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 Sep 2009 Eliot York
Ogden Nash
How wise I am to have instructed the butler
to instruct the first footman to instruct the second
footman to instruct the doorman to order my carriage;
I am about to volunteer a definition of marriage.
Just as I know that there are two Hagens, Walter and Copen,
I know that marriage is a legal and religious alliance entered
into by a man who can't sleep with the window shut and a
woman who can't sleep with the window open.
Moreover, just as I am unsure of the difference between
flora and fauna and flotsam and jetsam,
I am quite sure that marriage is the alliance of two people
one of whom never remembers birthdays and the other
never forgetsam,
And he refuses to believe there is a leak in the water pipe or
the gas pipe and she is convinced she is about to asphyxiate
or drown,
And she says Quick get up and get my hairbrushes off the
windowsill, it's raining in, and he replies Oh they're all right,

it's only raining straight down.
That is why marriage is so much more interesting than divorce,
Because it's the only known example of the happy meeting of
the immovable object and the irresistible force.
So I hope husbands and wives will continue to debate and
combat over everything debatable and combatable,
Because I believe a little incompatibility is the spice of life,
particularly if he has income and she is pattable.
 Sep 2009 Eliot York
Walt Whitman
Be composed—be at ease with me—I am Walt Whitman, liberal and ***** as Nature;
Not till the sun excludes you, do I exclude you;
Not till the waters refuse to glisten for you, and the leaves to rustle for you,
do my words refuse to glisten and rustle for you.

My girl, I appoint with you an appointment—and I charge you that you make
preparation to be worthy to meet me,
And I charge you that you be patient and perfect till I come.

Till then, I salute you with a significant look, that you do not forget me.
 Sep 2009 Eliot York
Ogden Nash
To keep your marriage brimming
With love in the loving cup,
Whenever you’re wrong, admit it;
Whenever you’re right, shut up.
569

I reckon—when I count it all—
First—Poets—Then the Sun—
Then Summer—Then the Heaven of God—
And then—the List is done—

But, looking back—the First so seems
To Comprehend the Whole—
The Others look a needless Show—
So I write—Poets—All—

Their Summer—lasts a Solid Year—
They can afford a Sun
The East—would deem extravagant—
And if the Further Heaven—

Be Beautiful as they prepare
For Those who worship Them—
It is too difficult a Grace—
To justify the Dream—
(As Distinguished by an Italian Person of Quality)

I

Had I but plenty of money, money enough and to spare,
The house for me, no doubt, were a house in the city-square;
Ah, such a life, such a life, as one leads at the window there!

II

Something to see, by Bacchus, something to hear, at least!
There, the whole day long, one’s life is a perfect feast;
While up at a villa one lives, I maintain it, no more than a beast.

III

Well now, look at our villa! stuck like the horn of a bull
Just on a mountain’s edge as bare as the creature’s skull,
Save a mere **** of a bush with hardly a leaf to pull!
—I scratch my own, sometimes, to see if the hair’s turned wool.

IV

But the city, oh the city—the square with the houses! Why?
They are stone-faced, white as a curd, there’s something to take the eye!
Houses in four straight lines, not a single front awry!
You watch who crosses and gossips, who saunters, who hurries by:
Green blinds, as a matter of course, to draw when the sun gets high;
And the shops with fanciful signs which are painted properly.

V

What of a villa? Though winter be over in March by rights,
’Tis May perhaps ere the snow shall have withered well off the heights:
You’ve the brown ploughed land before, where the oxen steam and wheeze,
And the hills over-smoked behind by the faint grey olive trees.

VI

Is it better in May, I ask you? You’ve summer all at once;
In a day he leaps complete with a few strong April suns.
’Mid the sharp short emerald wheat, scarce risen three fingers well,
The wild tulip, at end of its tube, blows out its great red bell
Like a thin clear bubble of blood, for the children to pick and sell.

VII

Is it ever hot in the square? There’s a fountain to spout and splash!
In the shade it sings and springs; in the shine such foam-bows flash
On the horses with curling fish-tails, that prance and paddle and pash
Round the lady atop in her conch—fifty gazers do not abash,
Though all that she wears is some weeds round her waist in a sort of sash!

VIII

All the year long at the villa, nothing to see though you linger,
Except yon cypress that points like Death’s lean lifted forefinger.
Some think fireflies pretty, when they mix in the corn and mingle,
Or thrid the stinking hemp till the stalks of it seem a-tingle.
Late August or early September, the stunning cicala is shrill,
And the bees keep their tiresome whine round the resinous firs on the hill.
Enough of the seasons,—I spare you the months of the fever and chill.

IX

Ere opening your eyes in the city, the blessed church-bells begin:
No sooner the bells leave off than the diligence rattles in:
You get the pick of the news, and it costs you never a pin.
By and by there’s the travelling doctor gives pills, lets blood, draws teeth;
Or the Pulcinello-trumpet breaks up the market beneath.
At the post-office such a scene-picture—the new play, piping hot!
And a notice how, only this morning, three liberal thieves were shot.
Above it, behold the Archbishop’s most fatherly of rebukes,
And beneath, with his crown and his lion, some little new law of the Duke’s!
Or a sonnet with flowery marge, to the Reverend Don So-and-so
Who is Dante, Boccaccio, Petrarca, Saint Jerome, and Cicero,
“And moreover,” (the sonnet goes rhyming,) “the skirts of Saint Paul has reached,
Having preached us those six Lent-lectures more unctuous than ever he preached.”
Noon strikes,—here sweeps the procession! our Lady borne smiling and smart
With a pink gauze gown all spangles, and seven swords stuck in her heart!
Bang, whang, whang goes the drum, tootle-te-tootle the fife;
No keeping one’s haunches still: it’s the greatest pleasure in life.

X

But bless you, it’s dear—it’s dear! fowls, wine, at double the rate.
They have clapped a new tax upon salt, and what oil pays passing the gate
It’s a horror to think of. And so, the villa for me, not the city!
Beggars can scarcely be choosers: but still—ah, the pity, the pity!
Look, two and two go the priests, then the monks with cowls and sandals,
And the penitents dressed in white shirts, a-holding the yellow candles;
One, he carries a flag up straight, and another a cross with handles,
And the Duke’s guard brings up the rear, for the better prevention of scandals.
Bang, whang, whang goes the drum, tootle-te-tootle the fife.
Oh, a day in the city-square, there is no such pleasure in life!
Democracy will not come
Today, this year
   Nor ever
Through compromise and fear.

I have as much right
As the other fellow has
  To stand
On my two feet
And own the land.

I tire so of hearing people say,
Let things take their course.
Tomorrow is another day.
I do not need my freedom when I'm dead.
I cannot live on tomorrow's bread.

      Freedom
      Is a strong seed
      Planted
      In a great need.

      I live here, too.
      I want freedom
      Just as you.
That Justice is a blind goddess
Is a thing to which we black are wise:
Her bandage hides two festering sores
That once perhaps were eyes.
 Aug 2009 Eliot York
Lord Byron
Oh! snatched away in beauty’s bloom,
On thee shall press no ponderous tomb;
But on thy turf shall roses rear
Their leaves, the earliest of the year;
And the wild cypress wave in tender gloom:

And oft by yon blue gushing stream
Shall Sorrow lean her drooping head,
And feed deep thought with many a dream,
And lingering pause and lightly tread;
Fond wretch! as if her step disturbed the dead!

Away! ye know that tears are vain,
That death nor heeds nor hears distress:
Will this unteach us to complain?
Or make one mourner weep the less?
And thou—who tell’st me to forget,
Thy looks are wan, thine eyes are wet.
You spotted snakes with double tongue,
  Thorny hedgehogs, be not seen;
Newts and blind-worms, do no wrong;
  Come not near our fairy queen.

      Philomel, with melody,
      Sing in our sweet lullaby;
    Lulla, lulla, lullaby; lulla, lulla, lullaby!
        Never harm,
        Nor spell nor charm,
      Come our lovely lady nigh;
      So, good night, with lullaby.

Weaving spiders, come not here;
  Hence, you long-legg’d spinners, hence!
Beetles black, approach not near;
  Worm nor snail, do no offence.

      Philomel, with melody,
      Sing in our sweet lullaby;
    Lulla, lulla, lullaby; lulla, lulla, lullaby!
        Never harm,
        Nor spell nor charm,
      Come our lovely lady nigh;
      So, good night, with lullaby.
 Aug 2009 Eliot York
James Joyce
Rain on Rahoon falls softly, softly falling,
Where my dark lover lies.
Sad is his voice that calls me, sadly calling,
At grey moonrise.

Love, hear thou
How soft, how sad his voice is ever calling,
Ever unanswered, and the dark rain falling,
Then as now.

Dark too our hearts, O love, shall lie and cold
As his sad heart has lain
Under the moongrey nettles, the black mould
And muttering rain.
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