Julys have come and gone
in the hills of Shillong
and from the browned ORWO
the skinny boy with an oversized cap
smiles as if there's no tomorrow
but this moment
wrapped in fog and drizzle
holds everything within
the now filling life to the brim
making growth a needless shape
absurdly redundant
and never more real
than the eyes
peering from that shot of time
ecstatic in happiness
rejecting a future
too intangible
to be valuable.

Keep the innocents in the village
Don't let the children play outside
The homeless and the nameless
Must stay huddled together
Finding shelter where they can

Because there are killers high above
Dropping bombs of hatred and rhetoric
Killing and maiming indiscriminately
And the killers are from so many places
Leaders from all over the world
Whose only morality is ambition
And their only emotion is paranoia

And those who dare to disagree
Are shut up or closed down
Never to be heard from again
And those who care to notice
Are watching open-mouthed
The bloodied stump of history
Right before their eyes

                                   By Phil Roberts

I am drawing water and a ship
to carry me away, a black
ship with good timber
and no rotten planks, a ship
everyone will have a turn
at the wheel, a ship that never hears
the sad song of oars sang
where the only prayer is the wind
to carry you through the leagues
of loneliness, a ship to guide you
down sleeping rivers through
passages of lost swords, the songs
of the graveyard, oh sweet Jesus,
a blessed ship bearing his wounds,
a ship of dreams sighted by the blind
riders that put out light and darkness,
sailing constellations named for the broken-
hearted, the artists, and poets writing deep
blue poetry for the Captain and the crew.

The weather only makes it worse.
Cicadas sounding off at dusk.
The flowers blooming in reverse.

Your hand in mine.
Pour yourself another drink:
bourbon, *******.
Her hand in mine.

Our backyard has gone black,
the summer’s vestigial fireflies
devoured by limbs and leaves.

Lie on your back
and listen to me,
decode the blades
of grass that tickle
your ears and neck.

Love or silence.
Which is worse?

We pull at words
like dark threads,
composing curtains
for the windows
of a waiting hearse.

I
In the cold silence of the area
Rose a lonesome cafeteria,
Outside of it hooded forms -
Scaly horns -
Perched on white, plastic chairs
Like fifteen owls on a wire.
II
A grey-green bird in the distance
Sang a three-note song with insistence.
He sang on not to the white folks
But to the cold he tried to coax.
He sang to a spot desolate -
Sure thing, he sang to punctuate it.
©LazharBouazzi, July, 2017