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I still remember how his dogtags felt around my neck.
They hung over my sternum, armor for the heart beneath.
Stamped-steel identity resting between my *******,
Name/SSN/USMC/O-POS/Christian
a piece of his soul, almost,
the soldier's lover's rosary.
I said more prayers than there were silver beads.
I'm still saying them.
Love me for me, either stick around or let me be. We long for something real, but we won't settle no matter how lonely we feel. Love is sweet and kind, it's a strong bond that one day will be mine. When I utter those 3 words it will come from deep within my heart, I've known it all along and right from the start. Love me now and We will be together, be my treasure that I will cherish forever.
 Feb 2014 Eliza Sterling
EP Mason
She is a thick acrylic
she'll latch on to your canvas
she is the vibrant red of your beating heart
the rainstorm blue in your eyes
she will never fade away
there are millions of layers to her
that you can never strip

I am a washed out watercolour
a faint sweep of the spectrum
a drab and fleeting glance
dilute me
and it's like I was never there
the part of your pallet
that you will forget come morning
© Erin Mason 2014
There's a magician in the corner,
and he's showing you his tricks,
while you thumb through old photo-
graphs in a vain attempt to grasp
something meaningful from your past.

That trip to Cornwall, when those
gypsies stole your bodyboard, well at
least it made sense to blame them – at the time.
Foot pierced from beneath, blood along
the sandy beach, a trail to your then
present discomfort.

Back in the jingle-jangle room, the magician has
revealed your card – it was the four of hearts, yeah ?
Artificial applause echoes around you and
the photos, you've creased without
even realising.

Familiar faces shift with expressions,
like Freud in motion, acrylic, synthetic
and somewhat flamboyant people. This room
is where it's at, so you keep telling yourself,
character's from Kerouac laughing at the magician
who's dropped his cards, accidental confetti.

As the smoke thickens, your
grip loosens on what church-folk
call reality and perhaps even, dignity.
You return the photos to the mantel-
piece, amongst plastic teeth, tobacco
and important papers.

As your friend interviews himself
in the mirror, and somebody
licks the inside of a plastic bag,
because he's efficient, after all,
you crane your neck upwards and
hysterically laugh at the crazy patterns
in the ceiling.
 Feb 2014 Eliza Sterling
August
God, you are pitiful

Brush your hair behind your ear

What's the point?

Show your pretty smile

You're not pretty, people like you aren't pretty

Look interested in him/her, draw their attention

No one would be interested in you, even if they were, they'd realize you're pathetic

They are interest-

No they're not

But they are looking back at  yo-

Turn away before you embarrass yourself, you're an embarrassment

You are love-

You're disgusting, dull

No, you are beau-

Yes, you are a failure

No, you-

Just give up

Don't g-

You are worthless in every sense of the word

Plea-

Shut up

No one*  *wants you.
Amara Pendergraft 2014

Lately.
She's a cold one

The kind of cold
that drives deeply

Frigid and
lingeringly painful
Invisible but tangible scars

She's a cold one who
never knows just what she does
but does it anyway
unknowingly cruel

With teeth that seek
and find the flesh,
wounds with depth
that never completely heal
that have a memory

Some wounds know where and
how to hurt you
again again again
never excruciating in
the same way
but unavoidably agonizing

She's a cold one who persists
who hopes the coat protects
who doesn't see the frostbite
who is an unwitting succubus
who poisons the soul with frost
who makes warmth
fade, dwindle, disappear
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