some say we should keep personal remorse from the
poem,
stay abstract, and there is some reason in this,
but jezus;
twelve poems gone and I don't keep carbons and you have
my
paintings too, my best ones; its stifling:
are you trying to crush me out like the rest of them?
why didn't you take my money? they usually do
from the sleeping drunken pants sick in the corner.
next time take my left arm or a fifty
but not my poems:
I'm not Shakespeare
but sometime simply
there won't be any more, abstract or otherwise;
there'll always be mony and ****** and drunkards
down to the last bomb,
but as God said,
crossing his legs,
I see where I have made plenty of poets
but not so very much
poetry.

the house next door makes me
sad.
both man and wife rise early and
go to work.
they arrive home in early evening.
they have a young boy and a girl.
by 9 p.m. all the lights in the house
are out.
the next morning both man and
wife rise early again and go to
work.
they return in early evening.
By 9 p.m. all the lights are
out.

the house next door makes me
sad.
the people are nice people, I
like them.

but I feel them drowning.
and I can't save them.

they are surviving.
they are not
homeless.

but the price is
terrible.

sometimes during the day
I will look at the house
and the house will look at
me
and the house will
weep, yes, it does, I
feel it.

That moment you block out the world.
You size up your opponent in the path to destiny.
Once you set foot on the mats
You think of your next move
Reactions to the actions
Take downs and escape feel the motion
Dominate grab an arm try for the armbar
Tap them before they beat you
Stop them don't give them the victory
Out smart them control the match
Grips tight aim to win this fight
Jujitsu sets you free once the GI is on
All starts once those feet touch the mat