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 Apr 2014 カランドリエ
g
October, you are made of dust and I am a gun.
I killed men once.
When I lifted her veil I felt all of their features melt into one.
I smiled, it was all your storm in me.

October, you are a briefcase. You are six months long.
Tonight, there are tigers reaching out over my head
and I am your god out dancing on his weekend, say,
would you look at all your glass, bursting at the seams?
Would you ask him if I ever got there? Would you tell me why I keep pulling your explosive from my chest like a name label? Would you explain how metal peels as easy as skin with the right amount of madness?

October, I am no more than your casualties.
I am every sadness they ever said you would be.
Silver hands. I can carry these men but I cannot hold them up.

Mother, I thought I saw you standing there but it was just a bullet trail in the darkness.
I am buried in all of your letters, imprinting the both of us on the backbones of these papers;
they tell me I've become all the keys you sent.

October, you are a ballroom with all that break break break and I am falling but I haven't even left the ground yet.
When I rain down on you remember me, like the first sunset you ever wrapped yourself up in, and when they say
that I was never a stronghold, show them all the letters I tried to write you but never sent,
tell them about how the flesh ripped from my bones and left me a relic,
ask them if they can hear me breathing over all that storm.

October, you are confetti leaves falling under tyres on your wedding day,
and I can't be the light that catches them, I can't tell you that this world will wait long enough for you.
So tonight I am burning my name like it's the last thing I'll ever have.
And when they bring us home in our body bags,
remember that the choices we made were the choices we wanted to make.

October, you are a dust storm, and all your colour's left in me
Grace Beadle 2014
If you see her again before I do, tell her the way she left left me shaking like a winter windchime;
the song too frozen to melt on her tongue.
I am scared of all her moving on.
The only serious love poems I write are about the same person who hides God in her hair and shows me the lingerie she bought while I try to unfog my glasses to look at her straight.
I am too convinced that she is made up of lines that lead straight to my firework skin. There has been too many explosions here.
The only way to deal with missing you is to tell you and wait and see if you feel the same. Or novacane.
I imagine you taste like an acid trip... all conspiracy theories and sugary words too sober to ever speak.
If you see her again before I do, tell her that I am a mess without her.  That my mind only settles with her tear-stained cheeks and the only way I can see the ocean in the winter in Canada is to look into her eyes.
I am scared that I am being overdramatic.
I want to rub our wrists together so we can trade scars.
Tell me the story of how you met your best friend and I'll tell you the story of how I fell out of loving my mother.
I would rather listen to you ramble than check the time.
If you see her again before I do, tell her that on the way home from her arms I counted 1200 streetlamps, 13 lovers, 3 liquor stores and 72 shakes of my knees.
Tell her I miss her like Frances misses Kurt.  Like dive bars miss blues music.
When I see you again, lover, I'll tell you that when you told me your name two years ago, I was surprised that it wasn't Love.
Van Gogh was probably crazy, because most good artists are.
Plants are green because they absorb every color of light except for green.
It’s funny how the moment you tell someone you love them, it sets you both free.
People are afraid of bees, who die right after they sting you.
Van Gogh drank yellow paint because he thought it would make him happy.
And I can understand because I wish I had a yellow heart, too.
Maybe we are plants because it seems those who live the saddest lives are the happiest souls.
And I’ve lived a really hard life but my soul is on fire with love for every moment.
Love is a lot like anger, because it usually takes just one person hostage.
But maybe it’s sort of beautiful how only getting those words off
my chest made you stop showing up in my dreams.
I’m allergic to bee stings and I got stung by the Queen four times at the beach.
But maybe she felt like she was taking a bullet for someone she loved; herself.
It’s hard to wrap my brain around this planet that’s always spinning,
because my fingers are always slipping and my heart beats out of my chest,
dropping into my stomach and causing nervous butterflies.
But maybe it doesn't matter how tight of a grip I can stick onto the Earth,
but, instead, how gracefully I can let it go.
I wish I was still your yellow paint.
I was a stranger but he began to speak as we set in a shop it was with sorrowed heart he spoke
His daughter Ashley had returned from Albuquerque earlier in the year she had been there
After her father and mother divorced years before she chose to reconnect with her father it
Hadn’t taken a long time but a special someone entered her life a marriage date was set he
Asked her how did that move back here work out this was after the marriage took place in the
Beginning of May she told him I’m living the dream I always envisioned this was middle may at
The end of May he softly said we had her funeral in the same church she was married in blood
Clots moved to her lungs and suffocated her his beautiful Ashley was gone he continued to tell
Me that he visits her grave every weekend he installed lights that are always on dream felt foot
Falls evenly draw near the dark knight of death cut asunder their physical ties but her spirit is
Laden with heavenly mist she has the heavier spray of the crystal sea in her hair her face is
Grace filled she wears a bright glowing flowing gown it is hooded it has the finest texture that is
As immortal gold it embellishes her face her twenty three years are shown in startling detail
Birthdays of her family holidays every tender care that was shared is told by fetching silver
Moonlight slow motion reveals secret thoughts that were born in shadows that emerged with
Such power trees and their limbs and branches were drenched in tender reflection even the
Individual blades of grass spoke such rich history of magnificence and delight they ran up to the
Entry way of the home they shared when she skipped and ran and played when she grew tired
She would crawl up in daddy’s lap put her arms around his neck put her head against his
Shoulder and drift away listening to his assuring voice and shortly feel herself being gently laid
In her bed of dreams now the light of this world has been trimmed daddy still comes as he
Always has now more somber his voice but a whisper she too would be sad but she sees and
Hears the heavenly Fathers words and truths of a soon to be great reunion day for all who are
Separated will be united for ever in joyful peace and bliss we will be free to know each other
More than we ever could be in life she believes this passes to her father as he faithfully visits
Because she sees the beginning of a smile rise in his sad face before he leaves love never dies a
Treasure once created never diminishes only grows richer
1.
my hands won't stop shaking, and I like to pretend it's
because they are filled with the stardust of your words
and infused with the chemicals of your skin
2.
you haven't spoken to me in weeks and haven't touched
me in even longer
3.
I also pretend that the twinkling lights all around
represent each of our promises
4.
in a few days' time, the lights will be gone and put away
(an echo of our plans)
5.
I see you in the glint of sunlight on the cornfields and the
glow of the moon when I'm still awake at three in the
morning and the ***** of the mountains that trap us in this
town together and in the curve of my own lips
6.
the lips that I'm starting to believe you didn't think about
kissing as much as I thought about kissing yours
7.
most of all, I see you in the emptiness of the fog each
morning
8.
I have to stop myself from thinking your name
9.
all my plans must be scratched out of my
furnishings and a new layer carved on
10.
I'm scared because I don't know how to be me
without you
 Dec 2013 カランドリエ
g
I filled your veins with water and wrote you down on white paper so I didn't have to read you back anymore. Girl's got a suicide pact across the pacific and all I can do is taste the dust.
2. There is a certainty in the way your body moves out time with itself when you think too much.
3. You told me you wanted to be a saint but you were too afraid of the sight of god. When you asked what belief tasted of they told you: fresh buttercream and a wasp's sting. We didn't see you for days.
4. There is a certain tension and it only exists between the bends of girl's legs and the concrete which holds them stronger than any arms could.
5. I want to run every cliche by you and watch you hold hands into the night with it instead of me.
6. Some people can be replicated entirely out of candle wax.
7. WHY DO YOU HAVE TO BE SO ******* SELF AWARE ALL THE TIME. You can't even watch yourself.
8. You know you're a halfway house of cells and who are you to say I can't keep up?
9. Say would you tell me if I was just a little off key?
9. Would you tell me the answers to the questions I never asked?
9. Would you play that evening differently if you could turn back the hands that bind you?
10. I burnt you a bridge and sent you the fire like we could ever fill a room with your god. I want to ask him what he thinks of our sins.
11. There is a fluidity in the way your words turn back on themselves.
11. There is a fluidity in the way you turn back on yourself.
11. There is a fluidity in the way people leave doors open for you.
12. I don't think I'd even know what to say to you if I saw you.
13. I only feel comfortable on even numbers.
13. I guess I made myself an odd number.
13. I don't know what we're left with.
13. This is not how we were supposed to end up.
14. I wish you could see the holes you left in the back of my throat.
15. Loving you was as easy as leaving the lights on.
16. And that walk to your parents house was a floodlit symphony like you capitalised every word of every passage I wrote about you with
17 reasons to stay.
And 18 to leave.

The first was the last time I shook like a guard rail and you were a concrete staircase, and I swear, I ain't never seen nothing like you yet.
The second: my fist on your name. But I am here now, like a lit splint bursting into flames, you won't ever find a ghost like me again babe.
The third. And you just want to **** everything. I said you just want to **** everything in your Berlin Wall house.
Your girl's got a bullet hole for a mouth and when it rains, it really does pour round here.
some information cannot be found – you can only originate it. facts are often recycled in attempt to clear a logjam that has prevented us from finding ourselves. when i look at the billions of directions my life could have taken, you have to admit we're a very tough bunch, because, who else would have tagged along at this point? we're a recipe for disaster, but that's alright, because we already racked everything. we're bottlenecked. we're deadlocked in ourselves, and there's no way out.

strength cannot be given – it is only self-acquired. we can think of ourselves as vessels of change, but it won't be gifted to you. it has to be done by yourself. it's a real grabber. and once we take it to heart, it works.

axiology—the study of judgments. choice is so vital in postmodern culture, there's a whole branch of study attributed to it. should i take this opportunity, or should i decline it for another? should i rear success with my horns, or wait ecstatically for it to poke me? should i recline, take an easy ride, or work for it? – no matter which outcome, you're still going down the drain because you haven't established the most important part (yet).

i am struggling to understand economics, as well as applied mathematics. wall street certainly does not hang easy for me, but there is more to discuss than stocks and bonds. society has put us in stocks and keeps us in ******* – that’s wall street for you! there are still certain mysteries, such as you cannot put a negative number inside a radical. and all parabolas will have a reflecting twin, no matter how you look at it.

i fell asleep to a black and white movie, and it was still playing when i awoke. however it was in colour. i rubbed my eyes and sat there dazed until i concluded i was dreaming in colour. i woke up again and it was over. now i think that i watch the same movie, but colourized in my dreams, and that i can dream reality, while that reality is a dream within itself.

much reflection has been cast upon theoretical and unchallenged interest in scholars, for example. some presume we can only perceive one – ten-thousands of the universe but of course this can never be proven along with life's destiny and life's purpose, and indubitably, life's meaning. much dark and invisible matter perhaps comprise the rest, but the threads of an unroped cosmos are far from being knitted. can you prove your eternal existence by way of religiosity or science? Jesus rose on the third day and so did the interstellar medium situated in the midheaven. i sleep with a book of philosophy under my pillow, and i'm not in the least ashamed. Alexander the Great slept with a copy of the Iliad, and Mary Shelley, her late husband’s heart. at least philosophy doesn’t stain.

total uproar soars through the galaxy when i begin to think. the terror strikes, and i cower discrediting the truth. my trine is Jupiter, Saturn, and the sun. i’m an Aries, like the one of Judea. constant virtue is what i can believe but i speak in the revolutionary sense. i can enhance my life as long as i am able to try. there is always room to improve a man and i attest to that.

a literary device isn't useful at all until applied in context. an ambition isn't fully good until it is launched. Newton was right, after all. a body is motion will stay in motion until acted upon by an outside force. you are an artist as long as you keep your creative process going until somebody threatens you. then you hide. you establish a force field, which protects you, and you trudge on, because all that matters is your art, in the end. it's everything.

think... Ω-style. one day lofty things won't take pleasure looking at you, because you’ll be confronting them head-first. machtprobe, a german word for showdown. like the one you'll be taking with yourself if you don't buckle down and unravel your weaknesses.

this morning i woke up and stared at myself in the mirror. i was depressed at the condition of my life and my position in the world. my reflection stared back and held up its ******* at me, saying "what are you going to do about it?" not knowing how to answer, i fumbled around possible responses, but it kept going, "it's not that simple, isn't it? life can be tricky when you've got no motivation. it leaves you in a rut until one morning you wake up, depressed about the condition of your life and your position in the world and your mirror's reflection holds up that *******, insuring you're completely aware of the awaiting consequences." it finally shut up and i stood there contemplating its message. "how bad do you want this?" were its last words i heard before i knew that 'initiative' was the one i would soon fall in love with and meet at the chapel to wed.

"either you take it all the way, or you're gonna go astray." it's either one or another, a choice that we have to make. and i don't my reflection to pose a threat to my self-esteem again, so i'm gonna take it all the way...because really. how bad do i want this?

i don't want to have a shoot out with myself again. so when you ask, i'll just tell you algol sent me.
I've been fostering this one for a long time: my ruminations that I've collected over the past year. It's a mini-autobiography of my life over the past year and what I hope to change in the future. It's those New's Years resolutions we keep for about a week and then banish until December 31 the next year. And now I'm taking a stand again and want to reclaim myself from the miserable ruts I fall into. So, it's more of a personal poem, as a sort of get up and go for the future of myself and my art. And I cannot fall back. Think: "how bad do you want this?"

This poem is written in anti-traditional form: no rhyme, meter, lines, or verses. It's more of an essay, because I am especially fond of writing them, when the topic is left up to the author to describe.
a contradiction contracted in
lowest terms are
you.
[it’s metal edges]

your beauty is
of
a
garden
(suspended at mid-
clouds), to enter
and

to say

that in such a
variety of
flowers
there
can not
be
one that
attracts
you

to pick it

to dismantle it
and
to
neglect
the
rest.

[it’s plasticized segments]

you know how to
quickly imprint
yourself
on me

when

you laugh
at times
and
conversely
you weep
and

you are like

those skies
that shake me
to my core

when

they are
blinding
on one hand
and
violently bleak
on the other

so

clearly
fractured
they shake
me pierce
me
pierced
i am
by

you.

[it’s just thinned points]

imagine if
a chameleon
started
to
acquire
each
gradation
of
another
creature
in the form
already
similar
to
it:

where
could
he
ever
escape?

[it’s inconstant semicircles]

(i can not
delineate
you
it is like
sketching
a tidal
wave
nobody
can:

painters

invent them)


[and it’s shoved arches]


i’ll tell you
of
a
woman
her soul
shattered
and

subsequently

imprisoned
splinter by
splinter
in hail
stones

she

fell
and
she felt
herself
crashing
at the same
instant
millions
of times

however

she
never
went
insane.

[it’s torn curves]


(and I know well
how a continuity
interrupted
succeeds
to make
you
fumble
convulsively
but it’s not
enough
for me to
restrain
myself
don’t
ask
me
to)

[it’s petrified vertical axes]

what i see
is
a cross
section of
enclosure
handfuls with
disconcerting
efficiency
consisting
of prisms
and

you know how to decompose

yourself inside
an innocence
delimited
you proceed
by inconstancies
you lacerate
metabolizing
you struggle
silencing
and

i could
only
teach you
one thing:

gray is not
a faded
version
of
black.
My wife, a psychiatrist, sleeps
through my reading and writing in bed,
the half-whispered lines,
manuscripts piled between us,

but in the deep part of night
when her beeper sounds
she bolts awake to return the page
of a patient afraid he'll **** himself.

She sits in her robe in the kitchen,
listening to the anguished voice
on the phone. She becomes
the vessel that contains his fear,

someone he can trust to tell
things I would tell to a poem.
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