All the demarcations derived to witness coarse and impolitic belongings of the undivided Gaugamela. Three days before the Falangists empowered Vernarth by the time they were clouded by the Ekadashi. They fasted three days before and gave themselves to the visas of Zeus, graduating fluent movements in their lunar lacridas eleven days before. It is the penultimate step, there were hours left to walk through the woodworm that was shaking the heels of the Phalanges, all the equipment and animals were conferred to the mysticism of essence, and its disputable devotees. Now in the narrow circle of the Gaugamela heritages, Darío came after crossing the Tigris, organizing his troops and his harem. The Macedonians had an army that numbered 7,000 horsemen and 40,000 infantry. Alexander's elite heavy cavalry was the Hetairoi and consisted of the Macedonian nobility, who accompanied Alexander in this battle and were the deciding factor in the faction. Vernarth commanded more than 40 thousand infantrymen, keeping a close relationship with the Hetairoi, with their brotherly arms of divine caste, and the Greek Hoplites who intervened to cover the rear of the phalanx, which Vernarth supported from the most furtive confines of his doctrine, in this motive stained with thousands of Macedonians singing quarrelsome institutional poetry. From the Dodecanese, Kalidona and all the central Greek archipelagos came to render the figure of Vernarth, accompanied by Etréstles de Kalavrita, great hero and defender along with Markos Botsaris (Chapter 6, page 36 Koumeterium Messolonghi / Palibrio USA) in this great epic. Raeder also joined with Petrobus the Blue Pelican, Brisehal de Dash-e-Lut and Vlad Strigoi appearing from the transversal valleys of Transylvania, soon after having arrived from the Reign of Horcondising, boarding his Frigate in Valparaíso, juxtaposing in the nine elements and in Megatons, to be ratified from the start in a new Heavenly Wasteland. They all camped five kilometers from the Bumodos River, on the north ***** where the dark blemishes favored them for a new moon phase, in trends, effusion, and ebb, which was the tremendous influence of energy. The devotees of the clan did not give it any special importance, they only gave hierarchy for single gnosis, because in these Viennese it could improve their devotion, so they are busy in its service. They are waiting to have the conjuncture to further renew their recollection, to support the cards at their right hand with astrological cosmic interpretations of the Ekadashi, which can be explained by the buds of the material world.
The contravened concept towards the reverent is that the Ekadashi will be the day in which the Lord will persevere, achieving the unitary rejoicing dean, disputing incessant strokes for the collective emotional imbalance of the attendees, as a spirit ingredient that is destined in his spree, and must try to give Vernarth more start in his parapsychological regression. But we must also conceive that we are in a subsistence song of the hypotenuse, for which we must not think that this Zeus extremely needs our third. He is completely self-sufficient and tied to his transcendental world of vilorta, but not leaving us alone with the vague flashes of collectivity from him.
The Hellesponic Sibyl supports the cross, the last emblem of the Passion represented in the chain. As appropriate, on its straight and immediate folio representing the Crucifixion of Christ on Golgotha. The spaces were self-selected by consigning themselves in the stalls that were brought together in musical techniques of work that inspired the Sibyl of Hellespont, she approached with the articles and the belongings of the altarpiece of herself, decorating them with passions that were represented in the eleven lines up days before first-degree alcohol was sprinkled on their heads, to leave them in the open, and to posterity, the goddess of darkness Nix came pouring macerated and sour petals on all of them to inhume them in the blasphemies of the god Erebo, in the deep fire, devoid of all marginal lethargy to redeem them from chaos. On a crushed and infamous earthly sea that will be the surface of Gaugamela transiting the catacombs, with foul floods and elusive phlegm, fleeing from the light insectaries of Ultramundis from the god Tartarus. Nix runs alarmingly on the murky tile of her, picturing herself as a winged woman clad in a star-covered black robe. She will lead a hulk pulled by two steeds duly accompanied by her twin sons Hypnos and Thanatos, here with them trembling running everywhere, to attest to the regrets of the Hoplite Falangists, after being suddenly invaded by the mythological forces of the Achaemenides. Through condensed pulses and other non-designated ones, she will be represented on various types and on supports of xylographic monumentality, on ceramics, and even on the immaterial heritage of Áullos Kósmos. From the basilisks they will point to Betelgeuse, spending themselves in the Armas Christi to anticipate the fountains and the Iaspis Parables, staging the Sibyllae Prophetae, predicting the paving of Iaspis with precious stones, to fragment in the elevation and in the tidal wave emitted by the Sibyl of Hellespont, rising on the level of 133, in the Calvary of Golgotha, in the east skull of Abimelech and Jezavel, from the kraníon symbolizing the transit in places of executions from a warned kraníon.
The site of Golgotha is also uncertain. All that is known is that it was outside the city, beyond the second wall. It must have been a hill, as it could be seen from a distance and was near a road, homologous to the initial Gethsemane. Juan amplifies that a new grave was nearby, in a garden. The tágmati translated as "order". It indicated the ranks in the Roman army. The Old Testament and tribulation saints receive their glorified bodies near the return of Christ to the world. Being the Greek root Tagma, of "putting in order" from the head, thoracic and abdominal, in the tagmatization and differentiation of regions of the body or tagmas, formed by series of metamers or similar segments, differentiated from the rest. The Ultramundis of the god Tartarus was conceptualized here, and corresponds to heteronomous metamerization and is opposed to that of homonymous metamerization, in which all metamers or bilateral symmetry in all appendages are equivalent. They are those centurions who drilled the rib of the Mashiach on Golgotha, with muscular symmetry from the head, thorax, and abdomen of the Tágmati, putting an order from the Pilum thrown, granting them the Christo Salvatore Predictor, but in the opinion of professing the same symptoms of his passion for abdominal, thoracic and head tagma in its crown of thorns.
Codex XIII - Nix in Murkiness