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For taking love and not giving
I am greedy
For seeing love and not knowing
I am foolish
For wanting love and not waiting
I am impatient
For shunning love and not keeping
I am ungrateful
For needing love and not loving
I am selfish
For receiving love and not returning
I am unworthy
For loving love
I am human
the piece fell in the James
floated away to lands unknown
off on its own adventure
and we were just ****** to see it go
if you fill up a room with enough smoke
you start to see the things in people
which writhe, twist, and turn like snakes
the poisonous reaction sending up cries for help to an empty throne
and the fuel we run on:
nothing more than chemicals ****** out of the long **** of corporate fat cats
and we drink it happily
and wear the clothes they say we look good in
but in that room,
slowly filling with smoke,
we were trying to take it some place else
somewhere naked and honest
and full of the shame and secrets
that the youth of America have been carrying with them for years
like bowling ***** sitting in our gut
in the smoke filled room lies become prophetic wisdom
and like dominoes
our flaws and false beliefs
all fall down
one at a time
and when the room is completely full
we suffocate
only to disappear when the smoke clears
 Jun 2013 Emily Rogan
ZETA
We wake to the soft sounds of ecstasy lingering in the air from last night.
bon Matin leaves your lips as I trace them with my tiny brown fingertips glossed with a sultry red polish I leave your lips and wander to your neck and find my self lost in your collar bones pushing through your pale glossy skin.

It's Like ivory I whisper into your neck my nose ring grazes your jawline
My wandering hands continue on the beautiful journey to your chest beating slow and heavy my long wavy hair like the night sky falls perfectly on your chest as my amber eyes meet yours
vos yeux sont magnifiques
We pitter patter against the wooden boards of our small apartment in France our naked bodies touching.
We are only two.
We are small in France.
 Jun 2013 Emily Rogan
Grace
Run away to Boston,
gonna find my future there.
Run away to Boston.
With all my heart, it's yours to bare.

We're running away to Boston
and reaping what we've sewn.
We've run away to Boston.
Onwards, eastwards we have grown.
Should have been a folk song
Pellets of water scattered in the ground
Bursting like an explosion of memories
We stood amidst the fog of our pasts
Letting the rain cry for all our sorrow

A glimpse of light beyond the skies
Peeking into the darken world
I start to wonder
Do you remember me?

Our past flashed in the nimbus sky
Like a movie late at night
Where were we amidst the great storm?
Washed away like the September rain

The blanket of stars at night
Sparkle each moment you forget me
I start to wonder
Do you see me when you kiss her?

As the birds soar through the sunset sky
We find ourselves dancing under the twilight
Surrendering to fate this unending song
As the light fades to dark

Our palms touch in this sweet surrender
Darkness is our light amidst the forgotten
I start to wonder
Does our love finally start forever?
She sat in an empty booth. It was a Tuesday, mild, with a thin veil of cirrus clouds on the horizon. Somewhere a dog barked. Outside, the Commercial Street Flower Market opened for business. A ******* stood on the corner.
        With one the sitting woman opened the menu, scanned it, and dropped it back on the table. A bleach-blond waitress arrived. Before the waitress spoke, the sitting woman cut in.
“I’d like home fries, fruit salad, and a cup of earl grey, please.” The waitress nodded, slightly wary, and scribbled the order on her yellowed order pad. The woman went back to staring at her fingers. The waitress left.
She opened her purse, rummaged around, and grasped a worn paperback of Vonnegut’s Slaughterhouse Five. A small likeness of a snake twirled up her left index. She wore beige eye shadow and a full set of fake lashes. Her nails were lacquered candy apple red. There was a large scar on her neck. Sighing, she settled in to read. The snake ring’s eyes were rubies; as she turned the page, they glistened brightly. The café’s door jangled. Seconds later, a man slid in to the seat opposite her.
“You’re late,” she said. The man smiled. He had lidded Egyptian eyes and a set of straight, white, fluoridated teeth.
“So terribly sorry. Pressing issues.” He tapped a finger on the plastic table. The woman licked a finger and turned a creased page.
“Still reading that blasted book, are we? How many times has it been now, Laura? Twelve?”
“Fifteen, to be exact.” The waitress arrived with plates of bright fruit and steaming potato. She waitress had poorly tattooed eyebrows. They rose.
“Can I get you anything?” she said to the man.
“Strong cup of coffee. Two cubes sugar, slice of lemon on the side. Thanks.” The waitress smiled.
“Certainly. Your tea will be in, miss.” Laura nodded. The waitress sashayed off and the man leaned in, breaking the barrier between them.
“Why are you still reading that godawful book? Wasn’t once in Junior year enough?”
“No, it wasn’t. If you don’t mind, let’s get to the point. What are you doing here, Jack? I know it has nothing to do with harassing me over my literary opinions.” The book closed with a muffled snap. She slid it back in to her large purse and adjusted her dress.
“I got the part.” He said the two words with barely veiled excitement; they sounded unnatural and foreign.
“What in the name of God are you talking about?” she asked. She stabbed a home fry with her fork and sprinkled it with salt.
“I’ve made it in, Laur.” He said. She dragged the fry through a small puddle of ketchup and smiled. She leaned back and drew her hands through her hair, bit her lip.
“Who’s directing?” she asked. The waitress arrived again and they both leaned back, away from each other. He nodded his thanks, blew on his coffee, and drank deeply. She dipped her finger in the cup of tea.
“Some guy by the name of Cranston. Will, I think. He’s good. Directed a film called The Devil in Whitethorn. You might call him an artist.”
“Oh, Christ. You’ve made your big break, have you? With a ****** arthouse director no one’s heard about? I’m impressed, Jack. Real impressed.” She sipped her tea. “What’s your deep, philosophical movie about, Jack?”
“A man dragged wrongfully in to hell who has to prove to the Devil that he is a good man,” Jack said. His chin rose slightly. “he goes through his life as an invisible man, observing all of his human mistakes. Eventually he discovers that Hell is just another version of Heaven and it’s all a test to get him to look at his life as an outsider. I play the college version of the lead. I’m third-highest billed.” He reached over and snatched a strawberry from her plate. She smirked.
“Wow,” she said, “sounds deep. Almost like one of the sappier episodes of The Twilight Zone, twist and all. Tell me, does Shatner play a PTSD-riddled man who sees monsters on an airplane? Is the Devil a fan of billiards? How many aliens are in this movie of yours?” she smiled at him, exposing a line of somewhat crooked teeth. “A movie, huh? Congrats.”
“Many thanks. I thought that someone who appreciated the subtle insanity of Vonnegut might appreciate a good deep film. Are you going to finish those?” he gestured at the fries. Six of them remained. Laura slid them across the table and tucked in to the fruit plate. “No more awful local commercials for me, love.” She scoffed at that.
“You’re a crap commercial actor. How much money are you getting for this little highbrow film of yours? One K or two?” She stabbed a honeydew square and crunched it between red lips.
“Four, doll. More than you make in a month.” Her cheeks reddened.
“I don’t need much, Jack. You of all people should know that.” She coughed lightly in to her napkin. “You’re a tricky *******. How long have you known?” He licked a spot of ketchup off of his  finger.
“Oh… Five weeks? Six? Somewhere around there. We start shooting next month.” He leaned forward, lightly brushing the back of her hand with his fingers. “It’ll premier downtown on the seventh of July. Be prepared, since I’m dragging you out there with me. You’ll need a cocktail dress and modest makeup.”
“How modest is modest?” she asked. He surveyed her face, scanning with his eyes squinted slightly. Her face flushed a touch more.
“Hmm…” he said, “drop the red lipstick, add a few more spots of cover-up, light champagne eye shadow and less blush. Also, ditch the falsies.” She laughed, a light trill.
“I don’t leave the house without them. I suppose I can scour my collection for some more… What was the word you used? Modest pairs.” His fingers stopped rubbing the thin, veined skin on the back of her right hand for a short moment.
“In other words, you’ve said yes.”
“Yes, I have.” He dropped a ten-dollar bill on the table and stood up. “Call me some time. You haven’t forgotten my number, have you?” Laura grinned. He picked up the lemon, separated the meat from the rind, and rubbed the white flesh on his teeth.
“No, I haven’t.” He dropped a single white envelope on the table. She surveyed it, placing it next to the tattered paperback in her purse. He walked away.
“Oh, and Jack?” she called without looking back at him. He stopped mid-step. “I wasn’t wearing blush today.”
He grinned harder, waved his goodbyes to the waitress, and left. The door jangled. She finished the last dregs of her tea, dropped a twenty dollar bill on the table, and stood up. It was a beautiful morning. She walked outside. The bells on the entrance jangled, stilled, and their song died.
Written under the influence of WAY too much Hemingway.
A touch on my nose
The blink of a ghost
Stains of coffee
Marks of pain,
Love is gone
It will not return.
All that is left
An empty home.
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