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 Nov 2012 Ingrid
Iris Zii
In the faint light
Of a burning candle
She sat cross-legged
On her bed
Holding her head
In her hands …
Her face was as pale
As her nightgown,
Her eyes as red
As the flame
She was staring at …
Her face was expressionless
Lost in deep thought
It made her look
As if she wasn’t really alive …
Then she smiled
A worrisome smile
The impassive look
Still obvious in her gaze …
She laughed
And she laughed
Bloodcurdling as it sounded
The laughter echoed
In the closed room …
The dead look left her
Replaced by an malevolent facade
“The agony,” she said with malice
“Will end tonight.”
She grabbed the chandelier
And her eyes opened wide
Then she moved to the window
Subconsciously
And set the tip of the curtain ablaze ...
The room roared with the noise of fire
And the echo of her laughter
So devious and clear …
Shadows danced around the walls
Crazy shadows of black and grey
And the ceiling was stained with char …
The laughter soon faded into a cough
As the smoke filled her lungs
She fell to her knees
With a grin of victory on her face.
When the morning came,
Flowers were abloom
Birds took their place, chirruping,
On a charred window railing.
And sunshine slipped inside the room
Onto a dead burnt skeleton
Lying in the cinders...
The mists rise over
The waters at Asuka;
Memory does not
Pass away so easily.

~~
Asuka gawa
Kawa yodo sarazu
Tatsu kiri no
Omoi sugu beki
Koi ni aranuku ni
 Nov 2012 Ingrid
Eavan Boland
In the worst hour of the worst season
    of the worst year of a whole people
a man set out from the workhouse with his wife.
He was walking-they were both walking-north.

She was sick with famine fever and could not keep up.
    He lifted her and put her on his back.
He walked like that west and north.
Until at nightfall under freezing stars they arrived.

In the morning they were both found dead.
    Of cold. Of hunger. Of the toxins of a whole history.
But her feet were held against his breastbone.
The last heat of his flesh was his last gift to her.

Let no love poem ever come to this threshold.
    There is no place here for the inexact
praise of the easy graces and sensuality of the body.
There is only time for this merciless inventory:

Their death together in the winter of 1847.
    Also what they suffered. How they lived.
And what there is between a man and a woman.
And in which darkness it can best be proved.
 Nov 2012 Ingrid
Ugo
The unorthodox are the true prophets
for their ways are those of the future,
so in the now, most kings get their head cut off.

But as death is the greatest prophet,
for it never fails to come true,
their martyrdom proves their ways truer than the footsteps of their fathers,
so in the face of adversities;
never be afraid to be a lonely Jesus on the Cross.
“Most young kings get their head cut off”—Jean-Michel Basquiat
 Nov 2012 Ingrid
Damian
The heel of my hand can yin and yang
your cheekbone's hollow, thumb and finger tease
that ear lobe's cushion plush; can probe so lang-
uidly along this niche beneath your knees.
The luscious clutch of flesh holding your hips
to ribcage-harp strums slowly with each sigh;
those shoulders twitch how doves shrug, as my lips
trip jawline, neck and collar, waist then thigh.
I swear your skin tastes sweet between my teeth.
I dare you, close those eyes and let me brush
against each giddy iris underneath -
their flickers quicken, blossoming through blush -
I must touch every vertebra in turn
before your sternum curves the arc I yearn.
John Cage
didn't like improvisation,
but he was trying
to get out of his prison
that was caused
by his likes and dislikes,
so, I like improvisation
and I improvise
my life
every day,
so, the time arose
to write a poem
and I thought
that I would improvise,
but improvisation to me
doesn't mean
writing without a thought,
or
writing fast,
or
writing without care,
so,
improvisation is like
what I did in music
at a concert
in a church
a long time ago,
after my band and I
had practiced
for quite awhile,
and once we felt able
to put on a performance,
we did it.
 Nov 2012 Ingrid
Brycical
they shout.
A collection of my closest friends
and confidants
implore, plead & demand
my index finger move
only inches to squeeze
the trigger of the pistol.

Pull the trigger!

My arms are quivering--
the chain smoking hasn't helped
steady the nerves.
I'm having trouble looking
at my victim.

Pull the trigger!

He's my best friend
but also destroyed whatever life I had
as he continues spiraling out of control.
I can't focus at work,
I'm afraid to go back to my own apartment--
letting him crash for a while was a bad idea.
My nerves are shot,
I'm emotionally drained...
I'd do anything to make it stop.

Pull the trigger!

They keep shouting in unison--
all  people I trust implicitly.
They've never steered me wrong before,
they sympathize,
can't stand to see him erode away
what's left of my life.

Pull the trigger!

They're right.
There's nothing I can do--
what choice is left?
My head vibrates
from their chanting
my eyes are watering a little--
thought I'd be sobbing.
A deep exhale...
quickly raising the gun
to his head--

Pull the trigger!

He's sobbing,
whimpering like a wounded *****.
When he looks at me,
I can tell he understands
and sympathizes with me.
I whisper,
"If you don't
get the help you need--
I'm going to do what they want."
After I holster the gun
to stunned silence,
I walk away...
 Nov 2012 Ingrid
Alicia D Clarke
Hard cold sweat beads dribble down the frame of my face
My mind in a frantic race against time.
Will I make it?
Will it be too late?
My body rounds the corner at full force,
smashing into nurses,
the contents of their trays now sprawled throughout the hallway.
No time to stop.
I must keep moving.
I make my way to the elevator,
too crowded, I head for the stairs.
Never stopping,
faster! faster!
Fifth floor.
sixth.
seventh.
eighth.
As I reach the ninth floor, I begin to sprint.
Not stopping.
All heads turn in my direction.
I am almost there.
Room 201.
202.
203.
As the spray painted silver numbers 204 flash in front of my face,
I bound through the door.
I am instantly numb.
The sight of you in a hospital bed,nearly lifeless, pale, and fragile, brings me to my knees.
Just a couples weeks earlier you were so full of energy, so.. happy.
As I walk closer to your bedside,
the full image comes into focus.
Laying there so still, so quiet, any slight change of breath would be noticed.
You have no hair.
A place where once my fingers loved to graze,
a place filled with endless complements,
Hair so blonde it would make the sun jealous.
I weep at your bedside.
Memories streaming down my cheeks,
drowned in the salt water flowing from my eyes.
I take your hand.
So cold, but yet so normal.
The one thing untouched by the cancer.
Your long fingernails, perfectly painted just the way you like it.
I gently kiss your hand.
You dont move, or even open your eyes.
But sure enough you smiled.
Not your big cheesy grin you always do,
but a smile so small, only few would notice.
A smile just for me.
And with that smile,
I whispered "I love you."
And you, the love of my life, so young, and so beautiful,
took your last breath.
With your last breath came a small draft of air.
And in that moment,
I swear I heard your voice carried through the room,
The soft tone of your voice whispered back;
*" I love you too."
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