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She came into the class
Scared and confused
Perhaps tired and sick
Of wearing her mask…
Disgusted, she said,
“A boy stuck his tongue out at me!”

I looked her over
Up &
Down
And very care
-fully did I see

That her very tiny skirt
Rested way above her knee

Did this girl,
really, not know?
That her body will beckon? And she ain’t 12 no mo’!!

That she is—
In fact,
No longer a girl
But woman of curves: a woman of nerve
Who must take on the world
And everything that it serves?

So for the rest of her life,
Wherever she goes
She will see the tongues of men
Both young
& old.

No matter what
She does
Or doesn’t
Know

She’ll be pinned up against
The urges they possess.

Through no fault of her own,
She’ll become an object
to discuss
And she’ll cringe daily
At the ideas that
They thoughtfully
conjure up.
 Jun 2013 John MacAyeal
LDuler
After the screams
I was coming undone,
splitting at the seams.
I hauled all my watercolors
out of my brother's office.
I took the paintbrushes
and palettes of a thousand hues
lodged between his camo army vest
and his heavy shoes
and I sprawled out in the
spinach-green living room.
I painted
willow trees and silhouettes
and viridian snakes spilling from ***** lips.

At 2am I got up
headed to the deck
and watched the stars
Because sometimes I forget.
I let my nights
be slaughtered by sobs.

These nights, this view
It’s mine, you can’t have it.
Everyone needs a place
and this is mine,
this tiny nirvana,
2 o'clock constellations
in the dark purple bruise of night
are my home.

A pool of watercolors,
magenta, cyan, indigo, emerald and cerulean,
swells in my chest,
in the empty space between my lungs.
A drowning, a baptism.

Everywhere, in everything,
your unblinking ghost.
It refuses to dissolve.
Beauty queens on the Hollywood scene
Plastic surgery before the age of fifteen
Striving to look like somebody else
Not happy with life nor even themselves

Riding 'round Beverly hill with Porsches, and Mercedes too
Strutting their stuff with brand new Jimmy Choos
Tiny lap dogs wearing diamond studded collars
Designer clothes costing many a pretty dollar

Watching the sun set over Beverly Hills
As the man on the corner passes out ****** pills
Life is unreal on both sides of the ditch
No matter how much you have, life's still a *****

And as you inhale the intoxicating clean air
Think: your vault might empty, and quickly be bare
But you'll still have family and friends and old fashioned love
(Though to be honest, you're never as free as The Dove)

The dove that flew off so long ago
Leaving the filth of it all far down below
In search of brighter days and bluer skies
Leaving Hollywood to deal with their own web of lies

This dove we speak of, he was truly free
Flew away so he could find his own special tree
No more worries of blank eyed starlet's destruction
No more worries of the wicked red-eyed Hollywood corruption
Fun little collab done with mike hauser. 5.27.13
 Apr 2013 John MacAyeal
Marian
Salty breezes blow
The lullaby of the waves
Palm trees dance and waltz

*~Marian~
After some taste tests, I must admit
The differences in your kisses are not subtle
Some were animal and possesive
A sensual and surprising ferocity
Some were soft and fast
As delicious as honey and as sweet
Others were long and powerful
An outpouring of emotion
Still others were light and lovingly
Pressed to cheek or temple or neck
And though I admit they're all so different,
Their qualities bleed into one another
So that of the
Quick and passionate ones
Or light kisses with a touch of wild
All have been received and welcomed
And enjoyed
2.13.13
What's with this phrase, 'come at me bro'
What does that really mean?
People use it to provoke, but why?
There's nothing particularly threatening about it,
And it's not even very grammatically correct
One could just as easily say
'Get thee away from me, ye dark angel of hell'
And it would be equally offensive
Or more so, if a bit befuddling.
But why not say 'come at me bro'
As a request for affection?
I know I would much rather say this
And receive, instead of a flurry of blows,
An armful of sweet affection
On this ground I was born raised and lived
In the years since my birth
I've sowed much wheat, and many rocks I've sieved
Making this land mine, this sky and earth.

The blue, clear skies, and evanescant clouds
Have dissipated now, this land is torn
I'm a mere denizen, yet here I still stand proud
So that on this ground my children will be born

The dust roils in ferment around me
And flings topsoil in my face
No green thing, nor bird nor bee
Is allowed to thrive in this barren place

And for my progeny, their future I mourn
This land is dead now, and has left me forlorn
4.11.13

Sooo this it the first sonnet I've ever written. I had to write it for english yesterday and now I'm hooked... I can definitely see their appeal
It's funny how people tell me I'm strong, tough
Independent
But some things make me so weak
My will breaks easily and I fall
I'm not talking about physical weakness
Nor any type of physiological frailty
My mind and heart are the problem
And sometimes I wonder
Were the tinman and scarecrow wrong?
True, there is benefit in having a heart
And yes, a mind has much to offer
But the heart remembers you
The mind aches with pain
And I'm tired of being broken
I know I can be sweet
Kindness is little problem
But does one need a heart to be kind?
Perhaps its absence would suit me better
And if I think, I think so often of the past
What could have been, what might have been
And I think(hah think) that maybe
Losing my mind wouldn't be so bad
So tell me heart, and you also mind
What is your great redeeming quality?
I'm dying to know
4/8/13
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