck, waddling
augustly chin up mild fingers
engraved with acrylic rice paddy
mosaics

his deft strokes, steady against
barn yard hum dry ruby in
watery crevices, between the skullcap
and cerebellum, between ages of semantics

his cast net he stirs
the mud-clodded ponds and
rasps, cane cracking leather,
I clasp on the waterlogged eyes out the window
airborne for some lost jungle to
salvage some sliver of a canvas

he turns to me on the wooden planks
and hand in hand we plummet into an abyss of
our own creation
I left this town in 75
a dumb drunk ****

or as a friend once
poetically observed
"a beer quaffing linebacker"

but tonight I return
an enlightened poet
ready to recite
a stack of poems
eight years and two days
removed from my last drink

now relishing
the sweet intoxication
of drinking in
seas of words and letters,
brading a life's narrative with
solitary lifelines of truth

This town knew me

I know this town

The pomp and circumstance
of my high school commencement
occurred in this very place

I know the exact spot
near St. Mary
where Moose was killed
that awful
Good Friday evening.

After enjoying
the team revelry
at a Saturday Night
victory party;
I ran my hand across
the scarred Poplar
on West Passaic Avenue
that abruptly ended
Fic's life.

I slink past the house
filled with heinous memories
of my youth, cringing
through relived nightmares
of my father brutalizing
my naked mother in
an alcoholic rage;
and remain busy
trying to lick the still
raw sting of running wounds
inflicted by a mother
consumed with a
raging bitterness of
self righteous resentments.

Beer, *****,
Strawberry
Boone's Farm
and lotsa rolled bones
destroyed my family home,
murdered childhood
friends and greased
the wheels of
getaway cars in
fruitless attempts
to escape emotional
nightmares.

From where I stand
I can throw a stone
in any direction to mark
the scenes of
a hundred stories
that authored
the constitution
of me.

Across
the street
I can see
the lights burning
in the apartment where
Weehawken Joe
once lived.

Take a look.

He was crazier than
Tony Montana and
like Scarface not a
single lie could
be found in him;
he also possessed
the gift of
the best jump-shot
the Bulldogs ever had.

Years after I left town
I burst into tears
when Buns Hines
broke the news that
Weehawken  Joe
died of throat cancer.

Mortality is a
bitter truth
to swallow.

All along
Park Avenue
old commercial haunts,
save Varrelmann's Bakery
long gone.

Further up the street
my pilgrimage ends at the
WCW homestead.

In the fading light
of a glorious
autumn afternoon
the house appears
rundown, empty,
mournfully shabby.

On an upper floor
a lace curtain gently
flits and darts out an
open window.

I ponder
the words
still dwelling in
the dark closets
haunting the rooms
of this distressed edifice.

I wonder
how they now
sound?

The faint noises
hidden in
dusty corners
moaning a
ghostly presence,
creeping the halls,
clattering about
the kitchen,
bounding through
the living room
in an old beat-up
Red Wheelbarrow;
rolling along
moving to manifest
faintly whispered echos
into fully formed phrases;
liberating expressive sentiments
of a very blue house...

Eight years, two days
removed from a drink,
I'm grasping for letters
fumbling for the words
listening for sounds
churning within me
seeking to release
the revelations
of my truth.

Crosby, Stills Nash & Young
On the Way Home

William Carlos Williams Center
Rutherford NJ
10/02/13
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