They say you hurt
The ones you love
The most.
I wonder how true
That must be.

I can't even bear to think
Of hurting you.
Yet you give out hurt
Like its a hobby.

With all the pain
You've put me through
You must love me
More than I could ever
Love you.

It's

not

meant

to be

easy.

After 4 years you would think everything was practically set in stone,
after all the time you've stayed away from "alone"
you thought you two were old friends
who would never hangout again.
But life took it's course
your heart taken with emotional force.
So now you and alone are together once more
you wait patiently for God to open a new door
but you can't help being heart broken.
Your relationship was a wonderful token
but with the wind it is gone
you were played like a pawn
in the longest game of chess ever played
where at the very end a switch was made
the pawn for some piece new
your heart now caged like an animal at the zoo.
It takes a moment to notice what occurred
and then H-E-A-R-T is just a word.
Your heart has been broken
no words left to be spoken
all you can do is walk away
for a heart has nothing left to say
when it's destroyed.
With emotions she toyed
and now at night you just stare at the moon
because the girl you thought would be engaged to you soon
is no longer around
she's lost and will never be found
because she left you as she fell in live with him.
The glow in your heart is now dim
You can't help but wonder if your whole relationship was fake
and now all that's left is your heartbreak.

i heard a girl once say,
if i could
i would drown
in poetry.
i would throw myself
into a sea of verses
and sink in splendor.
oh, no, i thought -

no you wouldn't.

if there was a sea of poetry
the coasts would be ringed with barbed-wire
and electric fences,
and signs that yelled warning
keep out
undertow
and swim on risk of death -
the beach would be littered with broken glass
from all the drunks that took their last drink
on the edge of a stanza.
the water would be turbulent
and *****
and cold,
and you might admire it one twilight,
when the sun is drowning and turning the sea
red,
and you'd say, oh
that's beautiful.
and you'd take a photo of yourself
grinning with the sunset at your back
and leave.

i heard a boy once say,
if i could
i would drown in your poetry.
oh, no, i thought.
no you wouldn't.
why is drowning such a common theme
in the minds
of readers of poetry?
i imagine it seems
romantic,
in some twisted morbid way -
but i think seeing a bloated corpse
pallid with seawater
missing a limb
or two
would put these delusions to rest.
i imagine seeing
the corpse of a poet
missing a heart
or mind
would put these delusions to rest.

you don't want to drown in poetry.

you want to watch me drown.

i heard a boy once say
if i could
i would drown in your poetry.
so says the boy who calls himself an artist
because he can play
'hey soul sister'
on guitar
and will prove it every chance he gets.
you don't want to drown in my poetry,
and even if you did
i doubt you could -
if poetry was bodies of water
you would throw yourself into a hotel swimming pool
miles away from the polluted lake
where i wash in stagnant water.
if poetry was bodies of water
you'd have someone build a koi pond in your backyard
and call yourself a poet.
if i could
i would drown in your poetry,
he said
and i told him to prove it.

if i could
i would drown in poetry,
she said.

the only people who say
they want to drown in poetry
are the people who don't know what it means.

the only people who drown in poetry
are the people who have no choice.

her mouth was sandpaper.

her mouth was sandpaper
and she spoke like
a smooth surface,
words scraped into fluidity
like a wooden sphere,
turned over behind teeth ‘til all friction
is lost.
she spoke like the walls of a birdhouse
in the room of a dead carpenter:
pretty unassembled things.

her mouth was sandpaper
and every kiss chafed,
rubbing raw my lips
and tongue
crafting with each touch
drawing blood like
juice from an apple,
like sap
from wood already cut from the tree.

her mouth was sandpaper
and she told me
i bite my lips,
rip at
the inside of my mouth,
cannibalize myself cell
by cell.
bone saws in her mouth.
the only difference between teeth of jaws
and saws
is mercy
(and she swallowed her mercy long ago).

her mouth was sandpaper
and she spoke like a carpenter’s hands:
rough palms,
tough pads,
a utilitarian artist
a crafter of dead flesh.
a mortician for dryads
and kodama.
the art and the artist
in lips
tongue
and teeth.

her mouth was sandpaper
and i brought mine to hers
again and again,
her bitten-rough lips
opening like doors to
purgatory.
less entrapment than addiction -
returning once more to nails and hammers,
hell’s blacksmiths below
heaven’s painters above.
coming back home
to the space between,
to bone saws
and a carpenter’s hands.

her mouth was sandpaper
and her voice was carpentry,
her teeth bone saws
her words
birdhouse walls.
her mouth was purgatory
but her hands
were hands.

her mouth was sandpaper.
i held her hand
and chafed my lips raw.

i warned you about this
i told you, i told you
that loving a poet leads to nothing but heartache and regret
and ringing ears and fingernail scars scoring your chest
and you told me you could handle it just fine.
i warned you about this
i told you, i told you then
that a day would come when i would project everything on you
and you would feel the brunt of my emotional monsoon
and you told me you could handle some crying.
i warned you about this
i told you, i told you
that i hate you and your stupid ******* determination to keep standing even when the wind threatens to break your legs because the oaks that stand proud fall broken
and i hate you and your words that mean ****-all and actions that mean even less
and above all i hate you and your stupid ******* decision to love me because i hate me worst of all
and you told me nothing.
you asked me once before
why i listen to my music loud,
why i let strange men scream in my ears
and interrupt my rhythm with their own.
you asked me why i listen to incomprehensible words,
where’s the aesthetic appeal in
choked screams -
you asked why i let strange men scream in my ears:
it’s better than letting you whisper.
better than letting you murmur sweet nothings -
if the screams are loud enough maybe i won’t hear you anymore.
no lover can’t you understand:
“i love you” isn’t the right answer to “i want to be alone.”
no lover can’t you understand:
your love doesn’t prove anything,
except maybe that you’re dumber than i thought,
dumb enough to waste all your life on a straw girl,
dumb enough to breathe till death do us part into a ***** hurricane.
dumb enough to follow the ghost-lights into the swamp
even after they scream at you to turn back turn back before it’s all over,
but you choke on the swamp gas and the will-o-the-wisps
just scream themselves hoarse.
resolutions make you a better person and anything’s better than murderer -
this year i resolve to die like a sociopath
alone in my room with alcoholic  fumes,
fireworks like
twentyone guns.
this year i resolve not to **** you for being gullible enough
to love me.
i resolve not to **** you  for trusting me.
i resolve to choke on my own swamp-heart,
poison gas and roots.
yes i’m alive but i harbor death -
saprotrophs are my children,
scavengers are my brothers,
and i am just the moth too much like a maggot to be a
butterfly -
oh, but i’m an aurelian
you whisper soft because the screams aren’t loud enough.
pin me to the wall with your thumbtack thoughts
and wonder why i don’t come around anymore,
why i just sit with my back against the door so you can’t break in with your
butterfly net
and your light traps:
oh you know me so well,
a will-o-the-wisp seeks its own,
and my ugly moth wings seek self-immolation.
just leave me, just leave me
don’t spear my wings and preserve me forever.
just leave me, just leave me
don’t follow me into the ***** swamp.
just leave me, just leave me
i don’t want your help i don’t want your love i just want you to leave and save yourself cause i won’t ask you to save me
and that life raft can only hold so many words.
verses are heavy things and you don’t need an anchor where you’re going.
i warned you about this.
evacuate before you’re swept away
and the strange men scream in my ears.

just addicted to lovelessness,
i guess,
addicted to the feeling of something that could be
a distant cousin of loss,
but can’t be loss when it wasn’t there to begin with.
a cousin of loss and brother of bereavement,
a lexiconical gap
in the english maw,
a space where the definition slipped out
but the word never grew in.
a gap where a word should be,
a word meaning missing something you never had,
losing something that was never yours,
grieving for something that never looked your way
or graced you with its pain.
insomnia of the soul,
unable or unwilling to droop into the catatonic stupor
of love,
until my eyes ache with open,
and my heart aches with empty
and just beautiful aches and pains,
like stiff joints filled with sterling silver
or arthritic necklace clasps.
my tongue is tin because the argentine
is in my hands,
silver in the space between the carpals,
oozing precious metals
onto the page.
writing in second-best so that it’ll stay.
writing second-rate love letters
and pretending they’re real,
like the words i moan mean something other than
hello
i’m lonely
who are you?
like i’m not the girl who cried love
because the village had already learned
that wolves are lies,
and vice versa.
because faking it has always been my favorite pastime.
i’ll write love poems forever,
keep feeding my addiction for as long as it stays,
let my loveless track marks bloom cantankerous sores
on my ribs.
while i’m young
i’ll write poems of arthritis and weakness
and death,
because oh now i am immortal
invulnerable and omnipotent,
but when my bones are brittle and my flesh is loose
and my spine makes me bow to the earth,
my poems will be of life and strength
and god
because darkness is only beautiful when it isn’t
an imminent looming
future.
when i know i may die tomorrow,
i will write of bluejays
and of a love that never found me,
though it knocked on all the doors and called all the numbers,
waited on my porch while i hid in the closet,
nursing my ache
trying to fill a lexiconical gap
with bukowski
and insomnia.
supersaturated with emptiness
because all the words in the dictionary
can’t make up for the one that’s missing.
it changed the locks when it came,
shutting me out of my skull,
taking residence in my chest
and growing larger with each slow breath.
every huff of oxygen fed my
resident,
every injection of
late nights spent just writing,
every pill popped -
the lies that went down better
if i said them with a gulp of gin.
so my lovelessness cracked my ribs as it grew,
replaced my marrow with sterling silver
and i watched it happen like
a glacier devouring a desert
because i knew i would never survive loving something.
deserts were never made to run bounteous
with water.
just addicted to lovelessness,
i guess.
addicted to silver joints
and words that don’t exist.

If I summed you up
I’d abstain from strained
refrain, from those mushy
lines that read like a hike
through a swamp. An inkwell
tipped, they pour from trite
lips and taint a masterpiece.
But you were not made
to bathe in black cliché;
you: the product of Someone’s
fantastic oration; spoken to life,
left in my sight. And I, but the
by-chance observer, who only
knows what not to say.

When it all got to be a bit too much
I reasoned my way into a corner
Sat there silent
Stapled my bottom lip to my convictions
And called it poetry

We all pretend to have ways to cope
Write a poem
Pretense and prophetic anthems
Some say it better than this
It’s harder with through staples
I didn’t know how to pull them out

So I learned to drive
Pressed mute minutes into the pavement
Pulled prayers from the asphalt
It’s all I was good at
Taking long steps

On the last night I lived there,
I stood on my mother’s front porch
Holding everything I was in one hand
Everything I could have been in the other
And clenched my fists like a fighter
Denied the daylight
Spit in the face of the night
Drowned expectations in the dawn

Counted 148 bricks between the front step and the streetlight
Illuminating 4 wheels and one way out
Kissed each brick with my boot heel
Packed my belongings in the backseat
And my longings in the bags beneath my eyes
Put pedal to promise
Peeled out and pretended
That we all run away

When it all got to be too much
I bit rubber into ground
And wrote myself a letter saying:

“Someday, kid,
Someday you’ll be found.”