Misty words billow in the cold
Pluming from their mouths
Quiet swearing and first *** coughing
They walk close to hedgerows
Kicking the dew from the grass
As birds squabble over breakfast
And mushrooms are still socialising
They whistle the dogs to heel
All panting and wagging tails
Stirring the dawn damp air
For happy is the early dog
In these sumptuous fields

Now the business of dawn begins
Low sharp commands are uttered
Bringing the younger bounding learners
To a proper sense of purpose
And that high-toned cross breed
The sleek and swift lurcher
Is eternally proud and primed
This long-sprint racer
Takes inevitable chase
Without sentiment or concious cruelty
An ancient craft is practised here
With the dogs at dawn

                                By Phil Roberts

When I am the guest of my brother
sleep watching shooting stars
in a black dog's eyes
asleep in a star drift, dreaming
of tides and spiral galaxies,
I am an ice sword dipped in wine,
death ringing in your ears
like the darkest shadow of night,
a lost sailor drifting through
the centuries in a black ship,
a man standing vigil over a grave
cleaning mud off of his boots
with a knife.

the boy enters when he knows
others will not be there
in prayer--their silent entreaties
to a god he is not sure
listens or cares

morning after mass is best;
the bouquets are fresh
he can smell them once
the scent of the early
worshipers fades:

the pipe smoke from the old man's
coat
the widow's perfume which lingers longer than the ammonia stench
of the holy homeless who is there
every day

Christ watches over this:
a white marble man bolted
to a cross, witnessing
this spectacle for millennia

long before this cold statue
was placed in this cathedral,
he was there, the slaughtered lamb
cursed to die again and again

that is how the boy sees it;
not a promised life eternal,
but the same death anon,
anon

the pounding of the stakes,
the blood offering: the old man, the woman, the mendicant
all crucifying him again with
each plaintive prayer

once their odors fade,
the funeral sprays, the bouquets
remain--cut, dying flowers,
a fragrant impermanence
with no expectation for life
beyond their time in the
vase--no imploring a godhead
for forgiveness

no demand for blood
and perpetual death

only a little water for their brief journey
in fragile glass

he looks to that place
hidden in the grey folds and
white matter where the words
and images are birthed

all he sees are blue beans:
jelly beans, frijoles beans, kidney
beans--all as blue as robin's eggs,
strewn on a pitch black field

he waters them to see
if they will grow, for surely
this field is of magic or
at least dreams

but, it seems, nothing
sprouts; the fallow field remains
the same: a bed for countless
beads of blue

he lays his stylus down,
a sword he wielded for naught,
closes his eyes for a final view,
and all he sees is blue

a flock of them we call a ******,
though not what I did to ****** men
I shot on the Mekong, who did nothing
but startle me a muggy morn  

I watched them float,
face down in primordial mire,
not far from the wire, which
split their world from mine  

birds came by noon
greedy passerines perching, pecking
on black clad backs; they sang not a word
of thanks to me

though I had made a meal of men,
for those who drop from blue skies--not even
when the flesh pulled swiftly from bone, and
blood flowed silent over their talons

July 4, 1970, Mekong Delta, Vietnam

lone falcon high in flight, what grid of ground
is magnet to your sight?

what engrams form in fine folds
hidden in your skull?

do you recall all that passes below
on a fleeting flat earth?

do you see my shovel fighting
the stubborn caliche?

to put my wife and child in dead dirt,
before you or your brethren dive

perhaps you will take pity on me, and see
you have other places to light:

the parched prairies around me,
where I pray the creator has left
you more tantalizing temptations
for your talons

so keen were his senses he could
discern differences in grains of sand,
hear gulls' calls long before others, and
recall the number of footprints
he left on his stretch of beach

yet he spoke not a word
since she passed, stolen from him
by a fever he felt from across the room,
while others had to lay hands
on her to know

the doctor would come
and go, whispering words to his father,
not realizing the boy could hear: "typhoid"
lay in his lexicon along with "suffering"
and "death"

then the priest and prayer
too late for the woman--there
for the father, son, and her ghost;
beguiling words like "comfort"
and "eternal life"

the boy did not reveal
being mute was of his volition
allowing less sentient beasts to believe
his silence was a manner to grieve
"ruse" he also knew

months did pass, and the
others implored him to speak;
he would return again and again
to his shore, where he heard
wings and winds and more

but there no creature
asked for his tongue to move;
his naked feet in the surf were enough
and when his tears wedded the waters
the sea made not a sound

little remains
of my grandfather's house:
raw rafters, warped planks with hints
my uncle invested in paint

the windows all gone, time
and twisters took them, and much
of the roof--what is left of that sags,
a silent submission to gravity

a woodstove survives, cold
to the touch, with no memory
of the fire it once birthed, the precious
prairie timber which fed it

now it knows only mourning
doves' song; winged squatters
unperturbed by my presence, as if
they know I lay no claim to now

the old boards have stories
I will never hear: the birth of babes,
reading the Word by kerosene lamps,
the last breaths of men

the songbirds may know,
but they woo the living in flight--a
future of nesting and fertile eggs; they
owe no belated dirge to long lost kin

In death, perhaps we are like water
making our way ever deeper from sand and sky.
Maybe we fly, linger and hover awhile
and the dream of becoming a bird is real.
Maybe we are stars, floating oceans of night skies
moving toward divine light in swooping waves
pushing upwards through embryonic waters
spilling over the soul
again and again.