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 Mar 2014 jude rigor
Emily
YOU WILL NOT FALL IN LOVE IN A HOSPITAL, YOUR SKIN WILL SMELL LIKE THE DYING AND YOUR LIPS WILL CRACK AND YOU WILL NOT FIND BEAUTY

I USED TO THINK I WOULD FIND SOLACE IN THOSE SANITIZED WHITE HALLS BUT ALL I EVER FOUND WAS MY OWN EMPTY EYES STARING BACK AT ME FROM THE UNBREAKABLE SUICIDE-PROOF MIRROR AND THERE WAS NO COMFORT IN MY BRUISED TENDER FACE

HOSPITALS ARE NO PLACE FOR YOUNG GIRLS WHO HAVE NOT YET TURNED AWAY FROM LIFE AND THEY ARE NO PLACE FOR KISSING YET YOU READ ABOUT MOUTHS FINDING EACHOTHER IN THE DARKEST HOUR AND YOU THINK OF CEMENT HOSPITAL WALLS; THERE IS NO DARKNESS IN HOSPITALS, JUST PURPLE FLUORESCENT LIGHTS THAT MAKE YOU LOOK SO PALE YOU MIGHT JUST REALIZE THE IMMINENCE OF YOUR OWN DEATH.

YOU WILL NOT FALL IN LOVE IN A HOSPITAL.
 Mar 2014 jude rigor
Amanda
My sadness provides me with comfort
Sick, isn't it?
It's just something that's always been there
Consistency
That's comforting to me
And as much as I want to feel the sunshine on my cheeks
And have flowers bloom within my mind
Part of me is so scared to leave my sadness behind
 Mar 2014 jude rigor
hkr
i swear to god,
you love girls
to hurt them.
inch closer to the ebb
of my voice. fear your
-self in my image. see
the understanding wreath
itself in transitory honors
and awards, church bells
sounding for the no-bell
prize.
 Mar 2014 jude rigor
hkr
legacies
 Mar 2014 jude rigor
hkr
we grew up together:
postcards for parents
and cigarettes
for fireplaces
we were best friends.

year twelve
//september//||||
“welcome back, boys and girls.”
knees together. shoulders back. chins up.
welcome back, she means, to the routine of
eight am target practice,
courtesy of the handbook.
they get to dolly first
“immaculate as always, dolores. how is your father?”
then hermia
“i see you failed to purchase proper burgundy over the summer”
i hold my breath
“mary dear, my how you’ve grown”
and let it out as they move onto
“good heavens, alice, put on some clothes.”
she rolls her eyes.

in the bathroom i tie my shoes
to a soundtrack of gagging
and spray perfume down the toilet
when she’s finished.

she locks our pinkies
like we’re back in year nine
don’t tell dolly

//october//||||
the lower the sun sets
the more we’re in dolly’s room

she brews coffee in her contraband *** --
she won’t smoke with us, but coffee
is worth breaking rules for --
and tucks us into her bed
to tell us fairytales

yet somehow, it always ends up being hers

she talks about him
like prince charming
like he doesn’t have
a face of zits and
a weird haircut
like she can see
a future in him

alice gags under the covers
this time not out of self-hate
but disgust
and dolly laughs like a grown up
you’ll understand one day.

she does a little spin into her bathroom
to fix her makeup; “seeing him later”
and alice whispers
“if she weren’t dolly
i’d swear she was on the hard stuff”
i find myself trying to remember what it’s like
to be so happy
i could pass a drug test.

//november//|||
we’re smoking by the pier when it happens
with some sad boys
hermia seduced for cigarettes

she smokes the prettiest
and we’re convinced she doesn’t swallow
but a cigarette is a cigarette

alice always smokes like its her last
and i guess the boys like the way
she lights theirs for them

i’m not much of a smoker
but a boy from alice’s algebra class --
math for future ivy dropouts, as she likes to call it --
lights one for me anyway
and tells me his name
but both are forgotten within minutes

partially due
to my adhd [diagnosed by alice]
and partially due
to the security guard that rounds the corner
algebra snuffs our cigs and alice’s clan snuffs theirs,
but hermia isn’t so lucky
after a streaking incident last year
she’s been convinced they’re out to get her
and i guess she was right.
we offer her the coffee ***
as a goodbye present
but she pierces our ears instead --
what she promised to do for christmas --
and tells us where she hid
her lighter.


//december//|||
it’s just alice and i over break
since dolly has family
that actually comes home for holidays

i get a card from my parents
and alice doesn’t get anything
but when we walk into town
she treats herself to some hair dye
after all, it’s a five-fingered sale

my heart doesn’t beat in my chest
when we pass the security cameras
but i find myself wishing it did
wishing i remembered
guilt

an hour later
alice rinses the dye out
and emerges from the shower
the stretch marks on her legs
reminding me why
i let myself go numb

//january//|||
it’s new years and
we’re in somebody’s dorm room
watching fireworks on tv

everyone’s paired up;
dolly with her prince
alice with the same dude
hermia slept with,
rubber in his pockets
and me
with the sad boy from the pier
laying in the dark

he smells like the boy i lost it to
and i want to be sick
but when he kisses me at 12
i let him

some ******* pulls out a sparkler
i hear the fire alarm
then suddenly we’re drenched and
screaming, wet rats in the street

they call roll
no dolly
no prince

we wait for her in her room
alice falls asleep
until she comes in sobbing
a mess of
it was perfect
until the fire alarm went off

and
they’re shipping me out tomorrow
and, the quietest
he says there’s no point
in long distance.


//february//||
there’s snow up to the windowpanes
and everybody’s depressed
alice stays in my room
and they let her
knowing she has a history
when it comes to february’s

i.e. if they make her get out of bed
she’ll call her father

nobody has to know
that she lost her phone
in the snow last week
or that
even if she hadn’t
he hasn’t picked up
in months.




she likes to talk to boys instead
when she’s lucid
she brushes her hair
and opens the window
and hollers back at them
when they whistle

nobody has to know
she’s wearing her pajamas.

//march//||
when the sun comes out, so does she
“i’m going for a walk”
she says, in her pajamas
she borrows my phone to make a call

but that’s the morning
and soon it’s noon
and i wonder
how long one phone call
could possibly take?

when she isn’t back by dark
the school’s 911 call
only takes a second.

//april//|
they find her  body
at the bottom of the lake.

//may//|
“and what legacy have you given back
to the academy?”
i put on my graduation cap
and wonder
if the cigarettes
the sparklers
and *****
in the bathrooms
aren’t quite enough.
 Mar 2014 jude rigor
Sia Jane
roses & ivy,
                       grow,
                            s
                               w
                             i          l
                                 r

s.h.i.f.t & CLAW

back bone, bare bones, counting verteb
                                                          ­      r
                                                         ­       a
                                                        ­        e
                                        a  s
spineless,­ no moral c     p
                                  o  m

          North
West­              East
         South

never fond of waking up,
(bare feet, touching cold slate)

cluttered hearts surrender,
(wrists cutting, a fine lullaby)

holding pearls hands closed,
(sea urchins inhabit, a narrow soul)

painted roses en pointe(d) toes,
(thousands of galaxies, offer a million wishes)

tea lights will, guide her home,
and back to, a place she,
is yet, to know.

Life surrenders that,
soul mates,
never,
        DIE.

© Sia Jane
 Mar 2014 jude rigor
wolf mother
should the sun bite my lower lip
and moon forge goodbyes
i will cut the blades of the sea-foam waves
and hide within your tempestuous eyes

so long my love, so long first love
until we meet in the bluest fire
tease the light out with your wits
a siren song, a salt-soaked liar
 Mar 2014 jude rigor
wolf mother
carve it out with a melon-baller
take me down to the river's edge and drown me in my own blood and spit

i don't need a **** heart
 Mar 2014 jude rigor
wolf mother
Closeness.*

Why must I retreat when I should be putting up a fight?
Always flight
Doesn't my body know the **** difference between danger and certain death?
 Mar 2014 jude rigor
wolf mother
O
 Mar 2014 jude rigor
wolf mother
O
touchstones around my neck
little purple precipice
tips caress
wet scar tissue
plastic surgeon amiss
slice, two, three, four
in and out of the cavern
enveloped in sadness
keep my eyes glued to his
in the throws of passion
cover my orifice
is it over?
writhing, bones ruining
my chance of circumcision
"You know, I become like an intruder. And behind those closed lids, you know, her eyes are now rolled all the way around and staring intently inward into some void where l, who sent them, can’t follow.” —David Foster Wallace, Brief Interviews with Hideous Men
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