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 Sep 2013 Ian Miranda
JJ Hutton
I'm running 7:25 splits. Eight miles in. I haven't got stuck at an intersection. Not that I ever do. Runners got the right-of-way. And like my buddy Randy Run 'N Gun would say, I'm zen. Very ******* zen. Used to be a walker. Not no more. Not after the heart attack. No, siree, I'm a runner. A good runner. Lost 45 pounds. I did. I did. I stick to the left side of the road. So I can see the guilt in the drivers' eyes as they pass by. They're thinking, there's an old man out there taking care of hisself. I should be taking care of myself.

And they should. They really should.

But what's exercise to the people in this town? A walk down the block to Loaf 'N Jug for a Snickers, that's what. Or if you're a rich *****, it's twenty minutes on a Stairmaster three times a week. And I have to wonder if they're really doing it for them, you know?

I'm on the way back to the house. I peel off 30th, cutting across four lanes of traffic. Head into Garden of the Gods park. I do this so people get the right idea of the city. When I was a tourist here, I thought to myself, why's everybody all lumpy-assed and tied to children. Made a promise to myself. Told myself, when you move out there, you're going to be the trophy. So, I run through the red rocks and insert myself, mid-stride, into all those family photos. That way, when they get home, they'll point at their pictures and say, everyone in Colorado is so fit.

Now I'm getting close to the spot. It happened about a mile--mile and a half into the Snake Trail over by that 30-foot tall rock that looks a bit like Lyndon Johnson. I was a tourist and a walker then. Not no more. Not ever again.

There's a stretch of blacktop that cuts Snake Trail in two. I can't remember the name of the road. I think it's named after some preacher who got cholera, lost his faith, regained his faith in the end. One of those touching trajectories. Those stories always sound like a lot of fluffy *******, if you ask me.

Cars are backed up on Wishy-Washy Preacher Road. There's a crowd of people gathered in the middle. I look at my running watch. I don't like this. This is the kind of unplanned circumstance that skews your splits. Then your run time makes you feel like a lumpy-***, and that ain't me. Not no more.

I start pushing through the crowd. There's a lot of whispering and a lot of little kids all snotty and teary-eyed. And it's all just frustrating, because I feel like I'm cutting through molasses. I look at my running watch. I reach the center of the crowd.

A mule deer had been runover--well, halfway. The stupid beast still uses his front legs, dragging his crumpled and ****** backside along in a mad circle. A screechy whimper comes out in intervals like beeping hospital machinery. He's so scared, some middle-aged woman with a kid to each hip, says. A longbeard, beergut hippie starts into a prayer,

Gods of the natural world, gods of the sweet animal kingdom,
we ask that you wrap this wounded beacon of your light
into your warm embrace. May you replace his great pain
with the great comfort of your cool breezes, with the great
comfort of your warm sun, with the great comfort of fresh water.

I unzip my running belt. It's not a ***** pack. I pull out my NAA Guardian .32 automatic. It's not a woman's weapon. See, Randy Run 'N Gun, got his name because he invented this kind of running. I respect him for it. Got nothing but respect for that man. See, a fella has to be prepared at all times. There are mountain lions. There are bears. And perhaps worst of all are all these ******* mule deers. They ain't even scared of people. They stop and wait for you to feed them, blocking the sidewalk when I run, skewing my splits.

These hippies ain't going to do ****. They're taking photos with their cellulars and saying theologically vague prayers. And all these tourists are watching. So I walk right up to the mule deer. Someone behind me breathes in so hard, it's like she vacuumed all the sound. Pop. Pop. The beast stops its beeping. Legs twitch. Legs stop twitching. I'm the only one with courage enough to grant a mercy ****.

It's all about doing. Right? That's what the heart attack taught me. Before the heart attack, I thought about being a runner. The rhythm of it, the mechanical discipline appealed to me. Liked the idea of doing a marathon or the sound of it.  I was walking in Garden of the Gods. Noticed the LBJ rock, said to myself, Holy hell that looks like Lyndon Johnson. I heard these quick steps coming from behind me. I thought some potstentch, beergut hippie was going stab me. Felt like the gears at the center of me came off their handle. The right side of me just wasn't there anymore. As I fell I saw it was only a runner.

I reach the Lyndon Johnson rock. I'm eleven miles in. My splits have averaged to 7:43. ******* deer. The ground is lower at the spot where I had the heart attack. Why? Because I dug a hole there, that's why. The old me, the walking me, the tourist me lies dead in that hole. As I pass by, I spit it the ditch as I always do. Good riddance. Yep. Yep.

The trail finally turns downward. A little more oxygen in Ute Valley. Randy Run 'N Gun he calls moments like this, Runner's Reward. And I like that. Nature's okay. The cedars, the meadows, rivers -- all that **** -- is just fine. But what I like about running is the metaphor. See all the hippies, all the tourists they live their lives in a constant state of reward. They think, I'm alive, so I'll smoke this ***. They think, I'm alive, so I'll take ******* pictures of everything. But runners, runners know that you don't deserve life. It's a gift to be earned. So you work your *** off. Mile after mile. A reward for me is a valley. The reward doesn't last long, just long enough for me to catch my breath, you know?

I exit the valley. I pick up the pace. Try to make up for earlier delay. I cross Flying W Ranch Road. I hear metal-scraping-metal. And I'm hit.

I'm in the air. I'm sliding. I'm bouncing. My knees and elbows are hot. I blink.

A woman in a bright pink tank top and yoga pants stands over me. Stay in the car, Jacob, she shouts. Oh my god, oh my god.

I tell her runners have the right-of-way. But she doesn't respond. I say, Lady help me up, you're ******* up my splits. But she doesn't respond to that. She repeats over and over, You're going to be okay. Your'e going to be okay. Just keep looking at me.

I turn my head. The display on my watch is cracked. I can't read my splits average. My head is a ton of bricks. My elbows and knees are hot.

Jacob, stop, the woman says.

Her boy stands over me, taking pictures with his cellular.
It was her half day off work
and your afternoon
between shifts
and she had come

to the house
while others were out
at school and work
and after talking

about her job
and the manager
being a pain
and the work

so different from school
you both made love
in your upstairs bed
and afterwards

as she lay there
looking out the window
on the left hand side
she said

my mother will wonder
why I'm home late
on my half day off
you looked at the grey sky

through the windowpane
sensing her beside you
feeling her arm
touching yours

what will you tell her?
you asked
well not
that I've made love to you

she said
turning and smiling at you
why not?
you said jokingly

o yes and never see you again
probably be locked up
in the tower
if we had one

she said  
she leaned over
and kissed you
and you smelt soap

and toothpaste
and her hair
brushed against
your forehead

I'll say the manager
wanted me to stay behind
and such and such
she said

laying back
her head on the pillow
you lay your hand
on her thigh

felt her smooth skin
and would he ask you
to stay behind
for such and such?

you asked
maybe to stock shelves
if any of the other girls
weren't in

but not for such and such
she added laughing
you thought back
to the first time you

had kissed her
that Christmas while out
carol singing
with the choir from church

and it seemed
as if angels sang nearby
rather than the choir
and you caught her eyes

in the moonlight
sparkling like stars
in small oceans
what time will your mother

be home from work?
she asked
you looked
at the alarm clock

on the dressing table
at the foot of the bed
about half hour
you said

God we'd best get up
and dressed
she said
or she'll be here

and what would she say
if she saw us thus?
probably hope you
made up the bed

after you
you said
o yes I'm sure she would
I know she's a lovely lady

but I don't think
she'd say that
you both got off the bed
and began to dress

and you watched her
thinking of the times
at school when you used
to gaze at her

across the classroom
wondering as she sat there
what she looked like
without her clothes

or what colour her underwear
and now you knew
(she like some latter day Eve)
and you

her long lost Adam
sans fig leaf or shame
once dressed
she helped you make the bed

and you saw her downstairs
and out into the garden
with the chilly sun
and God's pardon.
POEM SET IN 1963.
 May 2013 Ian Miranda
JJ Hutton
7-10
 May 2013 Ian Miranda
JJ Hutton
There are only two ways to truly know someone: sleep with them or take them bowling.
Phoenix Aime was the woman of my dreams. So, I took her bowling.

Paid for a game. Rented shoes. Got the little, sticky bracelet thingy that said Slippery Joe Lanes.
That way if we got in some sort of accident on the way home,
the guy at the morgue could identify us as bowlers. Anyway, here's the bulleted list of what I knew about Phoenix up to that point:

• She looked like Diane Keaton circa 1972
• She talked with great pretension concerning craft beer
• She only patronized two restaurants: Denny's and IHOP
• She was eight years older than me
• She kissed my sister once on a dare
• Her shoe size was 7
• She was perfect or a near synonym

The bowling alley was empty save a World War II vet in a wheelchair and his wife at lane six,
and they were barely there. Country music played over the loud speaker. And I felt cozy. Predictable. Like a payment plan on the QVC.

That was until Phoenix said, "I forgot something. I'm going to go talk to Mack real quick."
Mack worked the front desk, according to his name tag. Talk to Mack. She just talked to Mack. Mack was sleeping with her. I untied my shoelaces. Oh, Mack, love your red polo with blue tiger stripes.
I pulled my sneakers off. Oh, Mack, I love it when you dip your finger in nacho cheese and feed it to me. Slid my right foot into bowling shoe. Halfway in with the left, and my socked foot struck something plastic. A stick of tiny deodorant. Like unsavory truck-stop-to-truck-stop deodorant. Oh, Mack, I love it when you deodorize -- so hard. Pull the strings tight on the left shoe. Oh, Mack, rub the deodorant until your underarms are SO CHALKY AND WHITE.

"You okay?" Phoenix asked.

"Yeah, what do I look like something's wrong?"

She carried a seafoam green bowling ball with a ****** Mary insignia. "It looks like you triple-knotted your shoes there."

And I said something dumb like, better safe than sorry.

"Sorry about leaving you all alone. Mack holds onto my ***** for me," she said.  I bet he does. "I hate talking to that guy." What? "He's a vegan."

Now, at that time in my life, I was a vegan. And had planned some stirring remarks about the processing of sweet little piggies into cancerous hot dog machines on the way to pick her up. Thought she would think me full of passion, "on fire" for a cause, you know? The wise thing would have been to say, oh well, I'm a vegan. But instead I asked, "What do you mean?"

"You know serial killer's get a last meal before they're executed, right?"

"Right." Where the hell is this going?

"Well, have you ever heard of someone on death row requesting a last meal that didn't involve some sort of animal product? Gacy had buckets of chicken, Bundy had a medium rare steak, even uh, ****, what was his name, McVeigh, Timothy McVeigh he had two pints of mint chocolate ice cream. Dairy."

"I'm not sure how this refutes veganism."

"Nobody is a vegan for their last meal. Nobody. I'm not going to subscribe to a diet that I can't follow until the very end. Live every day like your last, that's my motto."

"That's your motto." I said. To be a great listener, just repeat the last three or four things anyone says to you and raise your eyebrows a little bit. (Examples: "My dog died." -- "You're dog died.", "I never ate breakfast burritos again." -- "Never ate it again.", "I love you." -- "You love me.")

Over Phoenix's shoulder, over by lane six, the wife wheeled the World War II vet up to the lane. And he tossed the ball. Good team, I thought. Want to know someone take them to the bowling alley.

Phoenix removed a glove from her pocket. She had her own ball. Brought her own badass, jet black bowling gloves. And if her carnivorous tendencies hadn't already put a ***** in the Golden Days of Josh and Phoenix, that glove did.

She typed her name first on the scoring computer. Didn't ask if I wanted to go first. That's fine. Approached the lane, three fingers inside the ****** Mary. She brought her bony arm back with the grace of a ballerina tucked away stage right in the shadows. Mary cut from grace slid down the lane with a spin.

Strike. I couldn't really see the pins from my angle. But I recieved a transmission via the "yes" and arm pump. That was two marks against her, and I was going to three. I'd call it strikes, but well, the whole bowling skew.

Here's a bulleted list of what a "yes" and arm pump immediately taught me:

• She takes bowling serious.
• If you take bowling serious, when do you relax?
• She'd never relax.
• My life would be tucked shirts, matching belts and shoes.

For six frames, I picked up fours and sevens. Phoenix, though, nothing but strikes. I threw a gutter on frame seven. Like a normal human being, I shrugged. Made a face out the sides of my mouth. Kept it light.

"I thought you were a grown *** man," Phoenix said.

"Me too."

What happened next, I willed. I'm not god or anything like that. At the time, just cosmicly ******.
Her step stuttered. 7-10 split. "Mack!" she screamed. "Floors are slicker than a used car salesman's hair."

From across the alley,
"Sorry, Phoenix, baby. I'll bring you some nachos. That make up for it?"

"Ain't gonna knock down two pins is it?"

"So, uh, no nachos then?"

"Actually, go ahead and bring those."

She lined up. Back straight. Legs together. She rolled her neck. "You're about to see how it's done."

And I didn't. She broke it down the middle. Field goal. In that moment, that holy moment, I was knowledge plateau. Vindicated.

For about 10 seconds.

Mack swaggered over, nachos in hand. "Phoenix, sweetie, you okay?"

"Do I look okay?"

"No, that's why I asked."

"Just give me the nachos."

"Ah crap." Mack had gotten his pointer finger in the nacho cheese.

"Let me see it."

And right there, right in front the ****** Mary seafoam green bowling ball, she slurped the cheese off his finger."

Frame seven, a good as time as any to call it a match. The wife of the World War II vet kissed her husband's forehead. Handed him a ball. As I walked by, hand on shoulder. "Struck gold, dude."
 Apr 2013 Ian Miranda
Em Glass
they say if you are with
a writer, and she never
writes about you, she
doesn't love you.
    
                          i say some things
                are within you that are
                      just too precious to
                                               share.

some things are buried
so deep in your soul,
your mind just can't form
the words.
                           so instead of saying
                     what i came here to say
                     let these words suffice:
                          some things are just
                         too precious to share.
 Apr 2013 Ian Miranda
Em Glass
"The poets have been mysteriously silent on the subject of cheese." — Gilbert K. Chesterton

Weren't meant to be,
you said.
Lame excuse.
Like chocolate and cheese*,
you said.
But we get to choose.
We are people,
sure,
and we cannot change
who we are.
But we can change how we are.
Opposites attract and likes repel
but there is covalence,
too,
like things that share.
So you are the chocolate,
for you are sweeter than I,
and I will be the cheese-
of the cream variety,
rich like you,
and spreadable, flexible,
and that way we
can make it work.

There is no need
for this awful silence
between you and me.
Silence is beautiful
but it is neither here nor there.
We do what we like.
We'll break it.
Just like we'll break
the rule
of chocolate and cheese.
and it will be easy. [dare I give up the opportunity for a "piece of cake" joke. a piece of chocolate cheesecake.]
 Apr 2013 Ian Miranda
Em Glass
it wasn't snowing yet, but they'd told us it would.
probably I said something infantile, about how
I could smell it, the frostiness of snowflakes in the
air, because you smiled that knowing smile of yours,
like you were an adult and i was a child and you
didn't have the heart to take my innocence away.

that look always made my heart smile, sadly, and
it also drove me up a wall, partly because it made
me want to hug you close and pity you the
burden of assumed moral superiority, and whisper
that you, too were a child. but mostly because you
were right— I clung to my naiveté while you, you
had already had the good sense to push it away.
it followed you around with sad puppy eyes, but
you knew it and you kept it at arm's length.
you brave, brave soul.

when it did start to snow I wasn't surprised. you
were. you didn't say anything. we were in
a deserted school hallway, listening, removed
from the other kids' cries. we were
delighted too, but the others wanted to run home
early, and we knew the definition
of home better than they. and I can speak only for
myself but it seemed we both wanted only to stay
forever side by side, tucked away in our corner,
me reveling in the softness of love and friendship
and winter, you trying to be there with me but having
trouble leaving your mind, where that sad-eyed
puppy snapped at your heels. it whimpered
but you held your own.

and slowly, we built up moments like this one.
we wallowed in each other and in the coziness
of cloudy days. we read good poetry and
heard good music and took photographs as we
discussed life from our  softer world.
there were moments of such pure white happiness
that they came full circle to being sad,
simply because I knew I would never be that
happy again, and I was not wrong, and I didn't
want to be. and we had
sad moments, too, never ever think I am not
happy to be sad with you.

and slowly, too, your innocence knew its
defeat, and sat obediently at your feet,
and we shared things.
but I was a child, and a weak one at that, and
God knew I was not as strong as you so she
gave me no great suffering to speak of, to
share with you. no way to reciprocate the
vulnerability you gave, and that in
itself was suffering for me.

I regret that I was not good at saying things.
that while
you had to be your own adult and push childhood
away, I clung hopelessly to mine as
I discovered me and watched it slip
from my small hands.

among the plethora of reasons I can give for
bitterly hating sunny days is the
way the sun slanted through the window and lit
up your eyes and swilled particles around
your face like fairy dust on the day you reached
out and pulled my lanyard over your own neck.
look, you said, content. almost proud.
I'm wearing a bit of you around my
neck,
and you wove it through your
sunlit fingers, eyes bright. you tugged on it,
lightly. that's what love does, it strangles
you. and we all want it.


and I gasped at the way that word sounded,
so harsh in such beautiful sunlight on such
a soft face. but I don't want to strangle
you
. I said that. thoughtlessly,
instinctively. I regret it every day. in that regard,
you gave me a strength, but it's no german shepherd—
you are so **** strong.

when your ache tugged and tugged at you,
tore you from reality, or brought you closer to it,
it slipped its finger into that lanyard knot. loosened it.
I could have reached out right then, as you had when you
pulled the sun-soaked string over your head, and
tightened it. tightened us. been a friend.

I didn't tug the knot. if you run.
when you run,
I know that two grown dogs
will follow after you, blocked
from the sun by your receding shadow.
 Dec 2012 Ian Miranda
Brian Oarr
As a teenage boy I used to fall asleep at night
listening to the graveled voice of Ernie Harwell
fashion for me word-images of the exploits
by a band of superheroes called the Detroit Tigers.
In those semi-lucid moments before slumber,
I could see the shimmering outline of my destiny:
you see all American boys are meant to be Tigers.
So imagine my confusion, when I fractured
the right talus bone my Junior year of high school,
even putting on weight around the middle,
where no athlete worth his pin stripes would gain.
My karma had begun to take on mass.

I began to acquire knowledge, as the only perceived defense
against some parallel universe impinging upon reality.
Oh, I had everyone convinced, even my keenest teachers
believed I was destined to make my mark in scholarly pursuits.
But no one saw the crying ego of one meant to be a Tiger,
nor how that bottled up the emergence of the Man.
Never reconciled, the Man curled up in fetal dormancy.
Lifespan became synonymous with interstellar drift.
And every encountered star of knowlege was dwarfed,
having long ago collapsed of its own gravity.
Still the heavens of knowledge are auspicious,
so I looked outward, when all the answers lay concealed within.

Only as my life left the outskirts of occluded reality
did I then begin to inherit from my instinctual id,
begin to listen to disconsolate internal voices,
who had known me all along, perhaps better than myself.
The thing is ... the stage has long been set on middle-age,
what props lie about are encrusted with patina,
laden with a dust impossible to gauge or preempt,
made worse by the lack of cast, save one.
Neither Beckett, nor Pinter, could have absurded this.
So, when my acts strike you as quixotic,
when I cut with a penknife through propriety,
it's because I finally remember what it meant to be a Tiger.
"Matter is just energy waiting for something to happen."
          --- Dr. Walter Bishop, Fringe Division
 Dec 2012 Ian Miranda
Jon Tobias
Vera once told me Mickey Mouse used to be a bisexual
That she can’t have kids
That I should never get old
But if I do
Don’t get diabetes because
Sugar free chocolate doesn’t taste nice

Her hair has that blue hue
Almost purple
It brings out her eyes

Her voice
When it is not overpowered by her walker
Is smooth and sure
Like sandpaper on velvet
She talks like she is already a ghost

I had a dog when I was younger
And he got sick one day
Really he got old
Something about his liver
And he started to bleed out from the inside
I asked the vet if he was in pain
He said no
Basically he got really tired
So he thought it was time to take a nap
And he went to his place
And never woke up
That’s a nice way to die

She smiles at me
I give her change
For the diapers
And the sugar free chocolate
And the 16 ounce bottle of orange juice

I touch her hand
It feels like that one time
Paper tried to be human
And begged you to play along

I played along

I don’t want her to die
But she’s 93
She’s cool with that

She tells good stories
And I know I won’t see her one day
I’m cool with that
 Dec 2012 Ian Miranda
Jon Tobias
Bored at work
I take a razor to a white eraser

I slice an x down the marble white
So sharp the lines are invisible
Until I bend it

It will take much friction to hide what I did
But if I am too rough
It will break
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