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two boys at a rest stop

one cowboy, one indian-

also there

a mother’s
burning
car

and the mother herself

flipping open
a pocket knife

oh place, you are not
my first
language
but

it was men
created
machines
that they could tell
those machines
the little
they knew, and it was god

found god, and it was your father

that with his father

while in
their astronaut
poverties

took shyness
from a gun
 Nov 2017 Jonathan Witte
L B
What She Look Like?
  
…Like one
tenderly hushing
water in her lap
Elemental peace
No place to go
No more to be
…Like the ocean
in the background
of a photo on a warm spring day
belying
rage
and the random possible
thrash--

out!

at all guilty ******* in her path
Toss in the next sentient soul
who should happen to pass
within range
who should have seen
who should have known
what a storm could do….

Moody in the aftermath
and sorrier than rain
With the tide in retreat
grumbling excuses
Hiding out waist-deep in dusk’s Merlot
Waiting for night to sleep it off

to heal the rifts
cleanse the shame

Rising
yellow, bright— and

“What the hell happened, here?!”

____


Her hair
a winter’s tragedy of trees
upside down—
No wait— the wind has put her right
to ragged random branches
swaying, wet with intermittent hues
of dark and silver
caught in collar, flying inelegant and free
at the shoulders of the levee
tossed and softening shyly
sagging jaw and nose a stump of tree
All perspective changes…

if you watch a while—

She’ll raise her eyes
into the sunset
to catch an eagle
entering
flight

…and then you might…

___

She looks like—
a pudgy robin
querying grass
mud soaked
that hides the fire of her breast
tugging at a worm
more than half her length
“I will feed them, **** you!
Give it up, you son of a snake!”
_____

...Don’t miss her hour of music though
for anything
Encroaching darkness
from the rooftops
she listens to the hearts she breaks

Remember this in winter
she can give but she will take
it out on February
when you’re longing
for her
Only male robins do the singing; females do the choosing.  

There are very few recent  photos of me.  Thus this poem.
He is, to his way of thinking, the only one wearing shorts;
The nine young men with him, baggy-wearing and body-pierced,
Swoosh-adorned from head to toe,
Sporting something which seem close kin
To blown-up Bermudas or women’s culottes.
Back in the day they would have been laughed right off the courts,
But it is not his day any longer, as he is constantly reminded;
He wears shorts that merit the term, old leather Converse All-Stars
Cracked and faded as the berm of the back roads
In this out-of-the way locale,
A faded and decades-laundered jersey
Bearing the name of a long-defunct auto dealership.
The kids call him “Jumping Toyota.”
Yo, Toyota—no dunkin’ on us tonight, OK?
Hollering and laughing as they dap and jump-and-bump,
Mimicking playground ballers in cities
They have never been within three hundred miles of,
And he smiles in grim resignation,
Knowing he might get a fingertip on the rim on a good day.
His game is strictly cerebral, horizontal now,
The muted, pastel joy of a solid, timely pick
Or well-thrown bounce pass
Has become his vehicle of blacktop epiphany,
And he eases up now and then on the offensive end
To provide succor to tendons and ligaments
Which, in spite of admonitions to himself
That at your age you need to take it easy, *******
Will still register their protests a very few hours from now
Leading to tortured grimaces and the occasional audible grunt,
As he holds his place on the third-shift line at the Alcoa plant
Bringing his co-workers to ask him,
In that hazy place between bemused and stupefied
Man, don’t tell me you’re still playin’ ball?
Once in a while, though, he will still drive hard towards the tin
And, eighteen again for the a snapshot of a moment,
He will stop on a dime and drop a jump shot
Making no noise whatsoever
Save for the whispery snap of the bottom of the net,
Sound every bit the same as it was
Before his knees and ankles went rogue.
Outside the chain-link fence, a young man plugged into his iPod
Bobs his head in time to some unheard song
As he leans in an approximation of nonchalance
Against a great old elm tree
(Branches bedraggled and drooping,
Giving it the air of some old warlock gesturing in mock-menace
Though his wand has gone a-gleaming,
His magic having deserted him as well)
Which bears a large painted orange circle
Signifying its imminent destruction.
The universe closes in on me
galaxies align
in matrices of light

This moment was never
meant to be

I'm a cloud
telling tales to the sky
a bit of wind
and I'll be gone

The moment slips through
my fingers
water into the well
while time
that mortal dragon
is readily slain
for there are no dragons
time is a myth
and this universe
bends backwards upon itself
eating its remains
and issuing forth
new life
in a fugue of renewal

again
and again.
 Nov 2017 Jonathan Witte
r
Silence
 Nov 2017 Jonathan Witte
r
Silence
is sound
that comes between
sounds

It moves
upon the waters
between the waves
and is good

Do you hear it?
no knife in the dog of absence. not a scratch on wind’s throat. winged things that belong to the tooth in your shoulder. lipstick. the unhummed ribs of your wrist.
upon my double
being seen
I am set
to self
destruct

I am no sadder
than twin, no sadder
than dog…

my wrist
is nothing’s
neck
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