The prussian stache, on the wafty pine,
sticky black *****, on your stache has dried,
I excuse your tobacco dipping while I climb,
just to sway with the wind,
in your many tiered mustache ride.

As I reach the zenith of my ascent,
a small french stache of upward bent,
offered no more for me to climb,
so downward tickle of the mustache pine.

My snow laden arborvitae,
lithely bent,
green gowned--
hand you lend,
for me to kiss it,
whence--a suitor's snowfall
you elicit
and return tall,
as best dressed,
in winters ball.

The smell of excrement,
is the smell of a  rose,
but a thousand fold.
where you see grey,
the sparrow sees gold.
deadly volt,
and thunder loud,
does not come
from dark cloud.
but from predispostion,
in poem, must be missing.
look to the woods,
you cannot see the wolf
in winter's morph,
with bleak at its worst.
these are invisible things,
that rely on more than sight,
that a poet must capture,
before he writes.
there is no party, nor seal,
or cause for zeal,
that can make this poet kneel,
except how poetry makes me feel.
For I,

hear the wolf,
smell the rose,
feel the charge of the cloud,
before it rings loud.
I see the sparrows light,
when I write,
and tree or incline,
no obstacle like "NO TRESSPASSING" sign.
Be a poet, rid the seal and sign,
leave all false laws behind.
lighten the load for the incline,
and all carcasses will be roses,
and bleakness a sparrow hue,
speak to the woods, and
surprise the wolf following you.

Regret and I have slept,
and walked,
since the days she was teacher's pet.

Now, I wish my life hence,
resting my back,
on sharp finial fence.

As I sink on barbed fleur de lys,
waiting for my life to cease,
I behold my stars of Gemini,
and it is she and I.

My last vapor on the cold night lake,
dresses the stars, and I hear her say,
" Would you like to dance?"
and this time I say "yes",
as body slides down heart shaped lance.

I am heart to heart with lys,
and begin to cease,
but heart to heart with her,
in the night lake above,
grasping upward as I succumb.








"

War and peace, no difference to be had,
Slave or private will 'fire the house and the bath.'

And in that Georgian mansion,
with the candalabra dancing,
A kiss upon the lips of the beautiful belle,
one of the flames,
only military torch can sustain,
because life is war, and war is hell.

I was in a bar, smiling so,
a beautiful girl looked in my eyes,
and said "let it go",
who she was, I do not know.

I still have flashbacks, horrifying and spectral: of conference meetings, projectors and efficiency meetings...corporate metrics, acronymic value cards that read like a Masonic Temple's pledge.. ...honesty, commitment, sacrifice, the dutiful worship of mercury and saltpeter; also customer satisfaction.
           Those flashbacks frequent my mind alot--especially when I am ramming my co-workers into the trash compactor with the blades of the fork truck. They say " ooooh" and " ahhhhh" as if they are getting a massage. They dull my blades with their dull heads.
          I have to ram them with the blades of the fork-trucks, or they will scramble out. They still say things like, " make sure that has a tag,".....and " wear your safety goggles," making chills run down my spine. I haven't put all the workers from the " Do-Wee depot" in the compactor only corporate cadavers and not zombies.
          But I have to forewarn, the zombies are not a threat, it is a few cadavers and the "consumers" that pose a threat to me and what I have built. The zombies are producers, even only if it is moans and putrefaction, but they are good sports, and my only friends.
         Some co-workers, who I was friends with before, I have spared from the compactor--owing mostly to that the part of their brain that was corporate, either fell out on the floor, or was gnawed on by a fellow zombie rendering them good sports and not cadavers.
        I use the building material section to chain them to their previous aisles. Jose, was my best friend, he was shaped like a slug, with a huge lower lip, and slicked back greasy hair, he always cheered me up, how busy it was and how slow he remained. Him and I worked together in the ' outside-lawn-and-garden' section. Even his zombie self has kept his lisp.
          I chain him to the outside lawn and garden section, where he likes to water the flowers. He lunges at me sometimes, but the chain is thick, and Jose is still a cool zombie.
Angry Joe is out there too. He is chained to the 'reach' truck. He is always mumbling about overtime.....or " Im not staying late."
         I have disabled the riding engine, so he just stands on it and runs the fork blades all the way up then all the way down, beeping the horn the whole while. He is the only one I kept, that has some vestige of corporacy in his brain, for the reason that he watches the back gate. The consumers are constantly probing this outside metal fence gate, and Joe has eaten all of them. Don't get me wrong, Joe can be a good sport, when he is not drooling about 'overtime' or ' I havn't took a lunch yet.' He can be quite funny.
          He banters with Ryan from inside 'lawn-and-garden' all the time. Ryan is alot younger, alittle younger than me. He has a mullet(what I call a mullet and he say's a hockey cut) and verily is--before he become a zombie-- the laziest person ever, and now that he is a zombie, well let's just say, I don't have to chain him anywhere, I know where to find him.....at the back gate smoking a ciqerette backwards with his mullet on fire or in the break room. He had the most squeeky voice when he was a human, but now odd fully enough, he sounds like Tom Jones.
         " You ate my cosumer Ryan," drools Angry Joe, " No I didn't Joe, you ate your own consumer," Ryan rejoins in his acapella voice ( I like hearing Ryan's deep zombie voice).
There are others, in the various departments of the Do-Wee Store, but this journal is to relate the first most pressing concern, two cadavers have escaped the compactor.
             The store manager Joyce and her minion(the assistant manager Damien) have escaped. They were ******* humans, and remained so in corporate cadaver form. They hide from me, as I plow through the aisles with the inside forklift. I have used wire from the fencing aisle to reinforce my forklifts. Sometimes a cadaver co-worker will jump out with a price gun, drooling " where is your spootterrrr...."( a safety regulation in the store).....I run them over with great gladness, but then wishing I heeded their advice of safety glasses."Splat."
            I have my theories, on how everyone turned to zombies. It started with over-ocurring routine, which my a.d.d could have been impervious to. But I couldn't have been the only one in the store with a.d.d? But that seems the case. The first day when I showed up to ' outside-lawn-and-garden' it took me six hours before I noticed everyone was zombies. I didn't notice they were zombies until I noticed them in good spirits.
               But the first day of the zombies, was concurrent with the rise of the consumers--ever more dangerous, greedy, and audacious are the consumers. They consume everything in their path, they consume good conversation, good manners, and replace with their mark, which is this....your life with the current moment is to be sacrificed to get them what they need to continue resuming their lives. They do not enjoy shopping, but enjoy holding you in place, consuming you and your values into their value, which has no value at all, since their mind has consigned the present moment that has you and not them, to a number that always has too much value, and they will bring you and it down while you are subject to time and they are not.  
             They turned my friends into prisoners of arbitrary time; and like putting a rabbit in a dank dark basement, with plenty of food and treats and space, it will slowly get diarrhea and die.  Everyday I marked the sunrise, and I would always pay thanks to it, no matter if I was on break or not.  The nine hour day could not ruin me, but my friends being ruined, that started to ruin me.
                       And that is what I believed started all this, nature has no room for two kingdoms of Consumers. So the producers(zombies) were created from the routine of being divested of life, and from nothing they came to produce: producing gases, vile ****** smiles, human  cannibalism, hearty conversation, practical jokes, moaning questions to the infinite sky.... they were created human again, given value, and most of all, I have my friends back, and they are happy again. But, the corporate cadavers that escaped the compactor , put my creation in risk, they look to let in the consumers again, they are up to something...
             But presently with the corporate cadavers gone, and the consumers held at bay, I have my Depot of Eden, I can grow anything, make anything, and soon will be able to ferment everything, especially fuel.   Now monday morning conferences that threaten you to pick it up because there are alot of people out there that want your job( iterated by the frizzy headed gangly Joyce) are replaced with 'zombie dance parties'.  
            " Zombies, what is the first rule of zombie dance party," they reply to me, " dohmp talk bout damp party," then we make a music video.  I let loose a couple of cat's in the break room, and presto, an agile cat make's flesh eating zombies look like Micheal Jackson.  Even I get busy with them, I feel so comfortable with them; dancing to Juvenile "back that *** up,".the best dancer gets to eat the cat...sure beat's listening Joyce's depressing morning pep talks about quotas while I am watching a bird outside the front glass trying to eat a dragonfly, " Keith you paying attention."  I just want to say, " No I am not you frizzy headed gangly walking skeleton key(she is skinnier than the gang of keys jingling on her belt)."    I will find her and put a roofing nail in her temple and her plans.
                The sound of zombies walking in here is music to my ears, like gypsys walking barefoot on a strawberry patch.  I don't know what that has to do with anything, but I like it, and don't care who knows.

            I fortified the outside of the store with everything within the store. I grew a garden, with all the fertilizers, and acids and alkilines of outside garden. I also use the garden chemicals to sprinkle on the brains of my co-worker zombies to change their acidity(almost like a hyrdrangea shrub). The purpose to get them somewhat coherent to play poker and darts in the breakroom. I figured out how to make explosives, with the nitrogen fertilizer and pool cleaning acid, well actually HeyZues did, he always eats both, and one day he moaned really loud  " BLOOOONDEEE " ( his nickname for me from The Good The Bad And The Ugly) and  gestured his expanding stomach, he blew up and gave me my first wound, he destroyed my dart board.   I took his head and posted it on the back loading dock, I know there are consumers trying to infiltrate when he sounds off with " BLOOONDEEEE..."  resounding through the whole store (almost like when he was a human).   I created another dartboard, I can create anything here, sometimes I think, that feeling is what........
                But the point of this journal is the two who escaped the trash compactor, Joyce and Damien. They haunted me before and haunt me still. When I leave to venture outside for gasoline for the generators(the only thing I need, not for long hopefully) they run amok. I will see new ' sale signs' in zombie penmanship, and I can see that they have hidden co-workers to have cadaver meetings, where they talk about ' customer satisfaction.'  I can sometimes hear keys jangle, it has to be Joyce, for the sound is to the cadence of her John Wayne walk, like she has been on horseback her whole life.
            Outside is very dangerous. There are many consumers out there.
                 I was outisde in the parking lot, where consumers still wallow around when a consumer asked "which product is better." I had to drop a cinder block pallet on him with the forklift; they are more adacious then my zombie co-workers. Even after a pallet of concrete is forklifted on them, they wave fliers with sale advertisments from underneath.
            Well, this particular trip, I returned inside and was startled by the loudspeaker, it was Damien's voice, the same as before, paging the hardware department. I jumped on the fast slim forklift to hunt for him. There are phone terminals everywhere, and he could be in the upper level offices. I saw Joyce's shape through the window once.
          They are up to something.
Everytime I ventured outside, the store became altered. I even saw a consumer waiting in line with the cashier machine now on. I sent the consumer to Angry Joe, who was due for a lunch break.
          There is a gap in my wire somewhere, I know it.
            I was at the gas station, getting propane and gas, when a consumer was scowling " where is the gas attendant, is everyone stupid or what?" while he was trying to figure out how to pump gas. I disabled the safety pumps, they do not shut off, and do not coincide with numbers, you hold the handle it pumps out as much as you need.
              He was pacing around like a little kid denied recess and suffering from sounds of frolic and kickball--dragging his feet due to the fact he had to pump his own gas, I heard a scraping metallic clicking noise. My eyes were caught by a bright glare on his shoe tread, I gripped my nail gun..... then he dropped the hose and walked back to his car with gasoline gushing as his wake. I saw what it was on his tread, I had no time to flee....it was a push button grill ignitor with the orange tint of a " Do-Wee" label on it......" ****."
              The last thing I registered was the consumer saying " ahhh don't touch me," apparently talking to flames. I woke up in a ditch, the big fork truck and my gas station destroyed.
I limped back to the " Do-Wee" store, and utter horror greeted my singed and surprised eyebrows.
              " Grand Re-Opening, 50% off everything." I squeezed the trigger of the nail gun, the nail harmlessly echoed off the parking pavement at which it was aimed. "They set me up at the gas station. "
               They had to do better than that to separate me from my zombies.

             I entered through the store in a nun-plussed state. I woke out of my unbelieving stupor with the sound of Jose's voice. " Welcome to Doooooo-Weeee....can I eat your...."
            "Jose it's me, who chained you to the entrance?"
         " Dammian, Keeeeeth, they are waiiiting....here's a newsletter...." --he smacked me across the face with the newsletter.
        " I don't want that ****.....' as I clutched the newspaper the loudspeaker went off in Dammians annoyingly over-polite and late-night-voice.
       " Attention shoooppers. all prices are feeeefty percent off, ask our associate Keeeeeth for a 80% discount, he is the skinny deleeecious looking kid with spicy skin, and a boston red sox hat on."
Hundreds of consumers pivoted their heads to my direction. " Hey, that kid has a Boston Yankees hat on."
         " Run Keeeth," zombie-lisped Jose.
           Fifty million imbecilic questions assailed me at once......" can I return this sprinkler for a jacuzzi.....can I get 120% off.....can you come to my house and fix my television for free"-- it was unabashed audacity, survial of the most annoying and repetitious; and the corporate cadavers have let this consuming flood in on me and my poor zombies.
           I needed to find my steed, my inside forklift. It was not where I left it near the entrance.            
        Surely they have sabotaged it. " the riding mowers," the thought uplifted my fading resolve. I darted past wallowing consumers before they could get my scent. I heard a consumer, " you obviously don't know what Im talking about," talking to zombie George, who was munching roofing nails.
         The consumer grabbed me, and said "here he is, this is Keith, he is wearing a Phoenix red sox cap"--panic bit into my brain, this consumers grip was implaccable. The grip that holds the steering wheel tightly driving nowhere fast, with anything in that interstice of commuting, not worthy of manners and the least of which being a friendly wave to 'go ahead.'
           They formed a wall of uttering stupidity, escape was cut off. They scratched at me, hissed, tore at my flesh and screamed demonistically in my ears. I caved and and called the hoard m'am and sir, they choked me, and loosened their grip only so I could tell them " Im sorry, sorry for your inconvenience, take my life and personality as tribute, take my imagination rendered prostrate by these sceptic corporate words that this mouth emits, betraying my personal form, the human element to this lifeless purposeless machine....destroy me, for finding the infinity between letters of corporate law and none between nature's laws......"
        I was almost unconscious, giving a speech to imagined hooded phantoms......" destroy me, for valuing friendship and imagination, and seeing infinity, in the shadow of a letter, eternity in the numeral of a number, and for defying the order to see things as others do....."...." destroy me, for seeing that people are unhappy and trying to uplift people for the sake of seeing them smile....destroy me, destroy my smirk, and add a lifeless smile to my corpse."
              I heard a horn, the riding floor mopper/buffer, it was Ryan, he commandeered the machine with precision-like drunkenness. He knocked down the consumers like twenty pin bowling. " What's up ***** cat," he possibly said, and I climbed to my feet.
         I walked to the riding mowers, and turned the key on the floor model. I sped the main aisle, with caresses of consumers that would be deep clawings at a slower speed. I dodged stupid question, and swerved from unabashed frugality. I turned up the tool aisle, grabbed a battery nail gun.
              " It says batteries are included, but are they included?" I answered with a 12 gauge nail, and resumed my course to the upper offices, that for too long looked down on me and my friends. I climbed the stairs and entered. The office was abuzz in corporate banalities. " Hello, this is Damian how may I help you.....oh helloooooo keeeeeth, one minute.......sir hold one second thaaaanx."
                I aimed the nail gun muzzle at his ugly overly polite mug." I finally found you, I will get the store back in shape Damian...."
          He cut me off, " no yoou woonn't, they are pouring in, we will meet our quota for the year...."
        " Me and my friends

When a poem hits you, treat it like ***** under the front porch.  Yell " *** out da dere dam *****, ***, ***." And those ***** will scamper, and you'll think they're gone, but they will scurry right back, bebopping right under your pensive stare to the sunset on the front porch.  " ***, ***, dang, *****" and they bebop away, then you'll think it's fate , and you'll wait up all night, to catch the fat mother lollygaggin back, and you'll say " *** undah dat dang porch, ya dang *****," and you'll stare at the moon on that porch, saying" dang moon, *** ***, give me that dang sunsit."

mad, bad and dangerous to grow,
fed and sativa both,
the two I want to smoke,
and hang high on that green rope.

Ting, Tong--ocean is a mason--hear his chisel ring,
deep down, always erasing, with a Tong, Ting.
glassy stone is what his frothy sizzle brings.
anchor lines vibrate like heart strings.

A Ting, and a Pong, no more beloved chiselled font,
those dates gone, because the ocean is a mason,
and when I submerge into his basement,
Tong and a Ting, his craftmanship sings.

and those swings, vibrating anchor strings,
with a pong and ping, bring you to shore
his backswing, causes waves to pour,
bowing prow of windjammer rides contour.

and his distant Ting, commands the wind,
they are bellows for him, but throw your hat,
watch it come back again, a Ping and Tong,
the ocean is a mason, hear his song,
with power to rescind, nothing is gone,
throw your hat to the waves, watch it come back in.
submerge your ears// and hear the Tong and Ting.

After the battle done did rage,
my spoil of war, a frenchman,
I put in my basement in a cage,
this rarity I would not relinquish,
my personal love adviosr and sage.

He called me a " fatty american"
even though I was slim,
and said it was torture that
I kept bothering him.
He counted time like Louey Pasteur,
that was how he pronounced "hour."

I told him I was french in lineage,
and he said " I don't think so,
" the french are biologists,
perhaps your mother was a fungus
that grew on oak."
so I sprayed him with some water very cold,
" be nice, or you'll get the hose."

I told him, for his advice I would pay,
his currency was cow's milk from Calais,
he brightened even more after
I installed an *** tickling bidet.
and he would make, then nibble cheese,
as he was lecturing me.

" If you want the girl, you must always whisper,
and she will lean closer, and then you kiss her,"
such advice, this frenchman delivered.

We became bon amis, with each other pleased,
but he needed more than a bidet and cheese.
" You can either have a french wife,
or an oven for cooking bread,"
before I  even finished what I said,
" Oui, a bread oven I'll have instead."

So every night, I spent by his iron side,
Descarte and Victor Hugo we would recite,
" and against the british we helped you fight"
" and you still owe us money," he said calmly,
as he offered me a baget and I took a bite.

" We french, know the power
of the mushroom and the bedroom,
that is why we avoid the scuffle,
would rather marinate our truffle."
I gobbled up his words,
so sweet and sauteed,
and admired the clothes he made,
and he made me some
so I  "could get laid."

Then the news came, a peace treaty,
war and my personal frenchman were finished,
the United States were now
at war with the Finland,
" Right when we just started to begin,"
I yelled and he nodded his chin,
" What the hell am I gunna do with a Finn."

So I released the frenchman back into the wild,
crying like a mother seeing off her child,
I had to push and shove, he would not go,
but we had to part for the sake of love,
he dillied and dallied and bent low,
picking mushrooms that wild grow.
" For the sake of love, just go,"
I yelled, and threw a baget at him,
and he retreated into the woods,
and I wiped the tears from my eye,
and everytime I see frills or  fungi,
I think of that time, I had a frenchman in a cage,
and as I talk to the finn,
****** ,.it just ain't the same.

Blink for me stone rabbit, I know this world won't have it,
but I'm in my prism state,  subtracting a grave's chiselled dates,
and your blink, I'll equate, my stone rabbit,
to be magic, and safe in my prism state.

It will end soon, so let go of your bronze balloons,
my brother and sister cherubs pale as moon,
only through tears, your dance appears,
so let go and play-- before prismatic tears go away.

Flap in teacup bath, my still-sparrow of alabast,
to these chimes--in nature's draft,
they blot lines, as do my eyes,
on this grave-- a prism from tears are cast.

Blink for me stone rabbit, bring me some magic,
I know this world won't have it,
But in my prism state, subtracting chiselled dates,
a grille, of melting icicle--is my graveyard gate,
diffusing light like a fountain pond,
the tears running down my face--
dance cherubs to the sparrow's song,
blink for me, in locket symmetry--in stone magic--my stone rabbit.

" So what color are my eyes?"
they are the color of mine,
Ah yes, but a blue lake reflects my green pines,
"So whats my name?"
a name unworthy,
if not with ****** planet same,
unreachable for all who fain.
taking away the breaths
of all who came.
" So what do you do?"
I do what I did,
no longer, now that I met you.
" Smooth, so whats in my drink?"
Goddesses drink ambrosia I think,
and snapping to attention,
with a 'clink',
is eternal ice serving as your heat sink.
" Such words, sharp as your jawline."
And that is why your beauty I decline,
"Oh"
If you have me you will no longer be divine.

Since thy first lady declare,
that we wageth war,,
and against obesity dare,
I will hunt the fat kid,
tho he affrights me,
the first lady did knight me,
and I succeeded in the grail,
and blood marked that trail,
but popcorn spilled from his pale,
giving my hounds the scent,
downhill like a wounded lazy dear he went,
The Behemoth,
who esteemeth my sword as straw,
to sip chocolate milk,
with burps defying Queen's law.
DAGGER against my spear of poplar
is ice-cream sandwich in hand of globular,
AND THAT SANDWICH DAGGER SHALL NOT REACH FAR
BEFORE MY SPEAR UNLEASHES HIS DYING ****.
but I must admit,
I fear the headlock in his sweaty pits,
I must keep a spears distance,
away from his buttery mits,
he has vanguished many knights into that hellish abyss,

My first lady biddeth,
I will not delay, I will not tarry,
to slay the fat kid,
and hire 12 commoners to carry.

Science does not understand,
why all mammals have ***** bones,
besides Man.

Until They dug up Neanderthal woman,
and it was her in her hand.

and with a ***** more flaccid,
we have grown,
and there is no fashion,
of chicks picking ,
teeth with our ****** bone.

Antennas sink,
anchors rise,
the sky is a Great White,
And the lands capsized.

Cold street, warm pub,
slits like neon--warm up,
smile from chin to jeans,
a warm V, warms me,
sour beer, sweet waitress,
a sad and teased egress.

I form a V with my digits,
and give it a kiss,
exhale hot into air that's frigid.
if only sweet waitress.

When the witch with many joints,
Jagged on autumn sky anoints,
From base black,burnt, long cold,
Evaginate entrance from spell of volt,
Two limbs with pillory choke,
Casting shadow,entrancing me--
Then I awake when I hear a moan,
And lo! lightning snaps the other bone.

I shall put the ' meaning of life"
at the center of my poems,
protected by paragraphs,
it shall be safe, unread,
and never known.

"So what are your eyes seeing?"
Only deaths of beautiful human beings,
while the hideous pass on by fleeing.
"So, in what do you believe?"
That to the back,
comes the knife from the sleeve.
and with your wife, he will sleep.
"If any, who do you pray to?"
Devil, god, wind--anything that is fatal,
or the unlikely, like a princess in the fable.
"In lieu of these things, there are not many options,
what do you see yourself being?"
A very lonely man, writer and tragedian.

Forsythia enflamed,
with not yet budded rose,
together in bed,
together they grow.

thorn on bark climbed,
coming of red rose,
but yellow flames,
fell away long ago.

Rose petals,
Become rose hips,
No golden beauty,
His petals slip,
A wedding photo,
a wedding kiss,
Perrenial memories,
They always miss.

And not for him,
She fits into wedding dress,
And not for her he will look his best,
Hot summer and early spring,
Meet and marry with no engagement ring.


Together in bed, they grow old,
hugging in the autumn cold,
no more vain red rose,
no more gold to behold,
Not blooming for bees not blooming for snow,
No blooming for others, nor blooming for show.

Mom what are these snails,
with blood and sweat trails?
lumbering mountians, hauling heavy shells,
jumping in beer--killing themselves,
Why do they still patrol
the garden flag poles,
writhing in pain,
salt in flesh--burning holes,
Mother, the neighbors have no flag,
but they have a saltshaker to wave?
crushed shell--only way they listen to them,
rejoicing--at salted skin--wetly glistening.

But I feel I must do the same,
Well before the recruiter came,
I know what he sells,
The salty brimstone of hell,
But these Blood Sweat Snails in the dirt,
Jumping on grenades,
Absorbing brimstone bursts.
Truly are the salt of the Earth.

There is something of the calm cool night,
no jacket, no shiver, no mosquito bite.
no steam, no ice, it is betwixt,
internal fire --safe in interstice.
You can lie down under stars --as is.
I dip my pen, in what wraps this poem tight,
the penumbral peace --of a calm cool night.

I had a forest tryst
with Amanita,
after it rained,
I went to see her.

Dank and slain,
suited to decompose:
her bed; and as I sank--
in ballet bare-toe
the white angel arose.

She was flawlessly pale,
and 'round her neck,
still, a wedding veil.

She slipped the straps 'round her neck,
befalling her gown at my request,
she slowly turned in place,
for her suitor to inspect,
never did comely beauty,
on Jerusalem bedeck,

On her head sat,
a white knit -cap,
to it her veil was attached,
I could not gaze on her form,
till I got past this piece she worn.

I asked my love,
to doff her bridal wear.
" My love, my groom
wears my chastity belt round my hair."

Then I could not resist,
I brought the veil up,
and gave her a kiss,
a gentle curse,
she spoke to my lips,
in great thirst I sipped,

Alas, then I saw the ring,
she pulled back,
and deep in my eyes she looked in.
through her gown
in the mire I started to sink,

I felt her gown moving through me,
with the poison of her Gothic beauty.
On her spectral white,
not even the fly alights,
I commit suicide twenty times over,
by taking a bite.

She smiled to my fear,
in her eyes, heaps of bones,
and whispered in my ear,
to whom she was betrothed.
"death"

Her snowcap dress disappears,
as forest on compass interferes.
She can not be azimuth for escape,
why some left trail of yellow tape.
bowing usher points on with blighted limb,
retching out its own hemlock gin.
path in is beaten, with log and stone,
crevices drown a webbed saliva moan.
path out is unbeaten and hard to find,
from death's brambles on the mind.

All trees seem to want to die,
no effort to brush off strangling vine.
where you think they have broke loose,
swaying ropes that once had noose.

And where there is light, is mossy glen,
just enough, for one last note to pen.
dolls, cloths, skulls make up forest litter,
shoes, bottles, and smiling family picture.

With the only surviving sounds so faint and sickly,
Scraping nylon tent--a starving man on day sixty.
The songbirds break the silence,
A cruel happy tune,
They see dark doom in ultraviolet,
the panicked slit wrists and  poison diet,
create failed trails ,
that don't escape and help to hide it.


"The wood line, I made it out"--the cruelest thought,
Mount Fuji's white dress through the trees up top ,
They see themselves smiling,
It is, and it is not,
a happy photo,
identifying their skulls stained green by moss.

I like ink,
and  I like chicks,
and I like ink mixed with skin,
but I also like skin,
with only sweat mixed in.

If I ever devote my love,
to a fellow devotee,
will be my escape of Forest,
where I was her escapee.

A blue jay with crested plume,
and fierce face,
batters a beetle off the mighty Ash.
Trees of sword and spear contrast,
balanced ****** against maple ax.
Odysseus bravery, and Achilles' hate,
depicted on Ash's underside lanceolate.
even when oak leans in for slash,
with jagged sword serrate,
****** through heart and out the back.
But another tree does wear greaves,
with top heavy slash of bronze cordate,
poplar with xiphos of patina leaves.
speared through brain and cheek plate.
and red bud vaunting behind bossed sheild,
throw of spear,
much red blood on dust congealed.
" Run cowards, back to the forest of fairy's,"
" you are the son's of rock moss,
whereas I am the son of Aries."
But then the Sumac, took from it's quiver,
it's poison tipped arrow and shot thither,
" Trojan, promise my body burial honours,"
but they cut him up, and stripped his armour,
but when Achilles finds out, he will avenge..........{keeeeeith, dinner time}

Sounds and sights, as I watched this bird,
clashing armour, war cries heard.

(this poem is about a boy imagining the Trojan war after reading the Illiad, and learning that the greeks made there spears out of the Ash Tree.  He sees all the leaf shapes of the trees as weopons, which actually were the models for the greek sword and spear.also arrow.)

I am tired and want to die,
I am not Atlas, but still
try to hold up the sky.

But it is not your sky I hold up,
it is her heaven, over violent sea.
she needs my help--I need help,
sunset-- I am down to knee.

If my arms weaken--
I lose faith,
my young angel,
will disappear into ocean--
without trace.

Every morn I stand,
somedays refreshed;
when ocean is quiet,
and clouds resemble
sunday dress.

My angel in heaven,
sea spray can lash my face,
wind can howl in my ears--
I will still hold your heaven in place,
from falling in the ocean of tears.

A dragon fly, sits on a low wire,
with cross swords on his back,
looking like a gymanst,
  on the pommel horse,
balanced for the attack.
I drag my ciqerette, then give it a tap,
as fast as a gas fire,
the dragon gobbles up all my ash.

Colonial mansion, in an ocean of grass,
windows aglow as I walk past.
funeral service now used of verandah,
but I hear music, not mournful stanza.
french doors open to a reminisce,
with boyhood heart, of vitreous.

Footfalls on parquet floors,
tux and gown past crown moulded doors.
captured ambiance of a setting sun,
shown from chandeliers highly hung,
day I was born, born the day of prom,
I smiled cordially, and my date fawned.

Girls betrothed by corsage on wrist,
rare french curls--a lunar eclipse.
bedraggled boys now dapper and genteel,
vest and bow-tie, a knightly feel.
chapperesses smiling at maidenly gait,
happy drowse in  mansion estate.

Cuff-links, silk gloves, nail polish of gloss,
beheld tonics and sweets, carefully aloft.
opening cord, an arrow from cupid's bow,
striking coquettes to their tippy toes.
they sprang to dance,I stepped back,
invisible in shadow with tux of black.

Shoulders, lake ripples easing to shore,
hips, gentle waves, right before they pour.
boys stiff, as if waists beheld sabers,
legs, sweeping brooms of on shore waiters.
"your too handsome to stay here unseen,"
said rivaling chaperess, past semblance of queen.

"You should dance ,"said glittered lips of pink,
bent like sparrow wings, during teacup drink.
privy to why in shadow I hid my blush,
her class my crush, that crushed me so much.

She strained me, even the shadows she gave,
black silk, stretching,--convex and concave.
crude metal and wood classroom seat,
clasped her waist of slender physique.
she was guarded by a window in curtain mail,
and tended to by servants of light and gale.
light loved her skin of Mediterranean sand,
and wind enthralled by each and every brown strand.

Light penetrated strands, blondly hot,
wind would blow, cooling pony tail off.
her shadow curtsied under my desk,
long legs danced in irritableness.
mourning class is abuzz with scent of prom,
flower not frost, rules the school's dawn.

I gave my consent, to an earlier invite,
then on, suitor blinded me with light.
and Great Gatsy, and looming prom night,
subjects of sparrow wings pressed tight.
" show of hands, who do not have a date?"
slender wrist arises, from an arm curvate.

alone, she shown that no one asked her,
this stone of Rome amongst boys of plaster.
hand fell with boy of teachers match,
wind shrouded her,from the window sash
rays gave discomfort,to gaze her way,
but I looked through burning ray--

To see a trace of a tear,in eyes ovate,
a goddess unsought, with sadful face.
I, poor, fatherless, could not possibly go,
to prom with princess of arched portico?
I could not interweave my hands to dance,
or know where I could place my glance.

Wind blew a scrap from her desk, indiscreet,
it was pierced by light at my feet.
"will" and "with" were dotted with a heart,
"prom" and "me" before most painful part.
my name in her beautiful free hand,
the color red from hearts inkstand.

(Class bell rings) I travel over star lit lawn,
the music gets louder as I return to prom,
eyes turn to cotton, in shadow as I ponder,
as pain was forgotten, I came upon her.
invisible hands, lifted my chin to a red shape,
our eyes met, her's smiling, mine agape.

Only a glass-maker could imagine my sight,
seeing hot curves form in dance floor light.
only a wax-wing could have rivaled her eyes,
waves gently broke to gown down her thighs.
"will you dance with me,"she softly entreated,
" I don't know how,"a coward repeated.

A princess which tournaments were held,
for which every timber of mansion were felled.
not for Rome the mansion's Corinthian column--
--for her--from quarry prom did befall them.
I could not tarnish this feminine form,
with my lineage in crown she adorned.

I turned from beauty, to dark acres tread,
under willow, I play the last thing she said--
my name--as I shunned from last chance,
now back under willow, cane marks my stance.
I have preserved her forever, shying fate,
even if it was with my own heart-break.

I still see her--in the most beautiful prom poses--
--still--as lights flicker out and a coffin closes.

I stroll through forest, still in slumber
branches sway, as I lumber.
curtain of weeping pavillion,
infinite stars down to million.
I sit in prop root of willow's gurney,
childhood start, I end journey.
back brings hand of icy chill,
head brings hand of fever still.
skin weeps; icy branch to break,
wind's music through willow lace.
finally cared for, and feeling slumbrous,
bedding down forever, in willow umbrage.

I tremble from its wake,
but a petty raft,
looking upward,
as the living trireme,
rows into  Earth's blue lake.

Amanda, what are you staring at?
arms up, eyes part closed,
as if to say "wait,
"I lost my phone."

You alright Pandah?,
on your knees, eyes half shut,
staring at the wall,
" Im a'right," all mumbled up.

Approaching sirens.
" Pandah my Pandah"
no narcane kit,
she lay dying.

Amanda, what are you staring at?
Prom?
Dad and Mom?
Nothing,
Gone.

I have seen what nurses' eyes incurr
drained of tears, from war's allure
soothing boys with recitals,
of sweet words to dying vitals
I have seen bright red floods,
stopped by nurses scrubs
stopping blood, so hearts don't fail,
using a tourniquet of pony-tail
I have heard parents, shriek of pain
from an empty bed where kids had lain
when all had run, and with no console
A nurse stepped forward, in mother's role

"To see my 'soldier boy', here in uniform ball,"
a dying grandma's request, in a hospital,
when I could not come, and heart is to burst,
a last hug and embrace comes from a nurse.

In flight, cloud pours winged ink,
feathered in atmospheric caption,
in and out, as a cursor blinks,
gliding portal-- ground casting.

a falling feather stroking air,
day's mind--now nigrescence,
torch waving in drip drop lair,
corvid "kaaw"--all sides pressing.

blackness: it is infinite cursive,
folded 'round a writer's eyes.
A hearse' undulating curtain,
the wings-- as the crow flies.
*
sound of the internal chasm,
shamen of post-mortem height,
feathered pen will spasm,
with morsel--writhing in and out of light.

I see you dangling from the Christmas tree/
blowing minty kisses to me/
my eye is caught by your red and white/
twisting in bower of forever-green height/
let me express my love to thee/
by singing you some lovely karokee/
please take my bow, and hook my finger/
I am better dancer than I singer
oh the snow drift must have made your skin/
with a sunset blush of red crimson.
I shall draw us in the windows fog/
and reveal that heart in breath of nog/
and even tho other candy might get jeolous/
we will still hug and kiss and let no one tell us/
that our love will be of short duration/
because man and candycane is only a tasting/
our love will always last I implore/
like your minty taste and striped contour/
oh how cute you look in my palm/
jiving to these christmas psalms/
oh but now you look so pallid/
you look all white like iceberg salad/
the sunset has left your cheeks,
snowblind, my eyes that could not see.
oh the pain my heart revealed/
that I should have kept your plastic sealed/
the kisses and licks that I have gave/
are sending you to an early grave/
oh my heart breaks seeing you so brittle/
my darling love is the size of a skittle/
so with one last kiss we will depart /
oh sweet candy cane you have broke my heart.

Stones operate neoliths.
ritualistic circle,
open woman's head to pith.
one last flutter,
one more stone from detritus.

My cucumber grows
for a lovely ***,
fellow cumbers, trained,
put in rows,
cooling pinch
of old man habanero.
Cuz she is hotter than he,
in this summer heat,
so widespread her angle--
raising beans a'dangle,
as zucchini and I do wrangle,
for he has a large leaf,
but I have a long vine,
tho his girth could cover me,
I could climb higher inside,
to get to my lovely ***,
and she does not like grubs,
unearthed during their rubs,
for she told me so,

Oh my lovely ***,
*** me up, and bat me hard,
send my cucumber seeds
sailing over the neighbors yard.

Bed of sandcrystal,
warm, in north stream,
the demi-goddess,
Blue Crystalline.

paling boys,
in her eddies,
The Courtesan,
submerging pennies.

Breathless blue hair,
water up to thighs,
fine powder skin,
makes pins of eyes.

Such bliss,
such cold clime,
no coat,
in winter time.

hushes you on,
to sandy shoal,
her island,
cindering blue coal.

river bed turns brown,
swim out of fear,
gurgling lows of pain,
but returns her chandelier

water level caresses,
down to knees,
reaching nympth,
hot bath in winter breeze.

corsette of diamonds,
sparkles in night air,
middle of river--
isolation--her lair.

unalone now, warm,
your arms she is wrapt,
go to kiss her,
only gives neck and back.

try to turn her chin
to give her a kiss,
but snowflakes,
melt with fingertips.

island diminishing,
grip her tight,
nymph in arms,
sliver of moon-light.

dissolving island,
is blue hour-glass,
cold forest speaks,
"son come back"

you huddle to the,
last cinder that's dry,
she is reflection now,
inviting you inside.


a look back to forest,
is a look up as if--
you were descending,
fathoms to an ice cold abyss.

sky and forest are gone,
veil and hearse have met,
family frames twinkle,
down to you in her depth.

such bliss,
in such cold clime,
no coat,
in winter time.

Mid-dream--she comes,
'am tired, still work-clothed.
soft lullaby over threshold.

sometimes window pebble tap,
tired head in her jean lap.

but when she doesn't come,
loneliness, follows into dreams,
seductress, over threshold leaves.

a text, she must really exist,
steam in such a cold winter,
glazing my panes with mist.

lonely, tired; no ***** in daytime blur,
asleep in workboots--waiting for her. .

I am dying out loud,
from a wound to my hat,
how can I die,
from something like that?
I have her lettuce,
with the lettuce my poem lacks.
my hat needs an E.R,
and a brand new stat.

speed and burst govern the pond,
the hunting dragon fly the fastest,
but bass swallows up then absconds,
I throw my line under high hawk,
feeling good not to be preyed upon.