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 Mar 2015 grim-raven
Kim Hines
I came from abuse, I came from sorrow.
What happened yesterday doesn't determine tomorrow.
I remember the past so vividly, peoples preconceptions about who I was gonna be
People in my old city thought they knew me
We in a world where we believe in fixed reality
The person you were yesterday isn't who you have to be
Ignorant people talking about , "It's just your destiny"
Stop complaining about life and be free
Do what you want, be who you want to be.
Went from the streets to a student at Seattle University
Nothing is fixed, transform your reality
-Kim Hines
 Mar 2015 grim-raven
Everlasting
Why must I write using imagery?

Should I paint words as if those words
were canvases?
Should I paint words as if by coloring them,
I could draw the eye of the reader into my poems?
Should I just paint and paint words
for the sake of painting an image
into the reader's mind?
Should I?

Ah!

Should I just paint words for them to see
what reality does not allow them to see?
Should I paint words for them to feel,
what reality does not allow them to feel?

Or Should I just paint words and become an artist, and don't care about anything else, not about me holding a brush, not about me, having colors,
Just about me, painting what I see,
What I feel, while I paint words with whatever I have in my hands.

Should I?
A Rock there is whose homely front
    The passing traveller slights;
Yet there the glow-worms hang their lamps,
    Like stars, at various heights;
And one coy Primrose to that Rock
    The vernal breeze invites.

What hideous warfare hath been waged,
    What kingdoms overthrown,
Since first I spied that Primrose-tuft
    And marked it for my own;
A lasting link in Nature’s chain
    From highest heaven let down!

The flowers, still faithful to the stems,
    Their fellowship renew;
The stems are faithful to the root,
    That worketh out of view;
And to the rock the root adheres
    In every fibre true.

Close clings to earth the living rock,
    Though threatening still to fall:
The earth is constant to her sphere;
    And God upholds them all:
So blooms this lonely Plant, nor dreads
    Her annual funeral.

                * * * * * *

Here closed the meditative strain;
    But air breathed soft that day,
The hoary mountain-heights were cheered,
    The sunny vale looked gay;
And to the Primrose of the Rock
    I gave this after-lay.

I sang-Let myriads of bright flowers,
    Like Thee, in field and grove
Revive unenvied;—mightier far,
    Than tremblings that reprove
Our vernal tendencies to hope,
    Is God’s redeeming love;

That love which changed-for wan disease,
    For sorrow that had bent
O’er hopeless dust, for withered age—
    Their moral element,
And turned the thistles of a curse
    To types beneficent.

Sin-blighted though we are, we too,
    The reasoning Sons of Men,
From one oblivious winter called
    Shall rise, and breathe again;
And in eternal summer lose
    Our threescore years and ten.

To humbleness of heart descends
    This prescience from on high,
The faith that elevates the just,
    Before and when they die;
And makes each soul a separate heaven
    A court for Deity.
 Feb 2015 grim-raven
Joel M Frye
what fragments lay in stone and silent wait
for sunrise creeping stealthily through dark
to back-light marbled forms who knew Petrarch
truncated arms which strain to touch and sate
a cold and calculated yearning carved
in everlasting porous rock compressed
as otherworldly beauty barely dressed
they stand exposed and gorgeous, proud yet starved
to feast on passion's fragments etched inside
by sculptors long since sated, fed and dead
who pounded love with hammer, chisel, sweat
from abstract concept into sanctified
emotion pulsing from unbreathing stone;
stories bled from humankind alone
Memory of a literal run through the Louvre.  The second-ex-Mrs. Frye and I did the whole museum in a single day.
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