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Contain
Sustain
The strain
The pain

To nothing
To something
Hoping
For something

I'm stuck
Here
Away
In this small town  

Contained
No idea
What I feel
I'm going insane

Risk must happen from here
Or Ill be confined
To a simple little life
Its time to shine
I was talking.
I was falling.
And then I was dreaming.
About you, about me, us.
About life, where I wasn't, where I should be.
Then I was awoken.
Not under the covers.
Not in my bed.
On the cold hard floor.
Where the lights were blinding, shifting, hot.
Where everyone looked at me worried, whispered, stared.
This has happened before.

It's nothing.
Nothing.
Nothing more than a dreamt reality.
Nothing more than a place I wish I never had waken up from
How long will it be until someone wakes me again?
 Jan 2013 kara lynn bird
Mikaila
Nobody but me has told me that I have no right to grieve the living. I think, in a way, death is easier to accept. You don't run into your dead loved ones on the street, and look away as if you never knew each other. Death carries its own pain, its own terrible hair tearing madness of grief, but I think perhaps it is born in us to know it. It is a natural grief, an unavoidable thing, that leaves no blame upon the one who left. That is one thing I value highly, that when people I love leave me for silence, it is not personal. Death is part of life, it is our final act. Everyone will see it, everyone will endure its mark, it is a natural pain. It has an excuse, a millennium of excuses, for there has never been a person who has not died. I can forgive that. Succumbing to something that no one before you or after you has or ever will resist successfully. That is understandable, it is forgivable, it doesn't even bear forgiving. When somebody dies, your love of them remains pure. However weighted by their absence it might be, it is not tainted or marred. It remains, perhaps sweeter and more present than before. You never have to try and forget it. I feel as if I have no right to grieve the living, when the dead are so much further gone. And yet somehow the living are harder to lose, for when you reach for them, they do not sit still in silence, they push away and turn their heads. How could it be that you would survive it when you asked in grief for one more moment with the one you loved, and from the grave, he said he'd rather not? I think perhaps it is a cruel blessing that death is so final of a loss. For there are other losses, with the same finality, made not of nature but of choices, of pride and fear and foolishness, losses that never make sense. Dying makes sense. And how cruel of me to say it, but it is what I believe and what I feel, that death is somehow more acceptable because it happens to everyone. Each death leaves a huge hole in your heart, in your life, and the grief is like nothing else there is, but the reason you can survive it is that you have the comfort of knowing that the person you lost does not make the choice each day to be gone from you. If you knew that, if you knew that somehow they could return and be what you needed from them, how could you ever heal? But these are past feelings. Passive feelings. I used to think on this far more often. I used to wonder why I felt as if someone had died. I used to feel very stupid for feeling such a deep grief over something so shallow. But as it settled in my being, I realized that for all the differences, death and loss are not so different in their presentation. They settle in the heart, they leave their scars and holes and little triggers of sadness that will never heal. I suppose I should thank god that I never started crying in the grocery store, like my mother did when her sister died. Or in school or on the street. I wanted to, though. That's the thing about death. It's so pure of a loss that nothing can hold back your tears. No pride quells them, no anger or resentment or self righteousness rears in you at their sudden appearance. Pure loss is a beautiful heart rending thing. Those tears in the store or on the sidewalk or home in bed each night, they have no guilt, no "should", no blame. They are simply an expression of love. To express love that way was, to me, forbidden. And so I never burst out in grief after it was done. I cannot say whether that made it harder. People say it probably did. But that is the whole thing- you cannot cry for the living. There is no pity, no proper loss, no excuse to be sad. You cannot grieve the living who have chosen to be dead to you. I respect the purity of true grief and loss. I could not respect my grief over this. It never got a proper expression. Never after it took over and I fought it off. So unnatural, so abhorrent was it to me, that I simply crushed it and went on. I don't know what that choice has done to me, or what it will do in the future. I know only that it was the only honorable thing to do. For you did not deserve my grief, and I did not deserve to grieve beside those who had truly lost someone. It would be wrong, it would be unfair, it would be a defacing of the purity of love that only death can reveal. You cannot mourn the living.
 Jan 2013 kara lynn bird
Mikaila
When I look at myself, I am not beautiful.
My feet are twisted and gnarled like the wood of an old tree.
My limbs are gangly and thin.
My eyes are too large,
My hair is too straight and too dark,
And my ******* are too small.
In the mirror each day, I cannot tell myself I am a radiant woman.
But when the music starts, I shine.

The notes hit me like rays of the setting sun, and every hue of grace and passion is splayed across
The folds of my dress,
The arch of my back,
The curve of my ankle,
The stretch of my throat.
Each harmony, each crest and fall of sound and feeling
Is a wave that breaks over me,
And I am lost.
I drown in emotion, in the distinct expression of self that only movement can allow,
And in that moment, I forget beauty.

I forget love and hatred and pain and joy, and as I forget I am freed.
I forget because they no longer belong to me.
I have given them to the melody,
To the dance which draws them out of me like venom-
The next move, fraught with the tension of 'goodbye forever',
The next turn, spun by the unraveling of my heart,
The next leap, lent weightless wings by the joy of a first kiss,
The next slow reach carved from the desperation of 'it's all my fault'.
As they leave me, they become me, crashing down on the audience I've also forgotten, burning the bright after-image of my soul into the shadows of theirs.

I have never seen myself beautiful.
I have never looked. I have forgotten to look.
For when the music hits me, it turns me in on myself, and I can see nothing but my own spirit- a shower white hot of sparks-
And the cascade of the notes in folds of velvet against my mind.

I have never seen beautiful, but I have felt it.
It feels like a smooth silk shoe and blisters on my feet,
It feels like the trickle of sweat along my brow and the stab of muscle cramps in my legs, and the scrape of hairpins and sequins.
It feels like breathlessness when the curtains open.
It feels like the worn wooden stage upon which my heart may bleed all it wants.
For it does, it gushes, and it is the ugliness of passion.
It is terrifying, it is raw, it is light-starved and beaten, it is all I have.
And when I get up on a stage, people call it beauty.
Inspired by the painting by Andrew Atroshenko. (this one http://www.artatyourdoor.com/site/wp-content/uploads/andrew-atroshenko-ballerina.jpg)
 Jan 2013 kara lynn bird
Mikaila
I met her in the springtime by the river, under the willows.
Their limbs fell long and swayed in the breeze,
And her gold hair reached out to twine in their poison-green leaves.
Under the willows, under the blue sky, by the babble of the water,
We knew each other.
We sat many days in the sunlight and talked,
And some nights beneath the soft moon we did not speak at all.
Sometimes I looked at her pale eyes full of depth and her light hair splayed out in the grass.
Set against the greenery she looked like winter come to summer’s land.
Sometimes she looked back at me.
But as the autumn seeped in and the brook grew still and the leaves turned, her pale eyes were shamed with tears like ice.
How could she last, how could we last, in a frozen world?
And one day I found her, under the swaying willows that clinked glassy with ice,
And her gold hair was splayed out in the water, and her blue eyes were still.
I followed her, but now I don’t know how to find her.
I thought she’d be here when I went to join her, but where is she?
It is very dark, and very cold without her here.
I followed her, and now I am alone, and neither winter nor summer may reach me again.
Everything.
Everything's gone. He was everything.
There's nothing else. Nothing but this.
Left alone. Pills. Gone.
Eyes close.

Floating. Nothing makes sense.
Pieces of memories. Friends Family.
Everything that mattered. Before him. Before this.
Pain. Crying out. For comfort. For warmth.
Don't want this.
Don't want this anymore.

Eyes open.
Mom. Dad. Hospital. Tears.
Love. Real love.
It's not over.

Doctors. Questions. Worse pain.
I'm lucky. So lucky.
Visits. Friends. More tears.
Never again. Promise.

I'm still here.
He wasn't everything. He wasn't love. Wasn't worth it.
Still lucky. Lucky to be alive. Lucky for family. Lucky for friends.
There's a reason. Always a reason.
For me. For you. For everybody.

Life. Precious. Never waste it.
Kim and Lee sit stiffly on a wooden bench waiting—the interminable waiting. No words are exchanged, for there are no words to describe the anxious feelings they hold inside them. Like an infant bird trying to break free from the worn shell it has been hiding under for so long, their minds race with what could be spoken. An awkward “So..” Perhaps an inquisitive “What are you thinking about?” would be necessary. But still the two remain motionless besides an occasional head turn to pretend to be staring at something else. There is no hiding it though. Kim and Lee each have something on their minds. The dodging, diverting glances from one end of the bench to the other clearly shows the intense feelings being hidden, hidden behind open eyes.
       Kim thinks, “Well, why must I say something? Lee surely is capable of speaking too.” Yet the waiting continues.
       Lee watches Kim while she glances at an old man feeding the ducks across the park. Lee notices her hair and how it waves and curves to her shoulders and back. The subtle breeze glides through each strand sending an aroma of fresh linen across the bench to Lee where he comes to the realization that the temptation has become too much. The sweet, sensual juices that flowed from the apple consumed by Eve are radiating from Kim.
       He knows what he must do…
He stands up, his heart racing. The emotional lasso that grips him has become too much to bear. He feels that every step he takes or sound he makes tightens the rope's grasp around him. He can feel the pressure squeezing his words and emotions out of his chest, up through the long, dark corridors of his throat and out past the serenity of his sacred lips. Certain things are meant to be held back. But others are meant to be shouted out all the way to the far depths of the ocean where only the mysterious, pre-historic sea life dwells. No trick he tries can distract his mind from the one who consumes it night and day. A fly buzzes around his head and he swats at it. He decides that he will no longer swat at the true feelings that brew inside of him. It is he whom they've chose to slay the evil monster with crimson eyes known only as 'Time' that threatens the well-being of the town and its people.
       He plants his feet firmly on the hard, unforgiving ground below him. He knows if he falls it will hurt so he must be prepared. He stares down at her. Beauty radiates off of her like the sweet, sensual smell that unearths after a light rainfall. The sun glistens off of the silver buttons on her blouse that form a line down the middle of her chest, splitting her into two equally as perfect halves. He gently reaches his hand out to hers. As she meets them and delicately places her palms down into his, she feels the brisk sensation of chills forming at the back of her neck and quickly consuming her entire body. She gasps in pleasure. He pulls her arms up as if to suggest she stand up and she rises to her feet. As he and his subtle smile gaze upon her, he finds himself not in the park as he truly is, but plunging down the first few seconds of a roller-coaster, a feeling he so longs to keep. Her eyes slowly move up and meet his.
       "Oh, what beauty!" he thinks to himself as his subtle smile begins to widen. She stares back into his eyes for a few moments then quickly looks down to the unforgiving ground below as butterflies crowd her stomach. Through with the interminable waiting, he places his hand on the bottom of her chin and tilts her head up until their gazes meet again. The whole world around them seems to set still. Nothing matters besides the fireworks exploding in the few inches of space between their bodies. He slides his hand up the side of her neck to the back of her head, caressing her hair. She closes her eyes, leans her head back into his palm, and opens her mouth in pleasure, yet no words escape. Releasing his hand from her chin, he wraps it tightly around her waist and pulls her in until their bodies touch. He feels her heart beat against the outside of his chest. He closes his eyes and leans forward. At her wit's end, consumed by sheer pleasure, she gives into her temptations and slowly moves her head toward his. Their moist lips meet as they hold each other's bodies. He caresses the back of her head and hip bone and she runs her fingers down his back. After what seems like hours, the two pull away, blushing. And as they stand there, staring into each other's lustful eyes, it dawns on Lee that he and Kim were meant to be together.
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